Mayakovsky, my love. Mayakovsky's love lyrics. Features of Mayakovsky's love lyrics
LILICHKA!
The smoke escaped the tobacco air.
Room -
chapter in kruchenykhovsky hell.
Remember -
outside this window
first
I stroked your hands, frenzied.
Today you sit here
heart in iron.
Another day -
expel
maybe by scolding.
It won't fit in a muddy hall for a long time
a trembling broken hand in a sleeve.
I'll run out
I will throw the body into the street.
Wild,
go crazy
excised by despair.
Don't need it
expensive,
good,
let us say goodbye now.
Does not matter
my love -
a heavy weight, after all -
hanging on you
wherever she ran b.
Let me scream in the last cry
bitterness of offended complaints.
If the bull is killed by labor -
he will leave,
will lay down in cold waters.
Besides your love,
to me
no sea
but your love cannot even beg for rest with crying.
A tired elephant wants to rest -
the regal one will lie in the burnt sand.
Besides your love,
to me
no sun
and I don’t know where you are and with whom.
If I tortured the poet like that,
he
I would exchange my beloved for money and fame,
and me
not a single bell is joyful,
except for the ringing of your favorite name.
And I won't throw myself into the flight
and I will not drink poison,
and I can’t press the trigger over my temple.
Above me
except for your look
the blade of not a single knife is imperious.
You will forget tomorrow
that you were crowned
that he burned out the soul blooming with love,
and hectic days a swept carnival
will ruffle the pages of my books ...
Are my words dry leaves
make you stop
breathing greedily?
Give at least
cover with the last tenderness
your outgoing step.
Listen!
Listen!
After all, if the stars are lit -
So - someone wants them to be?
So someone calls these spit a pearl?
And, straining
in blizzards of midday dust,
rushes to god,
afraid that he is late
crying
kisses his sinewy hand,
asks -
so that there must be a star! -
swears -
will not bear this starless torment!
And then
anxious walks
but outwardly calm.
Says to someone:
“Isn't it okay for you now?
Not scary?
Yes?!"
Listen!
After all, if the stars
light up -
means - someone needs it?
It means - it is necessary,
so that every evening
over the rooftops
at least one star lit up ?!
Output
Will not wash away love
no quarrel,
not a mile.
Thought out,
verified
verified.
Solemnly lifting up a line-fingered verse,
I swear -
I love
unchanging and true!
Attitude to the young lady
This evening decided -
Shouldn't we be lovers? -
Dark,
Nobody will see us.
I bent over really,
And indeed
I AM,
Leaning over
Told her
As a kind parent:
“Passion is a steep cliff -
Please,
Move away.
Move away,
Please".
Letter to Tatyana Yakovleva
You are the only one for me
growth on par,
stand by your side
with eyebrow eyebrow,
give
about this
important evening
tell
in a human way.
Five hours,
and from now on
poem
of people
dense pine forest,
extinct
inhabited city,
I only hear
whistle dispute
trains to Barcelona.
In the black sky
lightning stride,
thunder
more abusive
in a heavenly drama, -
not a thunderstorm,
and this
simply
jealousy
moves mountains.
Silly words
do not believe in raw materials,
do not be afraid
this shaking, -
I will bridle
I will humble
the senses
offspring of the nobility.
Passion measles
will come off as a scab,
but joy
non-drying
I will be long
I'll just
I speak in poetry.
Jealousy,
wives,
tears…
well them! -
the eyelids will swell
fit Via.
I'm not myself
and I
jealous
for Soviet Russia.
Saw
on the shoulders of the patch,
their
consumption
licks a sigh.
What,
we are not to blame -
one hundred million
was bad.
We
now
to such tender -
sports
straighten not many, -
you and us
in Moscow we need
lacks
long-legged.
Not for you,
in the snow
and in typhus
walking
with these feet,
here
to caress
give them out
for dinner
with oilmen.
Don't you think
squinting just
from under the straightened arcs.
Go here,
go to the crossroads
my big
and clumsy hands.
Do not want?
Stay and winter
and this
insult
into the total account, we will lower it.
I don't care
you
someday I'll take -
one
or together with Paris.
Love
Peace
again
overgrown with flowers,
the world
spring view.
And again
stands up
unresolved issue -
about women
and about love.
We love the parade
an elegant song.
We speak beautifully
going to the rally.
But often
under this,
moldy,
old, old little house.
Sings at the meeting:
“Forward, comrades ...
And at home,
forgetting about the solo aria,
yelling at his wife,
that cabbage soup is not in fat
and what
cucumbers
slightly salted.
Lives with another -
kiosk wide,
linen -
shanta diva.
But with a thin stocking
reproaches his wife:
- You compromise
before the team. -
They climb to anyone
would be with legs.
Five women
will change
during the day.
We have, they say,
freedom,
not monogamy.
Down with philistinism
and prejudice!
From flower to flower
a young dragonfly
flutters
flies
and rushes about.
One to him
in the world
seems evil -
this is
alimony.
He's glad to die
saving a third,
three years
glad to litigate:
and I, they say, not me,
and she's not mine
and I generally
castrat.
