There was a blue fire. Analysis of the poem “A blue fire swept up” (S. Yesenin). "The blue fire swept": the history of creation
“The blue fire swept…” Sergey Yesenin
A blue fire swept
Forgotten relatives gave.I was all - like a neglected garden,
He was greedy for women and potion.
Enjoyed drinking and dancing
And lose your life without looking back.I would just look at you
To see the eye of a golden-brown whirlpool,
And so that, not loving the past,
You couldn't leave for someone else.Tread gentle, light camp,
If you knew with a stubborn heart,
How does a bully know how to love,
How can he be humble.I would forever forget taverns
And I would give up writing poetry.
Just to gently touch the hand
And your hair color in autumn.I would follow you forever
At least in their own, even in others they gave ...
For the first time I sang about love,
For the first time I refuse to scandal.
Analysis of Yesenin's poem "A blue fire swept ..."
In August 1923, Yesenin returned to Moscow after a trip to the United States of America. By this time, his controversial marriage to Isadora Duncan was on the verge of divorce. Almost immediately after his arrival in the Soviet Union, Sergei Alexandrovich met Augusta Leonidovna Miklashevskaya, a beautiful actress who served in the famous Tairov Chamber Theater. The poet instantly fell in love with the actress. Much later, she admitted that their romance was purely platonic in nature, the couple never even kissed. Yesenin dedicated to Miklashevskaya the heartfelt cycle “Love of a Hooligan”, which included seven poems - real masterpieces of Russian intimate lyrics of the twentieth century. The series opens with the work "A blue fire swept ...".
The key motive not only of the text under consideration, but also of the cycle as a whole, is the motive of renunciation of the past life. The lyrical hero actually promises his beloved to start all over again. He intends to forever renounce scandals, alcohol. The strongest feeling experienced in relation to a woman makes him completely change. His goal is to prove "how a bully knows how to love, how he knows how to be submissive." It is interesting that the lyrical hero is ready to give up creativity: "... and I would give up writing poetry." For the poet, this is a more serious step than stopping visiting taverns. The meaning of life from now on is not to have fun and create lyrical works. The concentration takes place on the image of the adored woman:
I would just look at you
To see the eye of a golden-brown whirlpool ...
The poem "A blue fire swept ..." is distinguished by a ring composition. Two lines are repeated in the first and last stanzas:
For the first time I sang about love,
For the first time I refuse to scandal.
Everything is clear about the scandals - Yesenin's image was formed from them for a long time. A little harder with love. Intimate lyrics met in the work of Sergei Alexandrovich and before he met Miklashevskaya. That's just love there is often presented in a completely different way. You don't have to look far for examples. In 1924, the poet published the collection "Moscow Tavern". It has a section of the same name that precedes just "Love of a bully." In this cycle, love appears to readers not as a bright feeling, but as an infection, a plague, a whirlpool. It seems that the lyrical hero was disappointed in all the representatives of the weaker sex. He is not shy in expressions, allowing himself frank rudeness, vulgarity, disrespect. Such an attitude towards a woman in Yesenin's work appears for the first time. However, there is some light at the end of the tunnel. For example, in the last lines of the poem “Rash, harmonica. Boredom… Boredom…”:
Honey, I'm crying...
Sorry Sorry!
"Moscow Tavern" is the cry of a wounded soul that is trying to find healing. "Love of a bully" - newfound happiness. According to the poem “A blue fire was swept up ...”, it is clear that the lyrical hero had never experienced such a strong feeling before. Moreover, until this moment, true love was unknown to him. Therefore, he believes that he sang about her for the first time.
Unfortunately, love for Miklashevskaya did not become such a welcome salvation for Yesenin. After a relationship with an actress, he had several more novels. In September 1925, Sergei Alexandrovich even married for the third time. His chosen one was Sofya Andreevna Tolstoy, the granddaughter of Leo Nikolaevich. Yesenin did not bring happiness and this marriage. Relations with Tolstoy did not help to avoid the tragedy that occurred at the end of 1925, when Sergei Alexandrovich committed suicide in the Angleterre Hotel in Leningrad.
