The development of coherent speech of children through theatrical and gaming activities. Work experience "Development of children's speech through theatrical activities Coherent speech of preschoolers and theatrical activities

Our children are growing up in a powerful flow of information, live communication is replacing modern tablets, computers, and this trend is increasing all the time, as a result of which the development of coherent speech is an increasingly urgent task of our society.

One of the integral parts of correctional and developmental work with children with speech disorders is the development of coherent speech. Coherent speech develops along with thinking gradually. Initially, speech is formed as a result of direct emotional communication with adults, laying the foundation for future coherent speech. As the child grows, the activity becomes more complicated, the forms of communication with loved ones change. Gradually, the circle of contacts expands, and individual monologue words, phrases, sentences are reduced to dialogic speech. By the end of the second year of life, words begin to take shape grammatically. At the age of three, active speech develops rapidly, enriches lexicon, the structure of sentences becomes more complicated and speech is understood. Understanding speech is of primary importance in the development of the child, being the initial stage in the development of the function of communication.

Over time, the child develops the ability to describe, explain, retell everything that he is aware of by age. This is how coherent speech develops, which shows all the successes achieved at this stage in mastering the features mother tongue. Communication is the instrument of culture that educates, develops the personality and participates in its formation. Forms world perception and attitude, humane attitude to the surrounding natural, objective and social world.

In the process of communication, social contacts are established, emotions are exchanged, practical and verbal interaction is established. In search of effective means for solving a complex of problems, I pay great attention to the use of various types of arts in correctional work.

My experience has shown that the use of traditional methods and techniques in correctional work is not enough for the development of coherent speech. One of the most important conditions contributing to the full development of coherent speech in children with speech disorders is theatrical activity. This common form of children's creativity, which is close and understandable, can bring joy and emotional satisfaction, promotes the development of creativity, imagination, fantasy, helps the child to form and realize his speech development.

The purpose of my correctional work is the development of coherent speech in children with speech disorders and the creation of conditions for the development of speech and creative abilities through theatrical activities

Working on this topic, I solve the following tasks:

vocabulary enrichment, mastery of grammatical forms, grammatical structure;

development of phonemic perception, hearing and pronunciation skills;

exercise in the use of verbal and non-verbal expressive means of communication

improvement of dialogic and monologue speech through theatrical activities;

development cognitive processes, fine and general motor skills;

education of the culture of speech communication, based on the plots of fairy tales;

fixing the correct pronunciation of individual sounds (tongue twisters);

the use of health-saving technologies to preserve and improve the health of pupils.

In children up to school age visual-figurative memory predominates, and memorization is mostly involuntary. K.D. Ushinsky wrote: “Teach a child some five words unknown to him - he will suffer for a long time and in vain, but connect twenty such words with pictures, and he will learn them on the fly.”

When teaching coherent speech to children, it is quite reasonable to use creative techniques. In my work, I use storytelling schemes based on knowledge of the content of a literary work. Initially, a ready-made plan-scheme is offered, and as they learn, children independently connect to the creation of a mnemonic table. A feature of this technique is the use of not images of objects, but the use of symbols. The symbols are as close as possible to the speech material, for example, a house is used to denote domestic animals, and a Christmas tree is used to depict wild animals.

The content of the table includes a graphic or partial image of the characters of a fairy tale, natural phenomena and much more, highlighting the main semantic links of the plot of the story. The most difficult thing is to make the conditionally visual diagram understandable for children. The bottom line is that words, phrases must correspond to some kind of picture, image. Thus, the work is sketched schematically, and the child reproduces the entire content from memory.

What tasks do mnemotables solve:

Development of coherent speech;

Enrichment of vocabulary;

Learning to write stories;

Retelling works of fiction,

Guessing and guessing riddles;

Learning and memorizing tongue twisters, poems;

Automation and differentiation of sounds;

Development of basic mental processes - memory, attention, figurative and associative thinking;

Increasing the amount of memory by forming additional associations;

Reducing the length of training time;

Development of fine motor skills of hands with partial or full graphic reproduction;

The process of developing coherent speech requires constant pedagogical attention, therefore, mastering coherent speech is necessary for further development and education of the child.