And they love
so be
faithful nun -
tyrannite
jealousy
any trifle
and measures
love
for revolving caliber,
wrong
in the back of the head
the bullet is empty.
Fourth -
hero of a dozen battles,
and so,
what is dear
running
scared
from wife's shoes,
Mostorg's simple shoes.
And the other
arrow of love
otherwise marks
confuses
- a kind of child -
catch
beloved
into romance networks
with a rise
subordinate according to the tariff scale ...
On the female line
neither is the heavenly tabernacle for you.
Unpretentious boy
picked up
mistress.
He work,
and her
not hold back in any way -
running after flare
every boulevard.
Well,
sit
and crying
Neil Nilsya.
Look! -
Groom!
- For whom am I, dear, married?
For yourself -
or for them? -
Parents
and children of this sort:
- What are the parents?
And we
no worse, they say! -
Are engaged
love as a sport,
not having time
fit into the Komsomol.
And further,
to the village,
life without movement -
live as before,
year after year.
That's the same
get married
and get married
how do they buy
working cattle.
If it will be
last like this
year after year,
then,
I'll tell you straight,
won't be able
disassemble
and the marriage code,
where are the father and daughter,
which is a son and a mother.
I'm not for the family.
On fire
and in the blue smoke
burn out
and this old piece,
where were hissing
mother goose
and children
guard
father gander!
No.
But we live in a commune
tight,
in hostels
the skin of the bodies becomes dirty.
Necessary
voice
raise for cleanliness
relations of our
and love affairs.
Do not turn away -
they say, I'm not married.
US
no pop holds gibberish.
Necessary
tie
and the life of men and women
in a word,
uniting us:
"Comrades".
The theme of love, perhaps, has already become traditional for Russian literature. It is this theme that is the very chest of constant inspiration and ideas, pushing famous authors to create new works of art. Absolutely all poets saw something personal in this great and grandiose.
Mayakovsky's love is a phenomenon that absorbs a lot of concepts, of course, for him it is not just a separate part or genre in poetry, but the very meaning and essence of poetry, which contains something personal and sacred, which passes into different works of the author.
Mayakovsky's love lyrics
Life with all its joys and sorrows, hopes and despair is in his poems. The poet's works telling about his life cannot but touch on the theme of love.
The poet believed that you can only write about what he himself experienced, therefore all his works are largely autobiographical. Although the earliest poems about love (“I”, “Love”, the tragedy “Vladimir Mayakovsky”) have little to do with the poet's personal experiences. Later, Mayakovsky's famous poem "" appears, in which the poet talks about his unrequited love, which caused him excruciating, unbearable pain
Mama!
Your son is perfectly ill!
Mama!
His heart is on fire.
This tragic love is not invented. David Burliuk, who performed together with Mayakovsky in Odessa in 1914, says in his memoirs that Mayakovsky's first love was Maria, whom he met in Odessa ("It was, it was in Odessa ..")
From some sources it is known that an obstacle arose between Mayakovsky and Maria, one of those that were generated by the then social life, social conditions based on the inequality of people, on the domination of material calculations. In the poem, this is given a very short explanation in the words of Mary herself:
You entered
sharp, like “here!”,
tormenting suede gloves,
said:
“You know -
I'm getting married".
The main and brightest muse of Vladimir Mayakovsky is Lily Brik, with whom Mayakovsky fell in love a year later. The relationship between the poet and Lily was very difficult, many stages of their development were reflected in the poet's works ("Lilichka! Instead of writing", "Spine flute").
In 1922, the poet wrote the poem "I Love" - his brightest work about love. Mayakovsky was then experiencing the peak of his feelings for L. Brik, therefore he was sure:
Will not wash away love
no quarrel,
not a mile.
Thought out,
verified
verified.
Here the poet reflects on the essence of love and its place in human life. Selling love Mayakovsky opposed true, passionate, faithful love.
But then again in the poem "About This" the lyric hero appears to be suffering, tormented by love. This was a watershed moment in their relationship with Brick.
That is, you can see how closely the feelings of the poet and the feelings of the lyric hero are closely intertwined in Mayakovsky's work.
At the beginning of 1929, the "Young Guard" magazine published "Letter to Comrade Kostrov from Paris about the essence of love." From this poem it is clear that a new love has appeared in Mayakovsky's life, that “a frozen motor has been put into work again”. It was Tatyana Yakovleva, whom the poet met in Paris in 1928. The poems dedicated to her "Letter to Comrade Kostrov ..." and "Letter to Tatyana Yakovleva" are imbued with a happy feeling of great, true love. But this relationship ended tragically.
His last love was Veronica Polonskaya. Shortly before his death, Mayakovsky wrote the poem "Unfinished", which, most likely, was dedicated to her. Polonskaya was the last person to see Mayakovsky alive.
It is his sincere and wonderful poems about love.
Analysis of the poem "Love" Vladimir Mayakovsky
The girl shyly wrapped herself in a swamp,
ominously frog motives spread,
a reddish someone was hesitating in the rails,
and the locomotives were passing by in curls.
Into the cloudy vapors through the sunshine
the rage of the wind-blown mazurka crashed,
and here I am - a hot July sidewalk,
and the woman throws kisses - butts!
