The Soviet censorship cut out 956 words from Andersen's famous fairy tale. "Table" invites you to reflect on the meaning of the banknotes: the censor's logic is not always obvious

Four years ago, on the eve of another anniversary of the birth of the great Danish storyteller, the NTV channel released a story titled “The priests rewrote the Snow Queen”, which is about a new edition of the famous fairy tale by G.-H. Andersen, released on the initiative of the Kuban priests. With surprise and obvious irony, the TV news presenter says that in the new edition “ the main character sings psalms instead of an empty game of cubes and defeats the evil queen not by the power of her love, but with the help of angels. "

The clergyman's explanation that this is exactly what Andersen's tale looked like in the original is presented by the journalist as a very dubious version. And at the end of the plot, the republished fairy tale by A.S. Pushkin "About the priest and his worker Balda", where "the priest, oily forehead" is replaced by the merchant "Kuzma Ostolop, nicknamed the Aspen Lob".

having blotted out God from the fairy tale, the censors decided not to embarrass the children's imagination and Satan

To clear up all the misunderstandings today (and even in 2013), it was enough just to open Wikipedia. Without thinking to intercede for self-appointed censors, of which, indeed, there are many, I will only note that "the merchant Kuzma Ostolop" really arose out of censorship considerations, but not today in the Kuban, but in 1840, when this Pushkin's tale was first published. And the controversial editing belongs to the poet Vasily Zhukovsky, who was the publisher of the book.

A. Barinov. Troll disciples with a mirror

Concerning " Snow Queen", Here the NTV journalists defended just the censored version of the tale. It so happened that this particular version is familiar to most of us, even those whose childhood was already in the free 1990s: new books were reprinted from Soviet editions, where Andersen's fairy tales, as it turned out, were published with significant denominations. Basically, these bills concerned references to God, the Christian faith of heroes, Christian images and symbols. But there were other abbreviations, the meaning of which cannot be explained on the fly ...

"Stol" compared two versions of the fairy tale "The Snow Queen" - full and censored, - trying to clarify what meanings "fall out" in the Soviet version and how some innocent details could alert the censor.

Mirror and its fragments

Andersen's tale begins with a parable about a magic mirror made by an evil troll. In a translation close to the Danish original, it is said about him like this: “... there was a troll, feisty, contemptuous; it was the devil himself. " The Soviet version sounds a little differently: "... there once was a troll, an evil, pretentious, real devil." At first glance, a slight change - ";" changes to “,” and “that was myself” to “who is” - in fact, it changes the whole meaning. The stable combination "real devil" in Russian means someone very evil and in this context looks like an epithet - a definition used in a figurative sense, containing a comparison: evil, like the devil. Meanwhile, Andersen focuses on the fact that it was the very biblical devil.

in the Soviet version, the boy did not even try to resist the dark forces that carried him away

The Soviet censor, having carefully blotted out God from the whole fairy tale, decided not to embarrass the children's imagination with Satan. This is probably why another phrase will be completely lost just below, where the troll is once again directly called the devil: "The devil was terribly amused by all this."

And the devil amused that his mirror distorted everything beautiful and good. The troll-devil's disciples ran with him around the world, making fun of the distorted reflections of people. Finally, they wanted to get to heaven, "to laugh at the angels and the Creator himself." In the Soviet version, the second part of the sentence is missing, which makes it not entirely clear why the troll's students needed to climb the sky.

Boy and girl

Having got rid of the direct reference to God and the devil, the censors continued to secularize the text. Next in line were the psalms mentioned in the NTV plot (only there is no “empty game of blocks” in any of the versions of the tale, here, obviously, the imagination of the journalist has already worked). According to Andersen, Kai and Gerda once, playing together, sang a Christmas psalm, two lines from it are quoted in the tale:


At the same time, the children looked at the spring sun, and it seemed to them that the Christ child himself was looking at them from there. All this is naturally missing in the Soviet translation.

I. Lynch. Illustration for the fairy tale "The Snow Queen"

In the same chapter, when the Snow Queen kidnaps Kai, he, according to the original, "wanted to read Our Father, but one multiplication table was spinning in his mind." In the Soviet version, the boy did not even try to resist the dark forces that carried him away.

