Biography of a barto for elementary school children. Agnia Barto - biography, photos, poems, books, personal life of the children's poetess. Personal life of Agnia Barto

Agniya Barto. Poems for children

Agnia Barto began writing from childhood in elementary school. Most of Agnia's poems Barto written for children - preschoolers or junior schoolchildren. Her poems are easy to read and memorize for children. Barto began writing poems for children when she got older. I wrote children's poems about my girlfriends. Since then, her poems for children have become popular. Humor and expression of children's feelings are characteristic of the poems of A. Barto. Poems for children Bartobring adults and children together, helping themin communication. That is why poems for children Barto They so accurately consolidate everything characteristic of different years, which is experienced by children of several generations. Barto's poems for children are pages of our childhood. Bartoalmost always in her poems she speaks on behalf of the child, and she has the right to do so. When you read these poems, you see that the author does not live somewhere nearby, but together with our children, hears not only their conversations, but also their thoughts, knows how to read between the lines in children's letters, which she received in the thousands.

Barto Agnia Lvovna, whose biography will be discussed in detail in this article, is famous throughout the post-Soviet space for her beautiful children's poems. However, few people know that the poetess also translated, wrote film scripts and was even a radio presenter.

Childhood

On February 17, 1906, Barto Agnia was born. The writer's biography suggests that her childhood years were very joyful. The girl was born into an intelligent family. Her father, Lev Nikolaevich, worked as a veterinarian, and her mother, Maria Ilyinichna, raised her daughter and ran the household.

Agnia (nee Volova) was born in Moscow, where she spent her childhood and youth. She always remembered her father especially warmly. Lev Nikolaevich often went on business trips, but on those rare days when he was at home, he spent a lot of time with his beloved daughter, read Krylov’s fables to her, and taught her to read. It was he who instilled in Agnia a love of literature. His first serious gift was the biography book “How L. N. Tolstoy lived and worked.”

The poetess had somewhat conflicting feelings towards her mother. On the one hand, she loved her, on the other, she admitted that she considered her a capricious and lazy woman who constantly puts things off until tomorrow. A nanny who came from the village and a governess who taught the girl French took care of the child.

Academic years

Agnia Barto (photo and biography are presented in this article) received an excellent home education, led by her father. Lev Nikolaevich hoped that his daughter would become a ballerina, so she studied dancing for many years, but did not show talent in this area. But Agnia began writing poetry in childhood. Akhmatova became the standard for her. Nevertheless, she did not give up ballet and combined these classes with gymnasium classes.

Agnia’s first critic was her father. He was very strict about her poetic attempts and did not allow his daughter to neglect stylistics and poetic meters. He especially scolded her for often changing meters in the lines of one verse. However, it is precisely this feature of Barto’s poetry that will later become distinctive.

Revolutionary events and the Civil War did not particularly influence the girl’s fate, since she lived in the world of ballet and poetry. After the gymnasium, Agnia went to the Choreographic School, graduating from which in 1924. These were hungry years, and the future poetess, despite her age of fifteen, went to work in a store that sold herring heads, from which they made soup.

Final exam

The biography of Agnia Barto is replete with happy accidents (a brief summary of the poetess’s life can be compiled from many unexpected coincidences). So, the graduation test at the ballet school was approaching, at which Lunacharsky himself, the People's Commissar of Education, was supposed to attend. The program included a final exam and a concert prepared by the graduates. At the concert, Agnia read her poems, it was a humorous sketch “Funeral March”. Lunacharsky remembered the young poetess and after some time she was invited to the People's Commissariat for Education. The People's Commissar personally talked with Agnia and said that her calling was to write humorous poetry. This greatly offended the girl, as she dreamed of writing about love. Therefore, Barto did not listen to Lunacharsky and joined the ballet troupe, where she worked for a year.

The path of the poetess

Barto Agnia was forced to give up her career as a ballerina; the writer’s biography changed dramatically after working in a theater troupe. The girl realized that dancing was not her thing. And already in 1925, the poetess’s first book, “Chinese Little Wang Li,” was published, and then the collection of poems “The Thief Bear.” By this time she had just turned 19 years old.

Barto quickly gained fame, but this did not rid her of her natural shyness. It was she who prevented the girl from meeting Mayakovsky, whose poems she adored. At the same time, books with her poems for children were published one after another: “Toys”, “Fetching Flowers in the Winter Forest”, “Bullfinch”, “Reverse Boy”, etc.