Leave the cities, stupid people!
and go naked pouring in the sun
drunken wine in the fur-chest,
rain-kisses on embers-cheeks.
In 1913, a collection of "the only futurists in the world", called "The Dead Moon", was published. Among others, David Burliuk, Velimir Khlebnikov, Alexander Kruchenykh took part in its creation. Several of Mayakovsky's poems were also published in the almanac, including "Love" ("The girl shyly wrapped herself in a swamp ..."), which subsequently underwent several editions.
The work is distinguished by the deliberate complexity of the images. In it, the poet contrasts life with urban life in the countryside, obviously giving preference to the latter. Closeness to nature is a somewhat dangerous thing. It is not for nothing that the girl wraps herself in a swamp fearfully, and the expanding frog motifs are called ominous. Most likely, these vivid images are the result of Vladimir Vladimirovich's walks in the Kuntsevsky park near Moscow.
They are also inspired by locomotives stubbornly passing in brochures, a reddish someone swaying in the rails. The second stanza of the poem takes the readers from suburban reality to urban reality. In the new location, with love, things are so bad that the woman kisses as if she is throwing cigarette butts on the sidewalk. Add to this the sunshine and frenzy of the wind mazurka - you must admit that the picture of a city languishing under the summer heat is not very attractive.
The third quatrain begins with an emotional appeal: "Leave the cities, stupid people!" The lyric hero is sure that happiness in love must be sought elsewhere - outside the city, where a person becomes closer to nature, respectively, to his origins, where it is not so noisy and the air is cleaner. Romantic relationships there are of a completely different nature. Kisses become akin not to dirty cigarette butts, but to saving rain that cools burning cheeks and quenches the thirst of the heart.
"Love" ("The girl shyly wrapped herself in a swamp ...") is considered the first appeal to intimate lyrics. In this poem there is still no bright heroine, the prototype of which will later become the main love in the poet's life - Lilya Yurievna Brik. Vladimir Vladimirovich will get to know her a little later - two years after the creation of the text in question. Moreover, in "Love" nothing really is said about the hero's feelings as such. In fact, it turns out that the love theme becomes for Mayakovsky only a pretext for opposing the existence of a person in the city to suburban life.
"Listen" V. Mayakovsky analysis of the poem
Listen!
After all, if the stars are lit -
So - someone wants them to be?
Means - someone calls these spit
a pearl?
And, straining
in blizzards of midday dust,
rushes to god,
afraid that he is late
kisses his sinewy hand,
so that there must be a star! -
swears -
will not bear this starless torment!
anxious walks
but outwardly calm.
Says to someone:
“Isn't it okay for you now?
Not scary?
Listen!
After all, if the stars
light up -
means - someone needs it?
It means - it is necessary,
so that every evening
over the rooftops
at least one star lit up ?!
The creativity of V.V. Mayakovsky falls on the period Silver Age poetry. From the first lines of Mayakovsky's poems, one can feel the challenge to society. But the poem "" refers to the poet's love lyrics. After reviewing the author's work, it is not immediately clear what he wanted to say. Nevertheless, it carries a hidden deep meaning.
“Listen” was written in 1914. This period is listed in history as the beginning of the First World War and the coup in Russian Empire... Mayakovsky was a supporter of the Revolution in the country, he considered it a discovery for new opportunities for the younger generation.
Before the start of the coup, Mayakovsky was a member of the Futurist community, who called for a departure from previous preferences in literature and creativity. They considered it necessary not to read more such authors as Pushkin, Lermontov,. The “Budetlyans” (futurists) emphasized that society needs more expressive and outrageous young people who know what is necessary for a happy future.
The work "Listen" is not like other masterpieces of the poet, it looks like a question and a plea addressed to society. In it, the author tries to find the meaning of life - this is main topic poems. It seems to be appealing to an invisible listener. The poet reasons that "someone" lights the stars in the sky, and he controls our destiny, because he needs it.
"Listen" is a striking work from the early Mayakovsky, the author wrote it at the age of 20. In the verse, one can feel the uncertainty of the poet in life, his non-recognition and misunderstanding by society.
It is not just that the symbol of the "star" is used here, for the author the guiding star was a life credo, a muse for creativity. Mayakovsky means by the lighted stars in the sky new luminaries of poetry, including himself. And someone decides whether another star in the sky will light up, that is, whether the society and leading positions will accept the work of the newly-made author. Here the poet touches on the theme of God, from whom he asks for another star to light up in the sky, otherwise he will not endure this "starless torment." The importance of the recognition of the poet by society is very clearly expressed here, which carries the main meaning of existence for him.
The poem reveals the theme of loneliness, which overwhelmed the poet's soul, tormented him from the inside. He says that for someone the stars are just "spit". But for him, a hidden hero who does not have a clear definition in the plot, they are the whole world. The author calls them pearls. This work intertwines the feelings of lyricism and tragedy of the life of Mayakovsky V.V.
The poem is written in a white style and with a bright rhythm, which is inherent in the work of Mayakovsky. It was created with the use of vivid epithets and metaphors, the most noticeable is the comparison of stars with "spitters" and pearls in one stanza.