Working in the system of interconnections of all specialists, educators, we have the opportunity to take into account the individual speech characteristics of each pupil. Visual, musical, constructive activities are the constituent components of theatrical games. They involve the emotions of preschoolers: children get acquainted with the feelings, moods of the characters, master the ways of their external expression, realize the reasons for this or that mood, which facilitates the process of developing coherent speech. Finally, the theatrical game is a means of self-expression and self-realization of the child.

The development of coherent speech and the formation of communication skills is one of the leading tasks of a preschool institution.

The period of preschool childhood is considered the foundation for the further development of all aspects of speech. The success of teaching children to school largely depends on the level of mastery of coherent speech. Purposeful formation of coherent speech is essential in common system work with children. The formation of coherent speech of children in kindergarten is carried out both in the process of various practical activities during games, regime moments, observations of others, etc., and in the process of organized activities of children.

In the course of studying the methodological literature and work experience, I came to the conclusion that it is necessary to solve the main problem, which is that it is necessary to develop the speech of preschoolers. This problem is a key problem in the course of my pedagogical activity.

In the course of the study, I came to the conclusion that it is necessary to develop children's speech through theatrical activities. Therefore, during its innovation activities I decided to investigate this problem and create a series of events aimed at the development of coherent speech.

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Generalization of experience on the topic: “Development of speech through theatrical activity”

2013-2014 academic year

2014-2015 academic year

Educator: Volkova T.P.

Introduction

Mastering the native language, speech development is one of the most important acquisitions of a child in preschool childhood and is considered in modern preschool education as common ground upbringing and education of children. L.S. Vygotsky wrote: “There are all the actual and theoretical foundations assert that not only the intellectual development of the child, but also the formation of his character, emotions and personality as a whole is directly dependent on speech.

Working with children, I was faced with the fact that they have poorly developed coherent monologue speech, they hardly talk about the events of their lives, they cannot retell literary works. Therefore, as the main topic of my activity, I chose: “The development of children's speech preschool age through theatrical activities.

Theatrical games are always loved by children. Preschoolers are happy to beat familiar works, reincarnating in their favorite image. The child voluntarily accepts the character's traits, facial expressions and gestures. Children rejoice when good triumphs, sigh with relief when the heroes overcome difficulties and a happy ending comes.

E.A. Flerina, the largest teacher in the field of aesthetic education, saw the advantage of storytelling over reading in that the narrator conveys the content as if he were an eyewitness to the events. She believed that storytelling achieves a special immediacy of perception.

Fairy tales are especially loved by children, the language of fairy tales is very picturesque, it has a lot of apt comparisons, epithets, figurative expressions, dialogues, monologues, rhythmic repetitions that help the child remember the fairy tale and enrich his vocabulary. Theatrical art is close and understandable to both children and adults, primarily because it is based on the game. The theatrical game is one of the brightest emotional means that form the personality of the child, independent creativity, his emancipation. In the process of a theatrical game, vocabulary is activated and improved, grammatical structure speech, sound pronunciation, tempo, expressiveness of speech. Participation in theatrical games gives children joy, arouses active interest, and captivates them. Reflecting on the issue of raising the level of children's speech, I came to the conclusion that theatrical activities can help.

Why theatrical activity? Theatrical activity is one of the most effective ways impact on children, in which the principle of learning is most fully and clearly manifested: to teach while playing.

Studying the psychological and pedagogical and methodical literature, I came to the conclusion that the dramatized game has big influence on the language development of the child. Stimulates active speech by expanding the vocabulary, improves the articulatory apparatus. The child learns the richness of the native language, its means of expression. Using expressive means and intonations corresponding to the character of the characters and their actions, he tries to speak clearly so that everyone understands him.

In a theatrical game, an emotionally rich speech is formed. Children better learn the content of the work, the logic and sequence of events, their development and causality.

The founder of the Moscow Puppet Theater S.V. Obraztsov once expressed the idea that every child has an inherent desire for acting. And we know that acquaintance with the theater takes place in an atmosphere of magic, festivity, high spirits, so it is not difficult to get children interested in theater.

It is known that children love to play, they do not need to be forced to do it. While playing, we communicate with children on their territory. Entering the world of childhood games, we can learn a lot ourselves and teach our children. And the thought said by the German psychologist Karl Gross, which is still popular: "We play not because we are children, but childhood itself was given to us so that we play." All of the above determined my final choice of topic for the experience of work "Development of the speech of preschool children through theatrical activity."