The year 1947 was marked by the release of the poem “Zvenigorod”, the heroes of which were children whose parents died during the war. To write this work, Barto visited several orphanages, talked with their pupils, who told her about their lives and their dead families.

Creation

In her poems, Barto Agnia spoke to children in their language. The biography of the poetess indicates that she had no creative failures. Probably the reason for this was her attitude towards the kids as peers. That is why each of us is familiar with her poems and remember them by heart. It is Barto’s works that a child first becomes acquainted with, and then tells them to his children.

Few people know that Agnia was also a screenwriter. In particular, she wrote scripts for the following famous films:

• "Ten Thousand Boys"
• “Alyosha Ptitsyn develops character.”
• "Foundling".
• "Elephant and String"

For her works, Barto received several government awards. Among them are the Stalin (1950) and Lenin (1972) prizes.

Foreign travel and war

Barto Agnia visited abroad several times (her biography confirms this). This happened for the first time in 1937. The poetess ended up in Spain, where military operations were taking place. Here she witnessed terrible pictures and heard stories of mothers who lost their children forever. Already in the late 30s, the writer went to Germany, which seemed like a toy. However, from the slogans and Nazi symbols, I realized that war could not be avoided for the Soviet Union.

During the Great Patriotic War, Barto did not want to evacuate from the capital and was going to work on the radio. However, her second husband, a power plant specialist, was sent to the Urals, and he took his family with him - his wife and two children. Despite this, the poetess found the opportunity to come to Moscow and record programs for the All-Union Radio. In the capital, Barto lived in her apartment and once came under bombing. Her house was not damaged, but she saw the destruction of the neighboring one and remembered it for a long time.

At the same time, she repeatedly asked to enlist in the army, and at the end of the war her wish was fulfilled. Agnia was sent to the front, where she read her children's poems to the soldiers for a month.

Personal life

Agnia Barto was not as successful in her personal life as in her work. A short biography telling about her family is full of irreparable losses and grief.

The poetess first married Pavel Nikolaevich Barto at the age of 18, and it was under his name that she became famous. He was a writer and at first worked together with Agnia. They composed the following works: “Roaring Girl”, “Counting Table” and “Dirty Girl”. In 1927, the couple had a boy, who was named Edgar, but Agnia always affectionately called him Garik. The birth of a child did not save the marriage, and after 6 years the couple separated. Presumably, the reason was the creative success of the poetess, which her husband refused to acknowledge.

The second marriage turned out to be much more successful. The chosen one was Andrei Vladimirovich Shcheglyaev, who was considered one of the best power engineers of the USSR. Representatives of various creative professions often gathered in their house: directors, writers, musicians, actors. Among Barto's friends were Faina Ranevskaya and Rina Zelenaya. Andrei and Agnia loved each other, their life together turned out well. Soon they had a daughter, who was named Tatyana.

On May 4, 1945, a terrible tragedy occurred in the family - a car hit Garik, who was riding a bicycle. The seventeen-year-old boy died instantly. In the first months after the funeral, Agnia was cut off from reality, ate almost nothing and did not talk to anyone. The poetess devoted the rest of her life to her husband and raising her daughter and grandchildren.

In 1970, Barto suffered another blow - her husband died of cancer. The poetess outlived him by 11 years and left this world on April 1, 1981.

Agnia Barto (biography): interesting facts

Here are some notable events from the life of the poetess:

• All Barto's documents indicate that she was born in 1906. But in fact, Agnia was born a year or two later. The inaccuracy in the dates is not the fault of the bureaucrats; the writer added extra years to herself in order to be hired, since in those years there was a terrible famine in the country.
• The poem “Zvenigorod” is notable not only for its popularity and theme. Immediately after its publication, Agnia received a letter written by a woman who had lost her daughter at the beginning of the war. Some parts of the poem seemed familiar to her and she began to hope that the poetess was talking with her child in the orphanage. It soon became clear that this was so. Mother and daughter met after 10 years of separation.
• In her youth, Agnia was in love with Mayakovsky. It was the poet’s words that one should write only for children that prompted the girl to choose such a poetic destiny.

Agnia Barto: biography for children

It is better to start a story about the life of the poetess for children from her childhood. Talk about your parents, ballet classes and dreams. Then you can move on to poetry. It is advisable to recite a few poems by Barto here. It would be useful to mention foreign trips and provide interesting facts. You can focus on the poetess’s communication with children. It’s better not to touch on your personal life - schoolchildren are rarely interested in this.

Finally, we can talk about how Agniya Lvovna Barto spent the last years of her life. A biography for children should not be replete with dates.