Sergei Yesenin surprisingly described nature and feelings in his poems. In his lines, one can hear the sound of the wind in the fields, the ringing of spikelets of wheat, the howl of a blizzard. And at the same time, the laughter of a free soul and the cry of a broken heart.
These pearls include "The fire swept blue." we will present the history of its creation below.
About the poet
Sergei Yesenin was the brightest representative of that period of Russian poetry, when many talented masters competed in their gift. His direction was called the complex word imaginism, but in the verses the amazing simplicity of words was woven into a lace of landscapes and feelings, everyday life and lofty dreams.
The poet lived only thirty years, but left a rich legacy. Sergei Yesenin was born in 1895 in the Ryazan province into a family of peasants. At the age of 17 he left home and went to Moscow. There he had to change many jobs, live from hand to mouth. After several years of wandering around Moscow, his poem was first published in the Mirok magazine.
In 1916, Yesenin was called up for war, but thanks to his friends he was sent to the Tsarskoye Selo Medical Regiment. The poet traveled a lot, was in Asia and the Urals, in Tashkent and Samarkand. Together with his wife Isadora Duncan, the poet traveled to many European countries.
After the divorce, the poet led a wild life, which he openly spoke about in his cycles "Moscow Tavern" and "Love of a Hooligan", which opened "A blue fire swept" - a verse dedicated to the poet's new love.
Shortly before his death, the poet was married to the granddaughter of Leo Nikolayevich Tolstoy, Sofya Tolstaya. But even with her he did not find happiness. After the death of her husband, the woman devoted her life to preserving and publishing the poems of the great poet.
Sergei Yesenin died in 1925, the official version of his death is suicide by hanging. But many reasons for his premature death were put forward, including murder.
"The blue fire swept": the history of creation
According to biographers, marriage and relationships with the poet brought a lot of suffering and worries. He could not find a common language with his wife and, having met the actress Augusta Miklashevskaya, fell madly in love with her. This happened after his return to his homeland, to Moscow. They say that after the first meeting with this fragile girl with a meek character and sad eyes, literally the next day, "The Blue Fire Was Swept Away" was created. An analysis of the poem would be incomplete without this backstory.
The poem opened a new cycle of "Hooligan's Love" and was included in the anthology of Russian poetry as one of the best examples of love intimate lyrics.
“A fire was rushing…” is a direct appeal to a woman who charmed the poet with just one look. He expressed his feelings in the best way he could - in poetic lines.
"A blue fire swept": analysis of the poem
The theme of the poem is love. The feeling that covered the poet with his head. The first lines are about the look, about the blue eyes of the hero, which reflect sudden feelings. The word "tossed about" shows mental throwing, surging experiences.
The first love is spoken of by the poet, who broke many women's hearts and was married. And the fact that he considers this love the first speaks of the strength of the feeling, its freshness and purity.
He talks about the waste of his life before meeting with Augusta and that he is ready to change for the sake of his beloved, if only she wanted it.
Poem idea
"A blue fire swept" - a verse-appeal to a lady who won the heart of the poet "the eye of a golden-brown whirlpool." He tells her how he feels. Here he describes his past mistakes and wild life, promising to leave it all for the sake of one look and touch of the hand of his beloved.
It would seem that the lyrical hero repents of his past way of life, temptations and worries. He compares himself to a "neglected garden" and believes that he can become different just to be with his beloved. He is ready to change his life and worldview for the sake of his beloved eyes.
This is the main idea of \u200b\u200bthe poem "The blue fire swept up". Yesenin S.A. puts all his faith in true sincere and bright love into the lines, which will completely change him, give him a desire to live and create. Although the poet is ready to refuse even versification, if only to be in the power of these happiness-giving feelings. That is, for the sake of his beloved, he is ready to sacrifice the dearest thing that he has - his gift and talent.