Flower garden of a woman who knew how to conjure

The next bill, the most significant in volume in the whole tale, seems rather mysterious, because the excluded text does not contain direct Christian allusions. Going in search of Kai, Gerda spends some time in the house of the sorceress. There she engages in conversation with the flowers, asking if they know if her friend is alive? And each flower in response tells her a little story that has nothing to do with the subject of her search. Obviously, for the author, each of these stories - and there are only six of them - was for some reason important, since the flower garden is even included in the title of the chapter.

Edmund Dulac. Illustration for the fairy tale "The Snow Queen"

In the Soviet edition, only one of the six mini-stories remains - told by a dandelion. In the center of this story is a meeting of a grandmother with a granddaughter: “An old grandmother came out to sit in the yard. Here came from the guests her granddaughter, a poor maid, and kissed the old woman. A girl's kiss is more precious than gold - it comes straight from the heart. " Hearing these words, Gerda immediately remembered her grandmother and mentally promised her to return soon with Kai. So one of the stories is relatively smoothly integrated into the main plot, and the Soviet reader is not even aware of the existence of five more. And these stories are:

  1. The fire lily depicts a scene of the sacrifice of an Indian widow, who, according to ancient custom burned alive on a funeral pyre along with the body of the deceased husband.
  2. Bindweed tells about a lovely girl in a knight's castle, who, hanging over the balcony railing, in excitement looks out for her lover.
  3. Snowdrop speaks in an inexplicably sad voice about the two sisters and their little brother: the sisters swing on the swing board, and the little brother blows bubbles nearby.
  4. Hyacinths tell about three beautiful sisters who disappeared into the forest in waves of a certain sweet scent, and then three coffins floated out of the thicket, beauties lay in them. "The evening bell is ringing for the dead!" - the story ends.
  5. Narcissus sang about a half-dressed dancer in a closet under the roof, she dresses in all white and clean, dancing.
She recited the evening prayer, and the winds subsided as if they had fallen asleep. "

Why these stories "drop out" from the Soviet edition is anyone's guess. There are only two distant religious allusions - about the bell ringing for the dead, and about the Indian widow. Perhaps they were considered too grown-up, inaccessible to the understanding of kids - and Gerda does not understand them, but for some reason they are there? There is something to think about, in any case: the children's classic turned out to be not so simple.

Prince and Princess

In the next chapter, the inexplicable bill comes across again. Here the raven tells Gerda about a princess who wanted to get married and arranged a casting for the position of her future husband, a prince. From the very doors of the palace there was a line of candidate suitors. Further in original text a detail is reported: “The grooms were hungry and thirsty, but they could not even take a glass of water out of the palace. True, whoever was smarter stocked up on sandwiches, but the thrifty no longer shared with their neighbors, thinking to themselves: “Let them starve, grow thin - the princess won't take them!” “What could confuse the censors here is incomprehensible.

Anastasia Arkhipova. Illustration for the fairy tale "The Snow Queen"

Little robber

In the chapter about the robbers who robbed Gerda, for some reason they decided to hide a small episode from the relationship between a bearded old robber woman and her minx daughter. Deciding to release her captive when her mother is asleep, the little robber jumps out of bed, hugs her mother, pulls her beard and says: "Hello, my little goat!" For this, the mother slapped her daughter on the nose with clicks, so that the girl's nose turned red and blue. “But all this was done lovingly,” the author notes. This episode is not found in the Soviet edition.

Lapland and Finca

Further, almost all the interventions of the censor are logical, at least understandable. Once in the garden of the Snow Queen, Gerda confronts the "vanguard" of her troops: the girl is attacked by live snow flakes that have turned into monsters. Unlike Kai, who once found himself in a similar situation, Gerda manages to read the prayer "Our Father" - and immediately angels in helmets with shields and spears in their hands come to her aid. The legion of angels defeats the snow monsters, and the girl can now bravely go forward. In the Soviet fairy tale, there is no prayer and no angels: Gerda just boldly goes forward, and where the horror stories go is not clear. However, the "normal" communist logic: man overcomes dangers on his own, and God has nothing to do with it; Gagarin flew into space - he did not see God, etc.

In the halls of the Snow Queen

In the last chapter, again, according to Andersen's version, the Lord helps Gerda: "She read the evening prayer, and the winds subsided, as if they fell asleep." Soviet Gerda herself acts as the master of the winds: "And before her the winds have calmed down ..."