The verse begins with an exclamation that occupies the ear of the reader, followed by several philosophical questions. The reader acts here more in the role of a listener. Then the plot itself unfolds, in which someone asks for the appearance of a new star in the sky from God himself. The author uses the repetition of the opening lines at the end of the poem, but at the end these words sound more confident and life-affirming. This technique is called ring composition.
Each reader can interpret the poem in his own way. The pain and cry of the poet's soul will still be present in it. With this work, the author tried to reach out to the hearts of listeners, to achieve universal recognition and understanding of his avant-garde and modernist creativity.
Mayakovsky's love lyrics in 9-11 grade
Once Vladimir Mayakovsky said about himself: “I am a poet. This is what makes it interesting. " In my opinion, he remains an original and innovative artist to this day. Mayakovsky entered Russian poetry as a singer of the revolution, as a herald of new social relations. Most of his poems are of a patriotic character. The lyrical hero of Mayakovsky is a citizen who strives for a better future. They do not accept indifference and inaction.
As for love, the poet has a special attitude to this feeling. Mayakovsky believes that love is always suffering. So, in the poem "To everything" the poet talks about the past feeling, about the emotional experiences of the lyric hero, who sincerely believed his beloved:
Love!
Only in my
sore
the brain was you!
Silly comedy stop the move!
See -
rip off the toy armor
the greatest Don Quixote!
The lyrical hero, in my opinion, is romantic in his feelings. But frustration and inner suffering make him cruel and cynical. The pain of the soul is so strong that Mayakovsky ceases to believe in earthly love:
Give
any
beautiful,
young, -
I will not waste my soul,
rape
and in my heart I will spit a mockery of her!
Human love, according to the poet, is impossible in the material and superficial world. In his poems, Mayakovsky draws the lofty ideal of love-creation, which enriches a person, makes him better and cleaner. According to the author, a person cannot be happy for himself alone, even in such an exceptional feeling.
In the further work of Mayakovsky - in his poem "Letter about the essence of love" - the idea of the creative power of love-competition with the world was cast into the famous stanza:
Be in love-
it is with a sheet,
torn insomnia,
break down,
jealous of Copernicus,
his,
and not the husband of Marya Ivanna,
considering
his rival.
A special place in the work of Mayakovsky is occupied by the poem "Lilichka! Instead of writing. " Here the author shows unrequited love, which is the happiness and tragedy of the lyric hero. This work becomes a kind of revelation of the character. It seems to me that this poem is very bright and sincere. It is written in the form of a monologue:
Does not matter
my love -
a heavy weight, after all -
hanging on you
wherever she ran b.
Let me scream in the last cry
Bitterness of offended complaints.
This feeling is so strong that the lyric hero does not see the meaning of life and the beauty of the world around him without a loved one:
Besides your love,
no sun
And I don't know where you are and with whom.
In his feeling, the lyrical hero - a common person, but no longer a poet. All people are equal before love: they are strong and defenseless at the same time. Even creativity is not able to save the hero from mental anguish. Only the realization that the beloved is happy, although not next to him, makes the life of the lyrical hero meaningful and meaningful.
I think that love poetry Mayakovsky cannot be compared with the love lyrics of other poets, since he has his own, special, feeling of this problem. Love, according to Mayakovsky, is possible only in an ideal world, but in modern disharmony, where only the desire for the material reigns, it does not exist. But the human soul, as a manifestation of the ideal world, is still drawn to this feeling.
Analysis of the poem "Letter to Tatyana Yakovleva" V. Mayakovsky
You are the only one for me
growth on par,
stand by your side
with eyebrow eyebrow,
important evening
tell
in a human way.
Five hours,
and from now on
dense pine forest,
inhabited city,
I only hear
whistle dispute
trains to Barcelona.
In the black sky
lightning stride,
in a heavenly drama, -
not a thunderstorm,
jealousy
moves mountains.
Silly words
do not believe in raw materials,
do not be afraid
this shaking, -
I will bridle
offspring of the nobility.
Passion measles
will come off as a scab,
but joy
non-drying
I will be long
I'll just
I speak in poetry.
Jealousy,
the eyelids will swell
fit Via.
for Soviet Russia.
on the shoulders of the patch,
licks a sigh.
we are not to blame -
one hundred million
was bad.
to such tender -
straighten not many, -
in Moscow we need
lacks
long-legged.
with these feet,
give them out
with oilmen.
Don't you think
squinting just
from under the straightened arcs.
Go here,
go to the crossroads
my big
and clumsy hands.
Do not want?
Stay and winter
insult
into the total account, we will lower it.
I don't care
someday I'll take -
or together with Paris.
The lyrics of Vladimir Mayakovsky are very peculiar and distinguished by special originality. The fact is that the poet sincerely supported the ideas of socialism and believed that personal happiness cannot be complete and all-embracing without social happiness.
These two concepts were so closely intertwined in Mayakovsky's life that for the sake of love for a woman he would never betray his homeland, but on the contrary he could have done very easily, since he could not imagine his life outside Russia. Of course, the poet often criticized the shortcomings of Soviet society with its inherent harshness and straightforwardness, but at the same time he believed that he lived in the very better country.