Relevance of work experience.

The period of preschool childhood is considered the foundation for the further development of all aspects of speech. The success of teaching children to school largely depends on the level of mastery of coherent speech. The purposeful formation of coherent speech is of paramount importance in the overall system of working with children. The formation of coherent speech of children in kindergarten is carried out both in the process of various practical activities during games, regime moments, observations of others, etc., and in the process of organized activities of children.

Preschool childhood is a special period of child development, formation general abilities necessary in any kind of activity. The ability to communicate with other people, to act together with them, to learn new things, to see and understand life in one's own way - this and much more is carried in preschool childhood.

Speech is one of the most important lines of child development. Thanks to the native language, the baby enters our world, receives wide opportunities communication with other people. Speech helps to understand each other, forms attitudes and beliefs, and also plays a huge role in understanding the world around us.

Speech - a wonderful gift of nature - is not given to a person from birth. It takes time for the child to start talking. And adults should make a lot of efforts so that the speech of the child develops correctly and in a timely manner.

The development of coherent speech is the central task of the speech education of children. This is primarily due to its social significance and role in the formation of personality. It is in coherent speech that the main, communicative, function of language and speech is realized. Connected speech is the highest form of speech mental activity, which determines the level of speech and mental development of the child (T.V. Akhutina, L.S. Vygotsky, N.I. Zhinkin, A.A. Leontiev, S.L. Rubinshtein, F.A. Sokhin, etc.).

Majority pedagogical research devoted to the development of coherent speech of children of senior preschool age. Further development is required in the formation of the coherence of speech in the middle group, taking into account age and individual differences in children of older preschool age. The fifth year of life is a period of high speech activity of children, intensive development of all aspects of their speech (M.M. Alekseeva, A.N. Gvozdev, M.M. Koltsova, G.M. Lyamina, O.S. Ushakova, K.I. Chukovsky, D. B. Elkonin, V. I. Yadeshko, etc.). At this age, there is a transition from situational speech to contextual (A.M. Leushina, A.M. Lyublinskaya, S.L. Rubinshtein, D.B. Elkonin).

Problem.

In the course of studying the methodological literature and work experience, I came to the conclusion that it is necessary to solve the main problem, which is that it is necessary to develop the speech of preschoolers. This problem is a key problem in the course of my pedagogical activity.

After analyzing the initial situation, conducting a survey of the speech of children, I realized that they do not have a rich vocabulary, they cannot fully express their thoughts, their creative imagination, skills of coherent speech, expressive speech, motor skills are poorly developed, communication skills are absent. And I came to the conclusion that in addition to classes with a speech therapist, it is necessary to use in your work such methods and techniques that would contribute to the development of children's speech. The child spends more time in the preschool along with peers and the teacher, and it is necessary to create such a situation, a problem in order to direct the development of speech in the right direction. In the course of the study, I came to the conclusion that it is necessary to develop children's speech through theatrical activities. Therefore, in the course of my innovative activity, I decided to investigate this problem and create a series of activities aimed at developing coherent speech.

Leading pedagogical idea of ​​work experience

Interest in children's speech has not weakened for many years. A great contribution to the development of methods for the development of speech was made by: K.D. Ushinsky, F.A. Sokhin, E.A. Flerina, A.A. Leontiev, M.M. Konina and many others.

The development of coherent speech is the main task of the speech education of children. It is in it that the main communicative function of the language is realized. Coherent speech is the highest form of mental activity that determines the level of speech and mental development of the child - this was noted in their works: Vygotsky L.S., Leontiev A.A., Rudinshtein S.L. and others. Mastering coherent oral speech is the most important condition for successful preparation for schooling.