Finding Kai cold and indifferent, Gerda burst into tears. Her tears melted his frozen heart, he looked at the girl, and she sang that very Christmas psalm:

Roses are blooming ... Beauty, beauty!
We will soon see the baby Christ.

Vladislav Erko. Illustration for the fairy tale "The Snow Queen"

And then Kai burst into tears. In the Soviet version, he did not need a psalm for this.

They returned back on a deer, which had previously brought the girl to the palace of the Snow Queen. In the original, the deer returned for the children not alone, but with the deer. “He brought with him a young queen deer, her udder full of milk; she gave them drink to Kai and Gerda and kissed them right on the lips ”. For some unknown reason, this detail disappears in the Soviet edition.

The tale ends with the return home of the children who discovered that they had grown up during this time. They sit and listen as their grandmother reads the Gospel: "If you are not like children, you will not enter the kingdom of heaven!" And only then did they understand the meaning of the old psalm:

Roses are blooming ... Beauty, beauty!
We will soon see the baby Christ.

Needless to say, all this has been cut out in publications and films familiar to us since childhood.

"The Snow Queen" is a touching kind fairy tale-parable. Girl Gerda is looking for her named brother Kai. The Snow Queen took the boy away. After hard ordeals, Gerda finds her brother in the Queen's palace. With tears Gerda manages to melt the ice of Kai's heart, he becomes the same again. As adults, Kai and Gerda return home - this is the plot.

This whole "fabulous" story has a serious religious background. In The Snow Queen, a Protestant duel with a Gnostic myth unfolds.

Occultism flourished in Europe in the first half of the 19th century. Theosophical circles appeared everywhere, and interest in spiritualism and alchemy was fueled. One after another, various esoteric treatises, both genuine and fake, were poured into print. In short, everything that was intellectual fun in the Middle Ages ruling class, became the property of bourgeois mass culture with the inevitable touch of "boulevardism". The society revived interest in the religious brotherhoods of the Templars and Rosicrucians, Cathars and other heretical orders, supposedly existing to this day, in the secret knowledge that the Christian Church has been “hiding” for centuries. Occultism at that time did not yet have a social (for example, racist) vector and was an artistic phenomenon. Everyday Gnosticism has become a kind of aesthetic posture, an intellectual protest, like nihilism and atheism.

The Gnostic myth, with slight deviations and variations, stated the following: the creator the existing world The "demiurge" is mistaken, thinking that he is the only God and there is no other besides him. He himself is deprived of knowledge about his higher parents: the Inexpressible Beginning - the Father, Silence - the mother, about the higher worlds-eons - Mind and Truth, Logos and Life (twelve eons in total). The Demiurge is the fruit of the fear of his mother Sophia (or Wisdom), who once left the Pleroma (the world of Higher Intelligences, Fullness). This explains the squalor of the earthly world - its creator himself is imperfect, he is the fruit of fear, passions and sorrow. The Devil, or Archon, created by the Demiurge, appears among the Gnostics as an enlightener - the very offspring of the Demiurge, and he has access to the "knowledge" that the Demiurge is not "alpha and omega".

All these heresies of Irenaeus, Hippolytus, Carpocrates and other Gnostic schools were successfully defeated at the dawn of Christianity. European foci of recurrence in the form of sects of Cathars, Bogomils and others were also eliminated. But in the 19th humanistic century, the Church could no longer use the old punitive methods. As in the early days of Christianity, we had to engage in controversy.

The beginning of the fairy tale about the Snow Queen is a prehistory about the main Troll, or the Devil, who created a mirror, “in which everything good and beautiful was reduced to the utmost, yet the useless and ugly, on the contrary, acted even brighter, it seemed even worse. A kind, pious human thought was reflected in the mirror with an unimaginable grimace. " But this is how, according to the trolls, you can see the whole world and people in their real light. Wanting to laugh at the Creator and his angels, the trolls decided to reach the sky with their Mirror, but the blasphemy failed, the Mirror broke into billions of fragments. Each fragment retained the property of a mirror - to distort, disfigure. The person to whom the splinter got into the eye began to “see everything inside out or notice only bad sides in every thing. For some people, shrapnel hit right in the heart, and this was the worst of all: the heart turned into a piece of ice. "