Finally
Sergei Yesenin knew how to create surprisingly subtle lyrics, on the lines of which the strings of the reader's soul responded. The simple, soaring style of the poet contained a range of feelings without burdening perception.
The work of the poem we presented above) is not in vain recognized as one of the best examples of love lyrics. In short, capacious lines, the poet described his whole life before meeting his beloved and what she could become if they were together. He is ready to renounce past mistakes and lifestyle, completely change. And Yesenin describes all this in a few lines, thereby showing us his greatest talent.
1. "Love bully" – the cycle “Love of a bully” was formed by the poet in the book Yesenin. Moscow tavern, L., 1924. , where it included:“A blue fire swept up ...”, “You are as simple as everyone else ...”, “Let you be drunk by others”, “Honey, let's sit next to ...”, “I'm sad to look at you ...”, “You don’t torment me with coolness ...”, “The evening brought black eyebrows ...”. Printed with a general dedication "August Miklashevskaya" . In the same composition and in the same order, but without dedication, it is repeated in St.24. The general title of the cycle was removed in preparation for the Collect. Art., but the order of the verses is preserved. All verses of the cycle, except for the final one, in nab. copy. not dated. The last poem "Evening drew black eyebrows ..." is marked 1923. Almost all autographs of individual poems also have no dates. In Sobr. Art. all the poems are dated 1923. They were indeed created from August to December 1923, which is clear from the history of the relationship between the poet and the addressee of the cycle. This is also confirmed by the history of the publication of individual poems. At the same time, it is difficult to judge with complete certainty the sequence of writing each of the poems in the cycle.
Many poems of the cycle became known even before their appearance in print. In particular, as R.M. Akulshin recalled, “A blue fire was swept up ...” Yesenin read at the evening of October 1, 1923 at the Higher Literary and Art Institute (see the newspaper “New Russian Word”, New York, 1949 , January 30, No. 13428).
The cycle was highly acclaimed by critics. A.Z. Lezhnev, noting two main leitmotifs in Yesenin’s poems: regret for ruined youth and longing for the village, for home, for childhood, wrote: “In Love of a Hooligan, these two motives are intertwined with the third: erotic; as a result, things are obtained that are completely unusual - even for Yesenin - tenderness and sincerity. These first love poems by Yesenin cannot even be called "erotic" - there is so little eros in them. There is much more sadness, elegiac outpourings than passion” (P&R, 1925, No. 1, p. 130). ()
4. Let you be drunk by others..." - first published: Kr. Nov, 1923, No. 7, December, p. 127; M. office; St24. Printed on emb. copy. (cutting from M.kab.). In Kr. new published together with "Darling, let's sit next to each other ..." under the general title "The Love of a Hooligan" and the general dedication to "Augusta Miklashevskaya". (
A blue fire swept
Forgotten relatives gave.
I was all - like a neglected garden,
He was greedy for women and potion.
Enjoyed drinking and dancing
And lose your life without looking back.
I would just look at you
To see the eye of a golden-brown whirlpool,
And so that, not loving the past,
You couldn't leave for someone else.
Tread gentle, light camp,
If you knew with a stubborn heart,
How does a bully know how to love,
How can he be humble.
I would forever forget taverns
And I would give up writing poetry.
Just to gently touch the hand
And your hair color in autumn.
I would follow you forever
At least in their own, even in others they gave ...
For the first time I sang about love,
For the first time I refuse to scandal.
Analysis of the poem "The blue fire rushed" Yesenin
One of Yesenin's most famous and popular poetic cycles is "The Hooligan's Love", created in the second half of 1923. The cycle of seven brilliant works is entirely devoted to the poet's next passion - actress A. Miklashevskaya. It opens with the poem "A blue fire swept".
Yesenin by that time had already experienced many love disappointments: a failed first marriage, a short-term stormy romance with A. Duncan. In the emergence of a new ardent passion, the poet saw a way out of his situation, he connected many hopes with Miklashevskaya. However, the actress indifferently met Yesenin's persistent courtship. The poet had to express his love longing only on paper.