Barto Agnia Lvovna. 02/17/1906 - 04/01/1981 Russian Soviet children's poetess, writer, film screenwriter Agnia Lvovna Barto was born in Moscow on February 17, 1906 in an educated Jewish family. She received a good home education, led by her father. Agnia studied at a choreographic school and was going to become a ballerina. She loved to dance. A. Barto began writing poetry in early childhood, in the first grades of the gymnasium. The most strict connoisseur of A. Barto's first poems was her father Lev Nikolaevich Volokhov, a veterinarian. With the help of serious books, without a primer, Agnia’s father taught her the alphabet, and she began to read on her own. Her father watched her closely and taught her how to write poetry “correctly.” But Agnia Lvovna was attracted by something else at that time - music, ballet. She dreamed of becoming a dancer; she loved to dance. That’s why I went to study at a choreographic school, but even there I continued to write poetry. Several years passed, and Agniya Lvovna realized that poetry was more important to her. And in 1925 (she was only 19 years old at the time!) her first book, “The Chinese Little Wang Li and the Thief Bear,” was published. The readers really liked the poems. A conversation with Mayakovsky about how children need new poetry, what role it can play in raising children, helped her finally make a choice. Agnia's youth fell on the years of revolution and civil war. But somehow she managed to live in her own world, where ballet and poetry writing coexisted peacefully. Agnia Lvovna's first husband was the poet Pavel Barto. Together they wrote three poems - “Roaring Girl”, “Dirty Girl” and “Counting Table”. They had a son, Egar (Garik), and after 6 years they divorced. In the spring of 1945, Garik died tragically at the age of 18 (he was hit by a truck while riding a bicycle). With her second husband, Andrei Shcheglyaev, Agnia lived for almost half a century of great love and mutual understanding. From the memoirs of their daughter Tatyana: “Mom was the main helmsman in the house, everything was done with her knowledge. On the other hand, they took care of her and tried to create working conditions - she didn’t bake pies, didn’t stand in lines, but was, of course, the mistress of the house . Our nanny Domna Ivanovna lived with us all her life, who came to the house back in 1925, when my older brother Garik was born. Fame came to her quite quickly, but did not add courage to her - Agnia was very shy. She adored Mayakovsky, but after meeting she did not dare to speak to him. Having dared to read her poem to Chukovsky, Barto attributed the authorship to a five-year-old boy. Perhaps it was precisely because of her shyness that Agnia Barto had no enemies. She died on April 1, 1981. Agnia Barto once said: “Almost every person has moments in life when he does more than he can.” In her case, it wasn’t just a minute—she lived her whole life this way. Agnia Barto was buried in Moscow at the Novodevichy cemetery.

Barto Agnia Lvovna (1906-1981) was born on February 17 in Moscow in the family of a veterinarian. She received a good home education, led by her father. She studied at the gymnasium, where she began writing poetry. At the same time, she studied at the choreographic school, where A. Lunacharsky came for graduation tests and, after listening to Barto’s poems, advised her to continue writing.

In 1925, books of poems for children were published - "Chinese Wang Li", Teddy Bear." A conversation with Mayakovsky about how children need fundamentally new poetry, what role it can play in the education of a future citizen, finally determined the choice of subject matter for Barto's poetry. She regularly published collections of poems: “Brothers” (1928), “On the contrary boy” (1934), “Toys” (1936), “Bullfinch” (1939).

In 1937, Barto was a delegate to the International Congress for the Defense of Culture, which was held in Spain. There she saw with her own eyes what fascism was (congress meetings were held in the besieged, burning Madrid). During World War II, Barto often spoke on the radio in Moscow and Sverdlovsk, wrote war poems, articles, and essays. In 1942 she was a correspondent for Komsomolskaya Pravda on the Western Front.

In the post-war years she visited Bulgaria, Iceland, Japan, England and other countries.

In 1940-50, new collections were published: “First-grader”, “Zvenigorod”, “Funny Poems”, “Poems for Children”. During these same years, he worked on scripts for children's films "The Foundling", "The Elephant and the Rope", and "Alyosha Ptitsyn Develops Character".

In 1958 she wrote a large cycle of satirical poems for children “Leshenka, Leshenka”, “Grandfather’s Granddaughter”, etc.

In 1969 the book of prose “Find a Person” was published, in 1976 the book “Notes of a Children's Poet” was published. A. Barto died in 1981 in Moscow.

http://www.peoples.ru

Poems for children.

TWO SISTERS LOOK AT THEIR BROTHER
Two sisters look at their brother:
Small, awkward,
Can't smile
He just frowns.