To debunk the Gnostic myth, Andersen creates his own fairytale version of the emergence of the ideas of Gnosticism. The imperfection of the world is explained by the "optical" intrigues of the Devil. Kai's two human optics are affected - mental (eyes) and mental (heart). From a believing boy who sang along with Gerda a psalm about roses: “Roses are blooming, beauty, beauty! Soon we will see the baby Christ ”, he turns into a gnostic - he leaves the world of feelings and Faith into the icy realm of Knowledge. This explains its extreme rationality. He is no longer interested in roses (Andersen's "rose" is a symbol of Christ), Gerda, grandmother, people in general - everything causes contempt and ridicule. After all, everything is absurd in comparison with the "world revolution", that is, with Gnosis. According to Andersen, the knowledge of a Gnostic is just a devilish ability to see the world as ugly.

The "correct" gnostic perception of the world makes the adept cold and callous. Kai is disgusted with a lively emotional human life. He is seduced by snowflakes - strict regular forms.

The Snow Queen is an ironic image of Sophia (Wisdom). Andersen emphasizes its non-Christian essence. In the beautiful eyes of the Queen, "neither warmth, nor meekness." Kai, who has hooked his sleigh to the Queen's sleigh, in fear tries to read Our Father, but what comes to his mind is the multiplication table, which, of course, does not help.

The Gnostic Kai, upon seeing the Snow Queen, is amazed at her "clever and lovely face." (The Snow Queen is immaterial and therefore beautiful. Gerda, consisting of living flesh, is ugly for Kai, like all people.)

“He was not at all afraid of her (the Snow Queen) and told her that he knew all four operations of arithmetic, and even with fractions, he knew how many square miles and inhabitants there were in each country, and she just smiled back. And then it seemed to him that he really knew little, and he fixed his gaze into the endless airspace. Kai, as a declaration of love, spreads all his Knowledge - ridiculous for Andersen, like all other knowledge actually (this is always, to one degree or another, a "multiplication table"). Andersen generally disgusts any "correctness" of the world of Cold Mind, Ice Knowledge. After all, even the northern lights in the Queen's palace have their own clear, predictable algorithm.

The Snow Queen's world, where Kai falls, is the Ice world. In fact, the place where Kai is located is Hell. Dante's ninth circle of Hell is an icy lake where traitors are. Lucifer himself was frozen in the middle of the lake. Kai is a traitor to the Christian faith - an apostate.

Here is how Andersen describes the palace of the Snow Queen: “In the middle of the largest deserted snow hall was a frozen lake. The ice cracked on it into thousands of pieces, wonderfully even and regular. In the middle of the lake stood the throne of the Snow Queen; she sat on it when she was at home, saying that she was sitting on the mirror of the mind.

According to Andersen, Kai finds himself in Hell, and the Snow Queen, Gnostic Wisdom, Sophia, appears as Death. Knowledge (ice, cold) in Kai's heart are signs of a corpse. Kai's immortality is a deep freeze, cryo-immortality, that is, a fake for eternal life.

Kai is busy with the "ice mind game", a typical alchemical task. From the prime matter of Hell - ice - he adds the word "Eternity". This is what the Queen says to Kai: "If you put this word together, you will be your own master, and I will give you all the light and a pair of new skates." In fact, she promises Kai freedom, but the second gift - "skates", a means of transportation in the world of ice, says that Kai cannot get out of here; his freedom is limited by the boundaries of the frozen hell - the devilish forces of Kai were deceived in advance.

It is no coincidence that the split Lake - "Mirror of the Mind" in the Palace of the Snow Queen - has a plot reminiscent of the Crooked Mirror of the Troll, which shattered into fragments. "Ice" and "glass" of the Mind are equal substances. In essence, it is one and the same mirror, and it exists only in a broken version. The “Mirror of Mind” (the space of Gnosis) cannot be whole due to its initially “deceitful” essence. Broken into fragments, it successfully reflects the negative nuances of being (and what else can a shard reflect) - but it can never be presented with a complete objective truthful picture of the universe. Not only is the Mirror of the Mind - a devilish charm, it is not even able to maintain its integrity. The Mirror of Mind is doomed to be broken, and the only way out is to lay out the word “Eternity” from its fragments, as if from the fragments of a table to lay out the phrase: “a whole table”.