The stormy and disorderly life of the poet, which took place mostly in low-class taverns, is widely known. The fame of a drunkard and brawler was no less than his literary fame. In the very first lines of the poem, Yesenin declares that a sudden new passion made a real revolution in his soul. For her sake, he is ready to forget about "birthplaces". He considers past love interests to be absolutely insignificant, as he feels that he really fell in love "for the first time." Finally, an important statement is the renunciation of a scandalous life.
Yesenin considers the past years a chain of failures and endless mistakes and compares himself to a "neglected garden." He sincerely admits that he had a strong addiction to alcohol and fleeting, non-committal love. Over the years, an understanding of the aimlessness and disastrousness of such a life came to him. From now on, he wants to devote all his time to his beloved, never take his eyes off her.
Probably, by the time the poem was written, Yesenin and Miklashevskaya had already had an explanation that was unpleasant for the poet, because he notes a “stubborn heart” in his beloved. Most likely, bad fame also interferes with the development of relations. The woman considered Yesenin an unconditionally talented person, but extremely frivolous, and did not believe his promises. The poet seeks to prove to her that only a bully, due to his depravity, is capable of experiencing sincere feelings. A person who has experienced a deep fall can become a humble servant to someone who will help him improve.
Yesenin's most serious statement is the renunciation of poetic activity ("I would have abandoned writing poetry"). It cannot be taken literally. This phrase simply emphasizes the power of the poet's love suffering. Another poetic image is the desire to follow her beloved even to the ends of the world.
In the finale of the poem, lexical repetition is very successfully used. The composition takes on a circular character.
The poem "A blue fire swept" is one of the best works of Yesenin's love lyrics.
Sergei Alexandrovich Yesenin's poem "A blue fire swept up" is included in the cycle "Love of a Hooligan" (1923). In it, the author reflects on the mistakes in a wild life, on love, the short duration of feelings, on the fate of the poet and the transience of being.
The work, like the entire cycle, is dedicated to the Russian artist Augustina Leonidovna Miklashevskaya (1891 - 1977). At one time, Yesenin was in love with this woman, but she did not reciprocate the way he would have liked. She generally reacted rather coolly to him and his poems dedicated to her.
The poem "A blue fire swept ..." was written when the poet's feelings were just beginning to manifest themselves. It is no coincidence that it begins precisely with the word “swept about” - it determines the emotional tone of this entire poetic work due to its meaning. In its meaning there is suddenness, impulsiveness, instantaneity - this is how a new feeling penetrated the heart of the lyrical hero.
Genre and size
“A blue fire swept up ...” - an elegy written in a three-foot anapaest, and related to love lyrics. Reflections on various life vicissitudes, philosophizing, emotionality, psychologism are inherent in this genre. In the lines of the poem, emotional and psychological tension is noticeable. Despite the absence of exclamations that would emphasize the outburst of feelings, this poem shows, as it were, "internal" exclamations that are created using other techniques - for example, repetitions and anaphoras. Psychologically, these techniques are perceived as an emphasis on a certain thought, an emphasis on it without the use of expressive punctuation marks. This is how the inner cry is shown, and not the external superficial passions that could be expressed with the help of an exclamation.
Composition
In this poem, the hidden meanings behind each word are very important, because they create the general atmosphere of a poetic work, constituting the contextual basis of the composition and artistic content.
View
The composition of the poem “A blue fire swept…” is circular: the last two lines of the first and last stanzas coincide. This is a symbol of the circle of life along which the fate of the lyrical hero moves. In addition, it sets the emotional tone of the poem: it helps to emphasize individual arguments that are important for creating a special atmosphere of the work. The author focuses on the phrases:
For the first time I sang about love, For the first time I refuse to make trouble.
They are repeated at the end and at the beginning of the poem four times. Thus, Yesenin emphasizes the meaning that such behavior is uncharacteristic for his lyrical hero - to sing about love and not scandalize, because he did this all his life and youth, and if he really refuses this, he really starts to change.