The younger brother sneezed in his sleep,
Sisters rejoice:
- The child is already growing -
He sneezed like an adult!

TWINS
We are friends - two Yashkas,
They called us "the twins".
- How different! -
Passers-by say.

And I have to explain
That we are not brothers at all,
We are friends - two Jacobs,
Our names are the same.

LULLABY
The older brother cradled his sister:
- Baiushki bye!
Let's take the dolls away from here,
Baiushki bye.

Persuaded the girl
(She's only a year old):
- Time to sleep,
Bury yourself in the pillow
I'll give you a hockey stick
You will stand on the ice.

Byushki,
Do not Cry,
I'll give it to you
Soccer ball,
Want -
You will be for the judge
Hush, Little Baby, Do not Say a Word!

The older brother cradled his sister:
- Well, let's not buy a ball,
I'll bring the dolls back
Just don't cry.

Well, don't cry, don't be stubborn.
It's time to sleep long ago...
You understand - I am mom and dad
Sent me off to the cinema.

IN AN EMPTY APARTMENT
I opened the door with my key.
I'm standing in an empty apartment.
No, I'm not upset at all
That I'm in an empty apartment.

Thanks for this key!
I can do what I want -
After all, I'm alone in the apartment,
Alone in an empty apartment.

Thanks for this key!
Now I'll turn on the radio
I'll shout out all the singers!

I can whistle, knock on doors,
Nobody will say: "Don't make noise!"
No one will say: "Don't whistle!"
Everyone is at work until five!

Thanks for this key...
But for some reason I'm silent
And I don't want anything
Alone in an empty apartment.

CALLS
I am Volodin's marks
I'll find out without the diary.
If a brother comes with a three
Three bells ring.

If suddenly in our apartment
The ringing begins -
So five or four
He received it today.

If he comes with a deuce -
I hear from afar:
Two short ones are heard,
Indecisive call.

Well, what if one is
He knocks quietly on the door.

QUEEN
If you are still nowhere
Haven't met the queen, -
Look - here she is!
She lives among us.

Everyone, right and left,
The Queen announces:

-Where is my cloak? Hang him!
Why isn't he there?

My briefcase is heavy -
Bring it to school!

I instruct the duty officer
Bring me a mug of tea
And buy it for me at the buffet
Each, each, a piece of candy.

The Queen is in third grade,
And her name is Nastasya.

Nastya's bow
Like a crown
Like a crown
From nylon.

MIRACLE IN THE LESSON
I once accidentally
I dozed off during class.
I feel comfortable and pleasant
I'm sailing on a boat
And one thing is not clear to me,
Whether in a dream or in reality.

Suddenly out of nowhere
Sounds in the distance:
— Shura Volkova,
to the blackboard!

And then a miracle happened:
I'm sailing on a boat
And in a dream I tear water lilies,
And I learned the lesson without hesitation
I answer in reality.

Got a C+
But I took a nap in style.

SPEAKER
The young speaker spoke,
He talked about work.
He argued from the podium:
— Labor is needed always, everywhere!

The school tells us to work,
The squad teaches this...
- Pick up the papers from the floor!
One of the guys shouted.

But here the speaker winces:
- There is a cleaning lady for that!

ASSISTANT
Tanyusha has a lot to do,
Tanyusha has a lot to do:
In the morning I helped my brother,—
He ate candy in the morning.

Here's how much Tanya has to do:
Tanya ate, drank tea,
I sat down and sat with my mother,
She got up and went to her grandmother.

Before going to bed I told my mother:
- You undress me yourself,
I'm tired, I can't
I'll help you tomorrow.

RUBBER ZINE
Bought in a store
Rubber Zina,
Rubber Zina
They brought it in a basket.
She was gaping
Rubber Zina,
Fell from the basket
Smeared in mud.
We'll wash it in gasoline
Rubber Zina,
We'll wash it in gasoline
And we shake our fingers:
Don't be so dumb
Rubber Zina,
Otherwise we’ll send Zina
Back to the store.

GAME OF THE HERD
Yesterday we played flock,
And we needed to growl.
We growled and bellowed
They barked like dogs,
Haven't heard any comments
Anna Nikolaevna.

And she said sternly:
-What kind of noise are you making?
I've seen a lot of children -
This is the first time I've seen something like this.

We told her in response:
- There are no children here!
We are not Petya and not Vova -
We are dogs and cows.

And the dogs always bark
They don’t understand your words.
And the cows always moo,
Keeping the flies away.