Gerda is the representative of the Christian paradigm. She personifies the world human feelings, childish sincere faith. Monarchs (princess and prince), animals and birds (crows, pigeons, reindeer) bow before the Christian meekness of Gerda. In the tale, the biblical motive of the repentant robber is also played out. For Andersen, this is the Little Robber, helping Gerda get to Lapland.

Christian simplicity, childlike perception of Gerda's existence conquers the icy wisdom of the Snow Queen. Kai, having gained Knowledge, laughs at the absurdity of the world around him. Gerda willingly cries for any reason (tears, sorrow are the companions of a Christian). These children's "burning" tears of Gerda are able to melt the Ice of Mind. The sensual world conquers Reason.

"Yes, the joy was such that even the ice floes began to dance, and when they got tired, they lay down and made up the very word that Kai asked to lay down." It is to Christ, with whom Gerda came to Hell, that the world of Gnosis obeys, with Christ even ice fragments of "knowledge" can become real Eternity. In search of Kai, Gerda finds himself in the magic garden of the witch. So that Gerda does not remember her brother, the old woman hides all the roses under the ground (the image of Christ). Gerda gradually forgets about Kai, but seeing a painted rose on the old woman's hat, Gerda suddenly realizes that there are no living roses in the garden. She cries, and a rose bush appears from the ground, the darkness passes. A garden without roses (without Christ) can only imitate Paradise. This is a place of sleep in which there is no true fullness and joy.

Gerda and Kai return home. “Passing through the low door, they noticed that during this time they had become adults. Blooming rose bushes peered from the roof into the open window; there were their highchairs. Kai and Gerda each sat down on their own and took each other's hands. The cold, desolate splendor of the Snow Queen's palaces was forgotten by them like a heavy sleep. Grandmother sat in the sun and loudly read the Gospel: "If you are not like children, you will not enter the Kingdom of Heaven!" So they sat side by side, both already adults, but children in heart and soul, and it was a warm, blessed summer in the yard! "

According to Andersen, true wisdom lies in a child's, and therefore, an enthusiastic, trusting perception of the world - God's wonderful creation. Everything else is from the evil one. Live like children, and do not tempt yourself with "Knowledge", it multiplies sorrow and leads to an icy Hell - this is Andersen's message to the supporters of the Gnostic myth.



During spring break I watched the cartoon "The Snow Queen" from Voronezh. The plot is cool, the personalities of Gerda, the troll (in the cartoon his name is Orm), Kai, the flower sorceress, the prince with the princess, the little robber and her mother, and the Snow Queen herself were really revised. In the hottest (for the Snow Queen - icy) moment, Gerda, with the help of her father's mirror (what does the mirror have to do with it?), Learns the terrible secret of the Snow Queen ...

What are you thinking when I say "The Snow Queen"? You think you describe her as beautiful, slender, tall, with silver hair, blue (sometimes lilac) eyes, white eyelashes, pale (sometimes blue) skin, but with a cold heart and a dark look (you don't think this description looks like to the description of the White Witch from The Chronicles of Narnia?). Early versions of her image were as follows: she dresses in polar bear fur, a high crown, and a white dress.

Then they began to decorate her with dark cornflower blue hair (rarely black) with blue tips of a metallic sheen. The hair is adorned with diamonds and diamonds, the teeth of the crown have become like icicles. The queen herself has become slimmer, more beautiful (even more seductive), and her look is haughty.










She is often depicted with a retinue of polar bears and reindeer, as well as flying in a sleigh pulled by white horses with Kai.



Hans Christian Andersen "settled" the Snow Queen on the island of Svalbard. The story "What happened in the palaces of the Snow Queen and what happened afterwards" (the last part of the tale) begins with a description of her palace:

“The walls of the Snow Queen's palaces were covered with a blizzard, violent winds. Hundreds of huge halls lit by the northern lights stretched out one after another; the largest stretched for many, many miles. As cold as it was deserted in these white, brightly sparkling palaces! Fun never everpeeped in here! If only a rare time there would be a bear party herewith dancing to the music of the storm, in which they could distinguish themselves with grace and skillpolar bears walk on their hind legs, or a game of cards withquarrels and fights, or, finally, the little whitegossip chanterelles - no, it never happened!
Cold, deserted, dead! The northern lights flashed and burned like thiscorrect that it was possible to calculate with accuracy at what minute the lightwill intensify and in what will weaken. In the middle of the largest desert snow hallthere was a frozen lake. The ice cracked on it into thousands of pieces, even andcorrect to the marvel. In the middle of the lake stood the throne of the Snow Queen; on it sheshe sat when she was at home, saying that she was sitting on the mirror of the mind; by her it was believed to be the only and best mirror in the world. "