Studies conducted by psychologists, teachers, linguists, E.A. Tikheeva, E.A. Flerina, F.A. Sokhina, created the prerequisites for integrated approach to solving problems of speech development of preschoolers. In classical preschool pedagogy, the idea of ​​combining learning with play belongs to the German teacher F. Froebel. Theory game learning received its development in the works of many foreign and domestic scientists - M. Montessori, A.P. Usov, V.N. Avanesov, E.N. Vodovozov and others. The influence of vocabulary work on coherent speech is described in detail by Strunina E.M. and Ushakova O.S., Shokhova O.A. presented two areas of work with preschoolers: fairy tale therapy and classes on the development of coherent monologue speech. This cycle of classes will help organize work on the development of verbal creativity of older preschoolers, starting with learning to compose reproductive and creative improvisations based on the content of familiar fairy tales and then inventing their own fairy tales and their dramatizations. In domestic pedagogy, sufficient theoretical, practical and methodological material has been accumulated for the study and development of the lexical and grammatical side of speech in preschoolers. Existing programs for the education and upbringing of children describe in detail the content and structure frontal exercises on the development of the lexical and grammatical side of speech. Numerous studies have shown the importance of the game as a form of learning that contributes to the assimilation, consolidation and systematization of knowledge and the possibilities of using it in the speech development of preschool children..

Target.

To develop and experimentally test a model for the development of children's speech through theatrical activities. In accordance with the purpose, object and subject of the study, it is possible to determine the research hypothesis: the development of children's speech in a preschool educational institution will be effective if:

Criteria, indicators and level of formation of children's speech are determined;

A model of education has been developed taking into account age characteristics;

Subject to the joint interaction of the educational institution and the family.

Research objectives:

To study the state of work on the development of speech of children of the middle, senior group.

Study the literature on this issue.

Conduct a diagnosis of children in the section "development of speech" at the beginning of the year and at the end of the year.

Develop and test a long-term plan for working with children and parents on the development of speech through theatrical activities.

Create a cycle of scenarios, games and performances.

Practical significance.

A set of scenarios, leisure activities with children and parents for the development of speech, as well as a selection of theatrical game developments can be used in the work of a preschool educational institution.

The leading pedagogical idea of ​​work experience: the development of the speech of preschool children through theatrical activities. The educational possibilities of theatrical activity are enormous: its subject matter is not limited and can satisfy any interests and desires of the child. Their speech becomes more expressive, competent. They begin to use new words, proverbs and sayings from the script, moreover, in everyday situations that coincide with their semantic content. The positive emotional charge received from the performance, the acquired faith in one's own strengths increase the self-esteem of children. Many of them cope with their complexes, learn to think, analyze their behavior and the behavior of other people, become more attentive and tolerant of each other. Their gaming activity is activated, acquires a creative character, emotional richness. In the soul of every child lies the desire for a free theatrical game in which he reproduces familiar literary plots. This is what activates his thinking, trains memory and figurative perception, develops imagination, improves speech. S.Ya. Rubinstein wrote: “The more expressive the speech, the more the speaker, his face, himself” appears in it. The educational possibilities of theatrical activity are enormous, its subject matter is not limited and can satisfy any interests and desires of the child.

Tasks:

1. To develop a steady interest in theatrical and gaming activities.
2. Enrich the vocabulary of children, activate it.
3. Improve dialogical and monologue speech.
4. To cultivate a positive attitude towards theatrical games, the desire to play with theatrical puppets, an emotionally positive attitude towards peers, the education of will and self-confidence, respect for the traditions and culture of the people.
5. To promote the manifestation of independence, activity in the game with characters toys.

Expected results:

Children.

Getting to know fiction, children learn to apply grammatical skills and abilities in dialogical (answers to questions, conversations) and monologue (verbal creativity) speech, use the means of artistic expressiveness of the language and its grammatical means.

Parents.

Support the child's interest in theatrical activities. As far as possible, try to attend children's performances. Celebrate achievements and identify ways to improve. Offer to play your favorite role at home, help to play your favorite fairy tales, poems, etc.

The development of theatrical activity in preschool educational institutions and the accumulation of emotional and sensory experience in children is a long-term work that requires the participation of parents. It is important that parents participate in themed evenings in which parents and children are equal participants.

It is important that parents participate in such evenings as role performers, authors of the text, makers of scenery, costumes, etc. In any case, the joint work of teachers and parents contributes to the intellectual, emotional and aesthetic development of children.

Experience on the topic "Development of the speech of preschool children through theatrical activities" was implemented at MDOU No. 29 "Berry" in the middle and senior groups in two areas: joint activities with children, interaction with parents.