Meaning
- These are the circles of vicious life that the lyrical hero went through before he suddenly met his beloved woman. These are peculiar circles of an earthly, vicious hell, from which for the time being there was no way out, until the time came for catharsis for the sake of a sublime, heavenly feeling.
- This is the hopelessness of the situation - a “vicious circle”, because, despite the fact that the hero has changed and is ready to reconsider his entire life position, even forget about his homeland, his beloved is not going to share his feelings, so one thing remains: to unobtrusively convince her that he ready to sacrifice a lot for her. But, nevertheless, it does not change the whole essence.
Peculiarities
Even in the compositional construction, the letter “z” matters - it should be noted that it occurs in every stanza and gives a special melodiousness to the poem: it begins with this letter, and it is also present in the lines on which the emphasis is placed.
From the point of view of psycholinguistic perception, "z" can mean, for example, the sonority and clarity of a bright feeling first experienced by a lyrical hero: it is like a sudden ringing of bells. And the ringing of bells in some of Yesenin's poems (for example, in the poem "The Dormant Bell ..." (1914)) is a symbol of joy, light, purity. Here, too, a joyful heavenly ringing is suddenly heard in the poetic soul, and with the help of this sound painting, the author conveys the mood of the poem - the reader also hears this symbolic ringing.
Important for the composition of the poem are the various stylistic nuances that the poet resorts to. Some words fit one style, and some fall out of it. These are, for example, vernacular: “darling”, “potion”. So the poet emphasizes his simple origin, which connects him with his homeland, but due to cardinal changes in life, he is ready to forget about it, that is, to give up what is dear to him. "Potion" - a word from the old Russian, pre-revolutionary dialect, which was called alcohol, meaning "devil's potion". Using the associative connection, the author emphasized the former involvement of the lyrical hero in the world of sins and vices.
The image of the lyrical heroine
The image of a woman met by a lyrical hero is compared with autumn - this is another philosophical, elegiac element of this poem, which symbolizes the end of past days - just as the arrival of autumn means the end of summer. In addition, in the philosophical understanding, “autumn of life” means a period of maturity, maturation of the soul, awareness of all previous sins, vices and mistakes, which happens in this case with the lyrical hero. Against the background of the "blue fire" - that is, the sudden and violent feelings of the poet, autumn appears with all its golden-brown hues of withering, and puts everything in its place. Something loses its meaning forever, and something acquires it since the autumn woman comes to him. A sad time comes in the garden of his soul, which ceases to be neglected. And after her arrival, he will never be the same again, and everything that made him rejoice will lose its former charm for him, because he will now realize the meaninglessness and uselessness of all this.
Themes
- Despite the name of the cycle - "Hooligan's Love", love in it is not the main theme. The motif of the frailty of human existence sounds more sonorous and convincing. Everything passes with life: both misfortunes and hardships, passions subside and nothing remains happiness - this is the general meaning of this stage of Yesenin's work.
- Another theme of the poem is love for a particular woman. The female image has some features in the poem - “the eye of the golden brown whirlpool”, “tread is gentle, light camp”, “hair is the color of autumn”. The lyrical hero distinguishes her from all others, on whom he was previously "greedy". She turned the whole life of a hooligan in love, so for her sake he is going to give up drinking, poetry and revelry. The lady of the heart makes him forget even about his homeland - something unknown and not experienced by him breaks into his soul, and he is ready to completely submit to this feeling.
- Another theme of this poem is the theme of renunciation of the past in the name of a new ideal of the soul.
- The author calls the beloved's heart "stubborn", from which it is clear that she does not have feelings for him and does not want to be with him. However, it should be noted that he also treats this with respect, since he does not characterize him with a sharper, more caustic word - “stubbornness”. He only resignedly, not insistently asks her to look into his soul and consider his feelings there. This timidity is explained by the fact that he changes his outlook on his life, in which he most likely forced other women to be around him. But now a special case has come when he no longer wants to conquer them, but wants to submit himself.