In 1928, Mayakovsky traveled abroad and met in Paris with the Russian emigrant Tatyana Yakovleva, who in 1925 came to visit relatives and decided to stay in France forever. The poet fell in love with a beautiful aristocrat and invited her to return to Russia as a legal wife, but was refused. Yakovleva reservedly perceived Mayakovsky's advances, although she hinted that she was ready to marry the poet if he refused to return to his homeland.
Suffering from an unrequited feeling and from the realization that one of the few women who understands and feels him so well is not going to part with Paris for him, Mayakovsky returned home, after which he sent his beloved a poetic message - sharp, full of sarcasm and, at that same time, hope.
This work begins with phrases that love fever cannot overshadow feelings of patriotism, since “the red color of my republics should also be on fire”, developing this theme, Mayakovsky emphasizes that he does not like “Parisian love”, or rather, Parisian women, who, behind outfits and cosmetics, skillfully disguise their true essence.
At the same time, the poet, referring to Tatyana Yakovleva, emphasizes: "You alone are my height, stand next to an eyebrow," considering that a native Muscovite who has lived in France for several years compares favorably with cutesy and frivolous Parisians.
Trying to persuade the chosen one to return to Russia, Mayakovsky tells her without embellishment about the socialist life, which Tatyana Yakovleva is so persistently trying to erase from her memory. After all new Russia- this is hunger, disease, death and poverty, veiled under equality.
Leaving Yakovleva in Paris, the poet feels an acute feeling of jealousy, because he understands that this leggy beauty has enough fans even without him, she can afford to travel to Barcelona to see Chaliapin's concerts in the company of the same Russian aristocrats. However, trying to formulate his feelings, the poet admits that "I am not myself, but I am jealous of Soviet Russia." Thus, Mayakovsky is much more gnawed at the resentment that the best of the best are leaving their homeland than the usual male jealousy, which he is ready to bridle and humble.
The poet understands that apart from love, he has nothing to offer a girl who amazed him with her beauty, intelligence and sensitivity. And he knows in advance that he will be rejected when he turns to Yakovleva with the words: "Come here, to the crossroads of my big and clumsy hands." Therefore, the finale of this loving-patriotic message is filled with caustic irony and sarcasm.
The poet's tender feelings are transformed into anger when he addresses the chosen one with a rather rude phrase “Stay and winter, and this is an insult at the general expense, we will put it down”. By this, the poet wants to emphasize that he considers Yakovleva a traitor not only in relation to herself, but also to her homeland. However, this fact does not in the least cool the romantic fervor of the poet, who promises: "I will take you all early one day or two with Paris."
It should be noted that Mayakovsky never managed to see Tatyana Yakovleva again. A year and a half after writing this letter in verse, he committed suicide.
Mayakovsky, analysis of the poem "At the top of his voice"
Loves? does not love? I break my hands
scatter breaking
so they tear it up and let it go
corollas of oncoming daisies
haircut and shaving
Let the silver of years call
I hope I believe it will never come
shameful prudence to me
For the second
you must have gone to bed
Maybe
and you have this
I'm not hurrying
And by the lightning of telegrams
i don't need
wake up and disturb
the sea goes back
the sea goes to sleep
As they say the incident is flawed
With you we count
And there is no need for a list
mutual pain of troubles and grievances
You must have gone to bed for the second time
In the night Milchway with a silver eye
I'm in no hurry and lightning telegrams
I don't need to wake you up and disturb you
as they say the incident is messed up
love boat crashed on life
With you we are in the calculation and there is no need for a list
mutual pain of troubles and grievances
Look how quiet the world is
The night overlaid the sky with a starry tribute
at these hours you get up and say
centuries of history and the universe
I know the power of words I know the words alarm
They are not the ones the lodges applaud
From such words the coffins are torn
walk with four of your oak legs
It happens to be thrown out without printing without publishing
But the word rushes by pulling up the girths
the centuries are ringing and the trains are crawling
lick poetry calloused hands
I know the power of words Looks trifling
A fallen petal under the heels of a dance
But a man with a soul with a bone in his lips
Strictly speaking, Mayakovsky's poem "Out loud" is not such: the poet wrote only the introduction, but critics and literary critics consider it a full-fledged work. A brief analysis of “Out loud” according to the plan will help 11 grade students understand why literary critics think so, as well as deeper appreciate the artistic perfection of the work. In a literature lesson, this analysis can be used both as the main and as additional material.
The work was written shortly before the suicide of its author. This was the period when Mayakovsky was preparing for a special exhibition dedicated to the twentieth anniversary of his work. But this seemingly joyful time, in fact, turned out to be gloomy for him - there was a lot of criticism, many colleagues and critics made harsh statements about him.
Apparently, this gave rise to a desire in Vladimir Vladimirovich to talk directly with his reader. He conceived a grandiose work - the poem "At the top of his voice", but wrote only its introduction. He could not or did not want to continue working on the work: the verse with the subtitle “The first introduction to the poem” was completed in January 1930, and already in April a tragic suicide occurred.
The work is called a poem only by tradition, but this is quite significant.
At the end of its life path(although it is not known whether the poet was planning his own suicide even then) Mayakovsky once again turned to the important topic of creativity - more precisely, its purpose and place in the creative process. He chooses a difficult path - to tell only the truth about himself and the time in which he lives. And he says - harshly and without excessive politeness.