Our generation is used to seeing this woman as a cruel, people-hating mistress of ice and snow. However, reading Andersen's tales rarely remember a character similar to the Snow Queen - the Maiden of Ice, who lives in the mountains, grazes wild goats, and passionately dreamed of completely capturing Rudy (in infancy, Rudy captured his spirit, then under the guise of Annette - the soul, and then, in front of Babette's eyes - the body ). This is a symbol of deceit. The image of a harsh hater of people and a murderer, the instrument of which is cold and cold, has firmly taken root in our minds; The Snow Queen can really kill birds with her icy breath, and with a kiss can freeze an evil heart, or spoiled, in the case of Kai.


But this is slander.
In films about the Snow Queen, you can often see that she is the mistress of an evil mirror, which then shattered and fragments of various sizes scattered all over the world. But this is not true: the creator of the mirror is an evil troll. In the cartoon "The Snow Queen" 2012-2013 the mirror, on the contrary, is not evil, but has the function of an "elixir of truth." The troll Orm did not create it, it was made by the father of Kai and Gerda - the master of mirror business Vegart (or simply - the master Vegart). Laplandka says: "If you put it at the right angle, then you will see what they want to hide from your eyes."
In the 7th tale of the Snow Queen G.H. Andersen (The Snow Queen fairy tale is divided into 7 fairy tales), the reader learns that the Snow Queen gave Kai a task: to collect the word "Eternity" from the pieces of ice using the Chinese puzzle method. Also says:

"Now I will fly to warm lands, - said the Snow Queen. - I will look into the black cauldrons.
"Black cauldrons" she called Vesuvius and Etna. "

You are in shock - it turns out that the Snow Queen can not only send blizzards and blizzards, but also decorate window panes with frosty patterns! She travels to warm places like the Mediterranean and can look into the vents of volcanoes. This is obvious - she also cools their ardor! And also, for completing the assignment, she promises Kai a reward: “to be your own master” (that is, lets him loose) and a couple of skates to boot. And when Gerda came, and in her absence, Kai was disenchanted, and together they put together the word “Eternity”, “Kai was not afraid of meeting the Snow Queen,” and she fulfilled her word - she gave him freedom and a pair of skates. In films, this moment and gift was often missed, as if the Snow Queen, like the Maiden of Ice, says about Kai: “Mine! Will not give it back! My!".
We return to the Snow Queen from the same cartoon. Surely, each of you asked yourself the question: "Why does the Snow Queen hate creatively talented people, especially the father of Kai and Gerda - Vegart, a master of mirroring?" This is what the Lapland woman told Gerda (and this story was very useful to her) ...


Once upon a time in Lapland there was a girl named Irma, the daughter of a sorcerer. Well, it's clear who she went to with her superpowers. Her kindness, love for nature and animals made her the strongest witch in the area. But many people perceived it from the side that they instilled in their children, pushing hatred towards the sorcerer's daughter. But she didn't deserve it! - you say. Irma, feeling that her abilities in words became a curse for those around her, took offense at everyone with all her childish resentment, and cursed them, not realizing that the curse was directed against her. “… And the cold of the cave lake captured her mind…”, - the Lapland woman finishes the story.
... And Gerda looked at the "right angle" in the mirror, and we see that the Snow Queen is none other than Irma with a blue and embittered face, whitened hair, and "frozen" mind and heart. In the arms of Gerda, Irma returns to her former appearance and performs her first good deed in many years of existence under the name The Snow Queen - she thaws the heart of the half-dead Kai.