- The hero in this poem not only experiences a new feeling that suddenly gripped him, but also analyzes his former life with no less emotional intensity, only in a slightly different tone. Through the prism of disdain and even some contempt, he looks at his former self, realizing all the absurdity of the past. The key word in the poem, which expresses his attitude towards himself, is “neglected”. It expresses the existentialism of his former existence - it simply did not make sense, so he "launched" his garden, that is, his soul. Before the “blue fire” began to rush in his heart and subconscious, there was nothing that could make him appreciate life.
Meaning
The meaning of this poem is in extraordinary love for a woman, which is why a “blue fire” breaks out in the heart of a lyrical hero. This color symbolizes an unusual feeling that the lyrical hero had never experienced before. From the context it becomes clear that only ordinary “fiery red” flashes flashed in his life - earthly passions and earthly, carnal love, and now the flame of heavenly love has burst into his soul, because blue is the color of a clear sky.
In the poem, the lyrical hero compares himself with a neglected garden - in this case, this is a symbol of a vicious soul, a hint of Eden after the first people were expelled from there. Their souls were pure and blameless, and after committing a sin and being expelled from the Garden of Eden, they were filled with addictions and various spiritual impurities. Yesenin's hero has the opposite: his soul, which the garden symbolizes in the poem, was at first sinful. And then, thanks to the woman who became his ideal, his essence began to be reborn and cleansed. That is, this love is tantamount to returning to paradise from a sinful, rampant, hooligan life on earth.
The thematic line of changing one's own life alternates with a love line: this is clear from the special arrangement of the stanzas. If, for example, we conditionally designate the stanzas of a poem about change due to a sudden feeling with the letter A, and the stanzas about love with the letter B, then we get the following distribution: AA (1.2) - BB (3.4) - AA (5.6). From which it can be seen that, nevertheless, the importance of transformation prevails over the importance of feeling, this is also evidenced by the correspondence of the last two lines of the first and last stanzas. After all, the poet does not speak about his beloved, but about his own transformation, thus emphasizing that since he has changed, it means that something great and extraordinary has really burst into his life. This is the proof of the authenticity of feelings through self-knowledge.
means of expression
The melodiousness and special symbolic "ringing" of the poem is also given by assonances. For example, in the first stanza, where the stress falls on "a" in seven cases. The frequency of stress on "a" helps to place sound accents and draw attention to significant elements.
Another, no less common type of assonance in a poem is the emphasis on “e”, which, for example, is also found in the last two lines of the first and last stanzas of the poem: in the word “first”, that is, it is on it that the semantic emphasis is placed. With the help of this numeral, the novelty of the feelings of the lyrical hero, his new attitude to life is emphasized.
The emphasis on “o” is also important - they are found in such words as: “blue”, “love”, “whirlpool”, “past”, “different”, “stubborn”, “submissive”, “abandoned”, “autumn ". For example, let's take the word from the second line of the third stanza - "whirlpool", which is used with the help of inversion - therefore, it is emphasized, reinforced by stress. Externally, the "whirlpool" here denotes the depth of the look, but it also has a hidden meaning. Omut - the deepest place in the reservoir. Therefore, it symbolizes the depth of the hero's feelings, which is why the poet focuses on this word. In addition, the letter "o" means, like the ring composition, the circles of the life of the lyrical hero.
A shade of emotional tension is given to the poem by such words as, for example, “tossed”, “abandoned”, “scandal”. In addition, the excitement, shock of the lyrical hero is amplified by dissonant rhymes - “garden - to dance”; "whirlpool - to another"; "abandoned - autumn." They create a hypometric effect that deliberately breaks the overall melody, thus conveying the randomness of the "fire".
- epithets, for example: “darling distances”, “blue fire”, “golden whirlpool”;
- anaphoras, for example: “For the first time I sang about love / For the first time I refuse to scandal”;
- inversions, for example: “blue fire”, “stubborn heart”;
- comparison: “I was all like a neglected garden”;
- repetitions, for example: "I was all like a neglected garden, / I was greedy for women and a potion."
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