In his work, Vladimir Vladimirovich acts both as an author and as a lyrical hero. He promotes the rejection of art as an aesthetic approach, talks about the social component of poetry and even calls himself a "sewer-water truck", that is, on the one hand, he gives people what they need, on the other hand, he often deals with the most unsightly side of reality ...
The main idea of the poem is to accurately express the creative credo of Mayakovsky: poetry is work, it should motivate people, there is no place for beauty, it is part of life, everyday life.
The poet says that there is poetry, which is closed in its bourgeoisie like flowers in a master's garden. It is created simply for the sake of beautiful words and has neither social burden, nor the right to tell people how to live and what to do. But his poetry is not like that, it is a weapon. And the poet is her servant-commander, leading the words to the solemn military parade.
At the same time, he is not looking for awards and recognition, his army may even completely perish. The main thing is victory, namely, a harmonious, healthy and just society.
Although “Out of the Voice” refers to such a genre as a poem somewhat conditionally, the work still turned out to be quite epic. In this case, the main thing is the scale of thought, which, although embodied in a poem that is small in comparison with the poem, does not lose its power and grandeur from this.
Using the tonic system of versification, Mayakovsky, as usual, focuses on rhythm and verbal stress. He singles out those words that, in his opinion, best express the thought and allow expressing the rebellious moods and vivid emotions overwhelming the poet.
In addition to the neologisms characteristic of his poetic word, Vladimir Vladimirovich also uses familiar artistic paths, making them bright and harsh. So, the work uses:
Epithets - "an old but formidable weapon", "poems are lead-heavy", "gaping titles."
- “a swarm of questions,” “tuberculosis spit out,” “the throat of one's own song,” “line front”.
Comparisons - "poetry is a capricious woman", "we each opened Marx how we open the shutters in our own house."
Thanks to them, the poem seems to be carved into eternal granite, preserving the memory of Mayakovsky the poet.
There are poets who seem to be open to love, and all their work is literally permeated with this wonderful feeling. These are Pushkin, Akhmatova, Blok, Tsvetaeva and many others. And there are those who are hard to imagine being in love. And first of all, Vladimir Mayakovsky comes to mind. At first glance, the love poems in his work seem completely inappropriate, since he is usually perceived as a singer of the revolution. Whether this is so, let's try to find out by taking a closer look at the poet.
Mayakovsky - the beginning of the creative path
The poet's homeland is Georgia. Parents came from a noble family, although his father served as a simple forester. The sudden death of the breadwinner forces the family to move to Moscow. There Mayakovsky entered the gymnasium, but two years later he was expelled for non-payment of tuition, and took up revolutionary activities. He was arrested several times and spent almost a year in a cell.This happened in 1909. Then for the first time he began to try to write poetry, absolutely terrible, in his words. However, it was this year that Mayakovsky, and whose famous poems were still ahead, considered the beginning of his poetic career.
Poet of revolution
It cannot be said that the work of Vladimir Mayakovsky was completely devoted to the revolution. Everything is far from so simple. The poet unconditionally accepted her, was an active participant in those events, and many of his works were really dedicated. He practically deified her, believed in the ideals that she carried and defended. Undoubtedly, he was the mouthpiece of the revolution, and his poems were a kind of agitation.
Love in the life of Mayakovsky
Deep emotionality is inherent in all creative natures. Vladimir Mayakovsky was no exception. The theme through all of his work. Outwardly rude, in fact, the poet was a very vulnerable person, a hero of a rather lyrical character. And love in the life and work of Mayakovsky was far from the last place. He, broad-minded, knew how to fall in love instantly, and not for a short time, but for a long time. But the poet was unlucky in love. All relationships ended tragically, and the last love in his life led to suicide.
Addressees of Mayakovsky's love lyrics
In the life of the poet there were four women whom he loved unconditionally and strongly. Mayakovsky's love lyrics are primarily associated with them. Who are they, the poet's muses, to whom he dedicated his poems?
Maria Denisova is the first person with whom Mayakovsky's love lyrics are associated. He fell in love with her in Odessa, in 1914, and dedicated the poem "A Cloud in Pants" to the girl. This was the poet's first strong feeling. Therefore, the poem turned out to be so painfully honest. This is a real cry of a lover who is waiting for his beloved girl for several painful hours, and she comes only to inform that she is marrying a better-off person.
Tatiana Alekseevna Yakovleva. The poet met her in October 1928 in Paris. The meeting ended with an instant falling in love with each other. A young emigrant and a tall, under two meters tall Mayakovsky, were lovely couple... He dedicated two of his poems to her - "A Letter to Comrade Kostrov ..." and "A Letter to Tatiana Yakovleva."
In December, the poet leaves for Moscow, but in February 1929 he returns to France again. His feelings for Yakovleva were so strong and serious that he proposed to her, but received neither refusal nor consent.
The relationship with Tatiana ended tragically. Planning to come again in the fall, Mayakovsky could not do this due to problems with a visa. In addition, he suddenly finds out that his love is getting married in Paris. The poet was so shocked by this news that he said that if he no longer saw Tatyana, he would shoot himself.