The work was carried out in three stages: preparatory, main, final.

Stage 1 - preparatory.

At the first preparatory stage of my work, I studied basic program preschool educational institution, methodological material, subject-developing environment of the group. In the course of all this work, some shortcomings were identified.

Not enough methodological developments on the development of children's speech and little information and visual material for working with parents.

Therefore, she conducted a survey of the state of formation of coherent speech, the purpose of which was to identify the level of development of coherent speech in children. The content of the work is presented in Appendix No. 1. Analysis of the results for the middle group showed that they basically correspond to a low and medium level.

Simultaneously with the diagnosis of children, I conducted a survey of parents in order to identify their pedagogical knowledge, problems in communicating with children.

Prepared: selection of games for the development of hearing, onomatopoeia, subject-game actions, speech formation, finger, articulation and breathing exercises; scenarios of fairy tales, theatrical games, sketches.

After analyzing the survey, I came to the conclusion that many parents do not consider the problem important enough, they are convinced that children will eventually learn to speak on their own and learn everything in the process of growing up.

So, the results of the diagnostic stage allowed me to determine the following stages of work:

1. Develop a system of theatrical games for children.

2. Optimize work with parents on this issue using a variety of methods and techniques.

In order to realize the main goal of the work and solve the tasks set, I developed a long-term plan for theatrical games and entertainment and leisure activities with parents, which includes a variety of forms and methods.

(Appendix No. 2, 3).

Developed and selected games for the development of hearing, onomatopoeia, speech formation, finger, articulatory and breathing exercises (Appendix No. 4).

She developed scenarios for joint entertainment and leisure activities for children and their parents “Journey to a fairy tale”, “Spring fairy tale” (Appendix No. 5).

Prepared and held parent meetings on the topics “The role of the family in the speech development of a child of 4-5 years old”, “The theater is our friend and helper”, a report for the parent meeting on the topic: “Speech development in preschool children” (Appendix No. 5).

Prepared questionnaires for parents on the topics “Speech development of the child”, “Theatrical activity of children”, “Your child”, “Speech development of children”, developed a memo “Word games”, “ Helpful Hints for parents”, consultations “The importance of theatrical activities for the development of the child’s speech”, “Means of home education - puppet theater”, “Theatrical games as a means of comprehensive development of the child”, “How interesting it is to spend leisure time with the family”, “What is theater?” , "The development of children's speech in the family", KVN on theatrical activities for parents (Appendix No. 5).

I collected a number of proverbs and sayings, tongue twisters, a selection of fairy tales .. (Appendix No. 6).

Stage 2 is the main one.

Techniques and methods of organizing the educational process. In the organization of theatrical games, she widely used practical teaching methods: the game, the method of game improvisation (serving as a bridge between the child’s games in everyday life and the art of the actor), exercises, the method of effective analysis (etude technique), staging and dramatization.

Of the verbal methods, she used storytelling, reading, the story of children, conversations, learning the works of oral folk art.

I used all the methods and techniques in a complex, developed attention, memory, imagination, creative imagination.

1. Reading works of art, fairy tales, poems. (Appendix No. 6)

2. Playing sketches, theatrical games (application 2.3)

3. Showing fairy tales in the middle group: "Zayushkina's hut", "Fox-sister and wolf", "Turnip", theatrical performance of the fairy tale "Teremok", dramatization "Telephone"

K. Chukovsky (Appendix No. 2).

4. Showing fairy tales in the senior group: "Hare Simulator", "Frost", "Polyanka", a theatrical performance of a fairy tale in a new way "Snow Gingerbread Man", puppet theater "Zayushkina hut" (Appendix No. 3)

5. Display of fairy tales for parents: ““ New Year's Adventure of the Kolobok ”,“ The Frog Princess ”. (Appendix No. 2,3)

At the same time, the process of education turns out to be natural. The interest of the children increases when they took part in skits strangers(educators, parents and children of othergroups). Great importance It also uses a variety of technical means. These are video and audio recordings.

The requirements for theatrical games, I built them so that each subsequent one was based on the experience and knowledge of the guys acquired earlier.

A fairy tale must be present in the life of a child. A fairy tale that educates, entertains, soothes and even heals. Therefore, in Everyday life I often used fairy tales to educate children.