After much deliberation, I came to the conclusion that I have made a perfect new discovery concerning the human soul: the Snow Queen is not a monster at all. The Snow Queen based on the history of Irma (the same cartoon about which in question) is a woman who wants people to see her for who she really is (and this is little Irma). It makes her angry when creatively gifted, who can see the world a little wider than other people (scientifically proven that an artist can see 3 colors more than a common person- about 150 colors), people depict her as an evil and cruel bitch, waiting for any small defenselessness in front of the cold in order to freeze a person to death. Kai, by the way, is also no exception ... Remember his portrait of the queen (although according to the fairy tale Kai, when fragments of an evil mirror fell into his eyes and heart, became interested in the patterns of snowflakes). That is why she abducted such people who during the movement, with the exception of Kai, turned into ice statues. I also discovered a character trait that is constantly forgotten - The Snow Queen true to her word. She fulfilled her promise when Kai (with Gerda's help) collected the word "Eternity".

It's really greatest discoveries, which should be considered by the researchers of Andersen's creativity and folklore as needed. In our timethe lady's possessions of ice and snow are decreasing and decreasing. Please, people: do not offend the Snow Queen! Who knows our cartoon, do not offend Irma!

Children's entertainment script

"In the palaces of the Snow Queen."

(carried out during a walk)

Tasks: arouse interest in winter themes, improve the process of developing motor abilities, develop the child's emotional sphere, contribute to the formation of the child's moral position: to perceive the beautiful, to preserve the beauty of nature, to do good oneself.

Preparatory work:

Castle-style site design;

Experiments on freezing ice figures;

Reading the fairy tale by G.H. Andersen “The Snow Queen;

Equipment: equipped playground for winter games, attributes for children: for boys - Santaclaus caps, for girls - crowns of snowflakes; musical accompaniment: tape recorder, fragments "Nutcracker" by NP Rimsky-Korsakov, banner for hitting the target, small balls, multicolored ice forms (juice of carrots, beets, raspberries or cranberries, dill; infusion of saffron or bay leaf, St. John's wort)

Heroes: adult teachers in the role of the Storyteller, the Snow Queen, Grandfather Frost.

Introduction to the image.

The storyteller meets the children at the entrance to the kingdom.

- In order to enter the domain of the Snow Queen, you need to turn into her loyal servants.

Girls wear snowflake crowns and boys wear caps.

And now we will follow me along the magic path to the winter melody and get into a fairy tale.

A melody from the opera "The Nutcracker" sounds, the children follow each other after the Storyteller to the castle where the Snow Queen sleeps. Arranged in a semicircle.

Psycho-gymnastics. ( children perform movements according to what they heard).

White.

See how everything is white and white around -

And white snow and white house (squat and bounce)

And the white bear lies here, (imitate a dream)

The white mistress sleeps here. (queen image

Breathe on the mitten soon

You will see white frost in it. (breathe on the mitten)

Cold white all around

And the north suddenly became closer to us. (spinning)

Blue.

- Look at the sky - height (climb on tiptoes to the sky)

The blueness for the eyes is easy

And next to white - blue (wave their hands alternately)

Cold color was with you.

Blue.

The field and the seas are frozen, (they squat, spreading their arms to the sides)

The river is covered with blue ice

And blue is a strict color, friends (steam blows like frost)

It blows cold for a reason.

Frowned and angry, (hands on the belt, turns the torso to the sides)

He looks in the sky at night.

And if the stars flash, (arms to the sides, jump legs on

shoulder width - asterisk)

It will be frosty here.

Purple.

Purple is beautiful (hands forward - scissors)

Shining of the North tide.

Winter plays with colors - (pat themselves on the shoulders)

The "cold" is full of flowers.

What cool colors do you remember at the Snow Queen in the castle? If you pronounce it correctly, wake up the owner of the palace.

The children call the colors and the Snow Queen wakes up.

A game of emotions.

S.K. - Who dared to disturb the exchange? Who walks in my frozen kingdom?

Who's laughing in my magic meadow? What kind of little gnomes have come here?

Storyteller - These are your faithful servants, His Majesty. We passed by and decided to greet you. Friends, we must express words of admiration.

Come up quickly, what do you see beautiful here? Pronounce it cold.

(For example:What wonderful air you have - cold and clean!

What a beautiful crown you have, my queen is cold! ..)

S.K.- What nice, cold words. Okay, I will show you my domain, just do not make noise and tread softly, so as not to disturb the peace in my kingdom.

Children one after another follow the Snow Queen. The waltz of snowflakes sounds.