And then the search for that one loyal love began again. The poet began to seek solace from other women.
Mayakovsky's last love
Veronika Vitoldovna Polonskaya is a theater actress. Mayakovsky met her in 1929 through Osip Brik. This was not done by chance, in the hope that the charming girl would interest the poet and distract him from the tragic events associated with Yakovleva. The calculation turned out to be correct. Mayakovsky was seriously carried away by Polonskaya, so much so that he began to demand that she break up with her husband. And she, loving the poet, could not start a conversation with her husband, realizing what a blow it would be for him. And Polonskaya's husband fully believed in his wife's loyalty.
It was a painful love for both. Mayakovsky was getting more and more nervous every day, and she kept putting off the explanation with her husband. On April 14, 1930, they saw each other for the last time. Polonskaya claims that there was no talk of a breakup, the poet once again asked her to leave her husband and leave the theater. A minute after she left, already on the stairs, Polonskaya heard a shot. Returning to the poet's apartment, she found him dying. This is how the last love and life of Vladimir Mayakovsky ended tragically.
Lilya Brick
This woman, without exaggeration, occupied the main place in the poet's heart. She is his strongest and most "sick" love. Almost all of Mayakovsky's love lyrics after 1915 are dedicated to her.
The meeting with her took place a year after the break in relations with Denisova. Mayakovsky was at first fascinated by his younger sister Lily, and at the first meeting he took her for the governess of his beloved. Later, Lily's official acquaintance with the poet took place. They were amazed by his poems, and he instantly fell in love with this extraordinary woman.
Their relationship was strange and incomprehensible to others. Lily's husband had a relationship on the side, and did not feel physical attraction to his wife, but in his own way he loved her very much. Lilya adored her husband, and when she was once asked whom she would still choose - Mayakovsky or Brik, she, without hesitation, replied that she was her husband. But the poet was also extremely dear to her. This strange relationship lasted 15 years, until the death of Mayakovsky.
Features of Mayakovsky's love lyrics
The peculiarities of the poet's lyrics are most clearly seen in his poem "I Love", dedicated to Lilya Brik.
Love for Mayakovsky is a deep personal experience, and not an established opinion about it. Every person has this feeling from birth, but ordinary people, who value comfort and prosperity more in life, quickly lose love. They have it, according to the poet, "shrinks".
A feature of the poet's love lyrics is his conviction that if a person loves someone, he must completely follow the chosen one, always and support everything, even if the loved one is wrong. According to Mayakovsky, love is disinterested, it is not afraid of quarrels and distance.
The poet is a maximalist in everything, therefore his love does not know half-tones. She knows no rest, and the author writes about this in his the last poem"Unfinished": "... I hope I believe forever will not come to me shameful prudence."
Poems about love
Mayakovsky's love lyrics are represented by a small number of poems. GNO each of them is a small piece of the poet's life with its sorrows and joys, despair and pain. “I love”, “Cloud in my pants”, “Unfinished”, “About this”, “Letter to Tatiana Yakovleva”, “Letter to Comrade Kostrov ...”, “Spine flute”, “Lilichka!” - this is a short list of the works of Vladimir Mayakovsky about love.
V. Mayakovsky "About it". Cover by Alexander Rodchenko. Moscow, 1923.
In 1922, the poet wrote the poem "I Love" - his brightest work about love. Mayakovsky was then experiencing the peak of his feelings for L. Brik, therefore he was sure:
Will not wash away love
no quarrel,
not a mile.
Thought out,
verified
verified.
Tatiana Yakovleva, 1932, Paris.
Here the poet reflects on the essence of love and its place in human life. Selling love Mayakovsky opposed true, passionate, faithful love.
But then again in the poem "About This" the lyric hero appears to be suffering, tormented by love. This was a watershed moment in their relationship with Brick.
That is, you can see how closely the feelings of the poet and the feelings of the lyric hero are closely intertwined in Mayakovsky's work.
At the beginning of 1929, the "Young Guard" magazine published "Letter to Comrade Kostrov from Paris about the essence of love." From this poem it is clear that a new love has appeared in Mayakovsky's life, that “a frozen motor has been put into work again”. It was Tatyana Yakovleva, whom the poet met in Paris in 1928. Poems dedicated to her "Letter to Comrade Kostrov ..." and
Love lyrics by V.V. Mayakovsky.
Love - eternal theme- goes through all the work of Vladimir Mayakovsky, starting with early poems and ending with the last unfinished poem "Unfinished". Referring to love as the greatest good, capable of inspiring to work, to work, Mayakovsky wrote: “Love is life, this is the main thing. Poems, deeds, and everything else unfold from her. Love is the heart of everything. If it stops working, everything else dies off, becomes superfluous, unnecessary. But if the heart works, it cannot fail to manifest itself in everything. " He is characterized by the breadth of the lyrical perception of the world. The personal and the public merged in his poetry. And love is the most intimate human feeling- in Mayakovsky's poems is always associated with the social feelings of the poet-citizen.
The whole life of V.V. Mayakovsky with all its joys and sorrows, despair, pain - in his poems. The poet's works tell us about his love, about when and what it was. In early poems, the mention of love occurs twice: in the cycle of lyric poems of 1913 "I" and the lyric poem "Love". They speak of love out of touch with the poet's personal experiences.