To improve teaching skills:

1. Developed a long-term plan for working with children and working with parents in the middle and older groups (Appendix No. 2,3,5).

2. Developed and selected games for the development of speech, finger, articulation and breathing exercises for children (Appendix No. 4).

3. Participated in the work of the teachers' council for the development of children's speech, where she presented a message from the work experience "Theatrical games based on works of art, as a means of developing the speech of preschool children."(Appendix No. 5).

Stage 3 is the final one.

At the end of the main stage, the children were re-diagnosed and the parents were questioned.

Re-diagnosis of children showed a higher level of their knowledge.

in the middle group.

Diagnostic data at the beginning and end of the academic year.

The general indicators of diagnosing in the middle group of the high level increased by 24.2%, the average by 20.6%, with a low level, no children were detected at the end of the year.

in the senior group.

First diagnosis.

High level: 13.8%

Average level: 70%

Low: 16.2%

Second diagnosis

High level - 42.8%

Medium - 57.2%

The general indicators of diagnosis in the older group of the high level increased by 29%, the average decreased by 11.9%, with a low level, no children were detected at the end of the year.

My hypothesis was confirmed as the children's speech improved. In my work, in the joint activities of children and the educator, I systematically conducted a theatrical game. Theatrical games are performance games. In them, with the help of such expressive means as intonation, facial expressions, gesture, posture and gait, specific images are created. Thanks to theatrical games, children develop an emotional sphere, expand and enrich the experience of children's cooperation, both in real and imaginary situations. In addition, theatrical activities are fraught with great opportunities for the development of children's speech.

In my work experience, I have achieved my goals and objectives. I showed in my work that thanks to theatrical games it is possible to improve the degree of speech development of children.

Application.

Theatrical games.

Theatrical sketches:

Tasks: to develop the imagination of children, to teach the expression of various emotions and the reproduction of individual character traits.

Imagine early morning. Yesterday you were given a new toy, you want to carry it with you everywhere. For example, on the street. But my mother didn't allow it. You were offended (lips "puffed out"), But this is mom - forgave, smiled.

Imagine yourself as a dog in a booth. Serious dog. Yeah, someone is coming, we need to warn (growl).

We take a snowflake in our hand and say good words to it. We speak quickly until it melts.

I'm a sweet worker

All day in the garden

I eat strawberries, I eat raspberries

To eat for the whole winter ...

Ahead of watermelons - here! ..

Where can I get a second belly?

I'm walking on my toes

I won't wake my mom.

Ah, what sparkling ice,

A penguin is walking on the ice.

The boy strokes the kitten, which closes its eyes in pleasure, purrs, rubs its head against his hands.

The child has an imaginary bag (box) with sweets in his hands. He treats the children, who take them and thank him. They unwrap candy wrappers, put sweets in their mouths, and chew. Tasty.

greedy dog

Firewood brought,

applied water,

kneaded the dough,

baked pies,

Hid in a corner

And I ate it myself.

Gum, gum, gum!

10. Mom angrily scolds her son for getting his feet wet in a puddle.

11. The janitor grumbles, sweeping last year's garbage out of the melted snow.

12. The snowman, whose head is baked by the spring sun, is frightened, feels weak and unwell.

13. A cow carefully chewing the first spring grass, calmly, with pleasure.

14. The hare had a house like a house

Under a bushy bush

And he was pleased with the scythe:

There is a roof over your head! -

And autumn has come

The bush dropped its leaves,

The rain poured like a bucket,

The hare got his coat wet.

A hare freezes under a bush:

This house is useless!

Wool to scratch - the hand hurts,

Writing a letter - the hand hurts,

To carry water - the hand hurts,

Cooking porridge - the hand hurts,

And the porridge is ready - the hand is healthy.

At the fence it's lonely

The nettle burned.

Maybe offended by someone?

I came closer

And she, the evil one,

Burnt my hand.

17. Balloon inflated two girlfriends

They took from each other.

All scratched up!

The ball burst

And two girlfriends looked -

No toys, sat down and cried ...

18. What is a creak?

What's the crunch?

What is this bush?

How to be without crunch

If I am a cabbage.

Let's love a little

How softly a cat steps.