SK - Here I have a box with snowflakes, which I sprinkle on the ground, forests and fields. ( dchildren imitate snowflakes)

- Here, ice floes are closed in the chest for rivers, lakes and ponds. (dchildrenare tappedshoulders together)

- This casket holds the wind for blizzards and blizzards. (dchildren run as if the wind is driving them - in gusts)

Hidden behind this castle are stars for the winter sky. ( dchildren take snow in their mittens and clap their hands so that the snow falls off)

And this chest is my favorite. There is frost in it - a cold nose. It is he who carries out my winter supplies from the chests. Now he must return, New Year has already ended in humans. Shouldn't we hurry him up?

Storyteller. - Thank you for your hospitality. We will go to meet him.

S.K. - Good. I'm tired of the noise, I need peace and cold. Farewell.

(The Snow Queen leaves, and the storyteller and the children call Santa Claus. He skis around the corner of the building and waves his mitt.)

Winter Games - relay races.

D.M. - Did the Snow Queen froze you, dear Storyteller? Is it cold for my children in the winter castle? We need to warm up a little, play and compete.

1. Hit the target with a snowball. (dChildren try to hit vertical targets of different shapes with small balls)

2. “Snowdrifts worry one, two, three. Winter animals in the forest freeze ... "

3. The game "Catch up, catch up"

Artistic construction from ice floes.

- I gave you a lot of gifts this year. And I want you to leave a gift for me too. I have a secret bag, and in it are magic figures. If you fold a picture in the snow from them, then you will unravel the mystery.

Children lay out patterns from multicolored frozen pieces of ice.

Music sounds.

Well done.

Finished the job well, and now

Disperse and turn against the sun, ( become back to the sun)

Ice sparkles with amber and garnet, silver,

Nature has brought us these valuable colors.

Carrot ice is like amber, and beet ice is like pomegranate,

Strawberry ice is amethyst and saffron is like a yellow leaf

Emerald - green ice, St. John's wort - a connoisseur of fashion

He dyed my dress in lilac color.

We were able to please Santa Claus. I will remember you for a whole year until next. And you do not forget me, do not get sick, temper!

And now it's time for you to return home. Goodbye, Storyteller.

(dThe children say goodbye to Santa Claus, and the Storyteller takes them out of the castle and removes the head attributes.Returning from a walk, independent activities are organized in creative centers: design, visual and theatrical)

The final stage of the project is thinking about the results and the inner impression of the work done. This time, the teacher offered an interview with the family on the main questions: What did you manage to learn? What did you like the most? What has not been done for the project and can be done in the next one?

This form of work can be carried out with a teacher - a psychologist with small subgroups.

The fairy tale "The Snow Queen" is read and watched by children and adults. So many moral lessons is in this work of Andersen, as in any of his other fairy tales. The author raises a serious problem, talking about the human heart, about kindness and loyalty.

The main idea and meaning of the fairy tale "The Snow Queen"

At first glance, this is a common story with fantastic elements about two children living with their grandmother. The main positive characters of the tale, Kai and Gerda, are kind to each other and others. They love and appreciate each other, their grandmother, protect nature. This makes their hearts good, and their souls pure, protected from evil. But what happens when a good heart is pierced by an icy shard of evil power? Will such a heart become icy, without compassion, compassion and kindness? And how can you help a kind person not to become a villain? All these important questions are raised by the author of the tale and answers to them. Only good will help melt the ice in the heart and drive away the evil forces - the Snow Queen and her servants.

Gerda goes in search of her brother, who was taken by the Snow Queen. The girl boldly and courageously overcomes all obstacles in order to save a loved one. Not every adult is able to go this way.

Description of the Snow Queen

This is one of the main characters of the tale, but not the central one. The tale is not about the Snow Queen, but about the struggle between good and evil. She is the pure embodiment of evil power. It even manifests itself externally:

  • the queen is tall and slender, incredibly beautiful, but this is a cold beauty;
  • her gaze is inanimate, and her eyes are like pieces of ice;
  • the queen has pale and cold skin, which means she has no heart.

The sorceress owns magical powers, using them not for good deeds. She takes children with "hot" (kind) hearts and turns them into ice. It is the children that she kidnaps, because they have pure and kind hearts. The queen dreams of freezing the whole world, leaving no warmth and kindness in it, and turning it into her ice kingdom. All a witch has is an evil spell. The Snow Queen does not know about love and kindness, devotion, loyalty and friendship. Only these feelings can melt the ice in the heart.


Close