Many addressees of Vladimir Mayakovsky's lyrics are known - Lilia Brik, Maria Denisova, Tatyana Yakovleva and Veronika Polonskaya.
In the poem "A Cloud in Pants" the poet talks about his unrequited love at first sight to the young Maria Denisova, whom he fell in love with in 1914 in Odessa. He described his feelings as follows:
Mama!
Your son is perfectly ill!
Mama!
His heart is on fire.
This tragic love is not invented. The poet himself points out the veracity of those experiences that are described in the poem:
Do you think it's raving about malaria?
It was,
was in Odessa.
“I'll be there at four,” said Maria.
But a feeling of exceptional strength brings not joy, but suffering. M. Denisova and V. Mayakovsky parted ways. Then he exclaimed: "You cannot love!"
But Mayakovsky could not help but love. No more than a year has passed and the poet falls in love with Lilya Brik. Their relationship began with the fact that Mayakovsky dedicated a poem to her ("A Cloud in Pants"), which he was inspired by another (Maria Denisova), and ended with the fact that he called her name in a suicide note. The relationship between Vladimir Mayakovsky and Lily Brik was very difficult, many stages of their development were reflected in the poet's works. His feelings are reflected in the poem "The Spine Flute", written in the fall of 1915. And again, not the joy of love, but despair sounds from the pages of the poem:
Versts of streets with sweeping steps mnu,
Where will I go, this hell is melting!
What heavenly Hoffmann
Are you invented, damn it ?!
The poem "Lilichka! Instead of a letter" can be indicative of these relations. It was written in 1916, but saw the light for the first time only in 1934. How much love and tenderness for this woman are hidden in the lines:
Besides the sea of your love,
to me
no sea
but your love cannot even beg for rest with crying.
A tired elephant wants to rest -
the regal one will lie in the burnt sand.
Besides your love,
to me
no sun
and I don’t know where you are and with whom.
In 1922, the poet wrote the poem "I Love" - his brightest work about love. Mayakovsky was then experiencing the peak of his feelings for L. Brik, therefore he was sure:
Will not wash away love
no quarrel,
not a mile.
Thought out,
verified
verified.
They solemnly raised the line-fingered verse,
I swear -
I love
unchanging and true!
Here the poet reflects on the essence of love and its place in human life. Selling love Mayakovsky opposed true, passionate, faithful love.
In February 1923, the poem About It was written. Here the lyric hero appears again as suffering, tormented by unsatisfied love. But the poet's chivalrous character does not allow casting even the slightest shadow on the image of his beloved:
- Look,
even here dear
verses smashing everyday life horror,
protecting your beloved name,
you
in my curses
go around.
1924 was a turning point in relations between Mayakovsky and Lilya Brik. A hint of this can be found in the poem "Jubilee", which was written for the 125th anniversary of the birth of Pushkin, on June 6, 1924:
I AM
now
free
from love
and from posters.
Skin
jealousy
bear
lies
claw.
At the beginning of 1929, the "Young Guard" magazine published "Letter to Comrade Kostrov from Paris about the essence of love." From this poem it is clear that a new love has appeared in the poet's life, that “the frozen motor is again put into work in the heart”. It was Tatyana Yakovleva, whom Mayakovsky met in Paris in 1928. The poems dedicated to her "Letter to Comrade Kostrov ..." and "Letter to Tatyana Yakovleva" are imbued with a happy feeling of great, true love.
The poem "Letter to Tatiana Yakovleva" was written in November 1928. Mayakovsky's love was never just a personal experience. She inspired him to struggle and creativity and was embodied in poetic masterpieces, imbued with the pathos of the revolution. Here the poet wrote about it like this:
Whether in a kiss of hands,
whether lips,
In body tremors
Red
Colour
my republics
too
should
blaze.
The poet had to endure many grievances. He didn’t want Tatyana Yakovleva’s refusal to come to him in Moscow “to string together at a common expense”. The confidence that love will ultimately prevail is expressed in the words:
I don't care
you
someday I'll take -
one
or together with Paris.
Mayakovsky was very worried about parting, every day he sent her letters and telegrams, was looking forward to a trip to Paris. But they were no longer destined to meet: Mayakovsky was denied travel to Paris in January 1930.
In May 1929, Mayakovsky was introduced to Veronika Vitoldovna Polonskaya. Mayakovsky loved beautiful women. And although his heart at that time was not free, Tatyana Yakovleva firmly seized him, but he was drawn to Polonskaya, and he began to meet her often. Shortly before his death, Mayakovsky wrote the poem "Unfinished" with the following lines:
For the second,
you must have gone to bed
Maybe
and you have this
I'm not hurrying,
And by the lightning of telegrams
i don't need
you
wake up and disturb ...
Veronica Polonskaya was the last person to see Mayakovsky alive. It was to her that the poet proposed to her a minute before the fatal shot. In his dying letter, Mayakovsky wrote:
As they say -
"the incident is over"
Love boat
crashed into everyday life.
I count with life
and there is no need for a list
Mutual pains
troubles and grievances.
Happy to stay.
Vladimir Mayakovsky.