And she answered: “What are you talking about?”
Okay, if you are cows,
I was a shepherd then.
Please keep in mind:
I'm taking the cows home.

FIRST AND LAST NAME
At our Vasily's
There is a first and last name.

Today first graders
Enrolled in class
Vasenka was not at a loss
And he immediately declared:

- I have a last name!
I'm Vasya Chistyakov. —
They added Vasily in an instant
Among the students.

Yes, first and last name -
Not a piece of cake!

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Biography, life story of Barto Agnia Lvovna

Children's writer Agnia Lvovna Barto (nee Gitel Leibovna Volova) was born in 1907 on the 4th of February (17th BC). Her father was a veterinarian, her mother was a housewife. As a child, the future writer studied at a choreographic school and at the same time at a gymnasium. Lunacharsky listened to her poems during the final exam at school and advised her not to give up writing. It was he who did everything so that instead of a ballerina, she would grow into a children's writer. Lunacharsky carried out a government order to search for talent. Being a Soviet writer, Barto did not remember her bourgeois childhood in a house that was quite wealthy. My father loved the writer and was in moderate opposition to the authorities. He was a fan of the arts and saw his daughter's future as a ballet dancer. Agnia was fond of early poetry and adored it. Agnia’s youth fell precisely during the harsh years of the revolution and civil war. However, she continued to practice ballet and write poetry. After meeting with Lunacharsky at the school, she was summoned to the People's Commissariat for Education and offered to write funny poetry. Agnia felt almost insulted, since she thought of herself as a poetess of a tragic sound at the level. She was offended that she was perceived as a comedian.

In 1925, she published the book “Chinese Wang Li,” which was a success and introduced her to the world of Silver Age poets. The choice of topic was also influenced by, which convinced Agnia of the need for poetry for children. Collections of poems began to be published regularly. In 1937, Agnia Barto was a delegate to the Congress for the Defense of Culture, held in Spain in besieged Madrid. Agnia was very shy and did not get involved in literary squabbles. The Silver Age instilled in her respect for words; she was a perfectionist and tried to be perfect in everything, but did not try to seem smarter than she really was. Readers began to love her, but among writers she became an object of attack. Relations with her became bad for many years, she became the object of his nagging. tried to instruct her and was patronizing. At the age of 20, Agnia left her husband, the poet Pavel Barto, with whom she had a son, Garik. She spent the rest of her life with energy scientist Shchegolyaev, they had a daughter, Tatyana. It was a hospitable family; writers, musicians, and actors visited the house. Agnia was friends with actresses Rina Zelena and. They lived in an apartment directly opposite the Tretyakov Gallery, on Lavrushinsky Lane. The housekeeper Domasha took care of the housework, the children had a nanny and a personal driver. The family was prosperous, the husband was making a career. The writer did not have a secretary or an office, but she had a dacha in Novo-Daryino, where her favorite table stood and books were piled up.

CONTINUED BELOW

During the Patriotic War, Agnia Barto spoke on the radio, was a war correspondent, and wrote war poems, essays and articles. The husband was sent to Sverdlovsk, where they spent years of evacuation. Barto met in Sverdlovsk with, who seemed to her, like all Urals, closed and distrustful. Barto worked in the machine shop with teenagers, drawing stories from them; she needed to communicate with children. There was also an attempt to become an adult writer, a front-line correspondent.

They returned to Moscow in 1944. In 1945, on May 4, his son accidentally died in a car accident. Therefore, there was no Victory Day for Agnia Lvovna. In 1947, Barto published the poem "Zvenigorod", which had a special fate. After the publication of the poem on the Mayak radio station, Agnia Barto began broadcasting the program “Looking for a Man,” which she did for 10 years. According to childhood memories, she was looking for children lost during this terrible war. She reunited almost a thousand families. This work restored her to a semblance of peace of mind, and she became a national heroine. In 1950 she received the Stalin Prize. The Lenin Prize awaited her until 1972. There were other government awards - orders: the Red Banner of Labor, the October Revolution, the Badge of Honor and, finally, the international Order of Smile. In the post-war years, she traveled abroad, visited Bulgaria, Iceland, England, Japan and other countries. Agnia Lvovna Barto became the favorite writer and poet of many generations of children. For decades, she offered help to the families of repressed acquaintances, found apartments using her connections, obtained scarce medicines for them, and found the best doctors.

Agnia's husband Barto died in 1970, the writer survived him by 11 years. She wrote two books of memoirs, more than a hundred poems. Agnia Lvovna Barto died in 1981 on April 1.