Barely audible: top-top-top,

Tail down: op-op-op.

But, raising his fluffy tail,

The cat can be fast too.

Courageously rushes up,

And then again walks importantly.

Dramatization games

"Airplane"

Shall we play airplane? (Yes.)

You are all wings, I am a pilot.

Received instruction -

Let's start piloting.

In the snow we fly and blizzard, Oo-o-o-o!

We see someone's shore. Ah-ah-ah-ah!

Ry-ry-ry - the engine growls,

We fly above the mountains.

Here we all go down

To our runway!

Well, our flight is over.

Goodbye, plane.

"We wash ourselves"

faucet open,

wash your nose,

Don't be afraid of water!

Wash the forehead

Wash cheeks,

chin,

Wash the temples

One ear, second ear

Let's wipe it dry!

Oh, how clean we have become!

And now it's time to walk

IN forest let's go we play

And on what we will go - you must say.

(Airplane, tram, bus, bicycle.

Tires burst, friends.

We will pump the pump,

Inflate the tires with air.

Wow! Pumped up.

3. Cat and mouse play

We can do a little.

The mouse scratches with its paws,

The mouse gnaws at the crust.

The cat hears it

And sneaks to the Mouse.

Mouse, grabbing a cat,

Runs into a hole.

The cat is sitting and waiting:

“Why doesn’t the Mouse come?”

4. "Bear"

clubfoot,

Winter sleeps in a lair,

Guess and answer

Who is this sleeping? (Bear.)

Here he is Mishenka-bear,

He walks through the forest.

Finds honey in hollows

And he puts it in his mouth.

licks paw,

Sweet clubfoot.

And the bees are flying

The bear is driven away.

And the bees sting Mishka:

"Don't eat our honey, thief!"

Walking along the forest road

Bear in his den

Lies down, falls asleep

And the bees remember...

5. "Sounding day"

(to the motive of the song "Oh, canopy")

Toptygin took the double bass:

“Come on, everyone start dancing!

There is nothing to grumble and get angry,

Let's have fun!"

Here is the wolf in the meadow

Played the drum:

"Have fun, so be it!

I won't howl anymore!

Miracles, miracles! At the piano Fox

Fox pianist - red soloist!

The old badger blew out the mouthpiece:

“What is the pipe

Excellent sound!”

Boredom escapes from this sound!

The drums knock yes knock

Hares on the lawn

Hedgehog-grandfather and Hedgehog-grandson

We took balalaikas ...

Picked up by Squirrels

Fashion plates.

Jing-ding! Shit!

A very busy day!

Theater in hand

Purpose: o allows you to increase the overall tone, develops attention, memory and relieves psycho-emotional stress.

"Butterfly" - clench your fingers into a fist and alternately straighten the little finger, ring and middle fingers, and connect the thumb and forefinger into a ring. Make quick movements with straightened fingers (finger flutter).

"Fairy Tale" - children are invited to play a fairy tale in which each finger is a character.

"Fish" - the hands of the right and left hands depict the smooth movements of fish. “At first they swam separately, and then they decided that it was more fun together.”

"Octopussy" - the right hand, carefully and in turn moving its tentacles-fingers, travels along the seabed. An octopus is moving towards - the left hand. We saw each other, froze, and then began to explore the seabed together. Children learn to play with their fingers from the first junior group while washing and dressing. Simple movements of the fingers are accompanied by nursery rhymes, songs.

This finger wants to sleep

This finger jumped into bed

This finger curled up

This finger is already asleep.

The fingers are up. Hooray!

It's time to go to kindergarten!

In the middle and senior groups, finger gymnastics is included in the daily routine.

1. In the morning with a small group of children or individually.

Hello golden sun!

Hello blue sky!

Hello free breeze!

Hello little oak tree!

We live in the same region

I greet you all (with the fingers of the right hand, take turns “hello” with the fingers of the left hand, patting their tips).

2. During morning exercises.

Before performing general developmental exercises with objects (hoop, gymnastic stick, cube, etc.), children are offered to "play with the object", for example, passing the ball from hand to hand. At this time, the teacher asks the children: “What ball?”. (Smooth, smooth, round, beautiful, rubber, etc.) If children are offered a set of physical exercises without objects, then the “Castle” warm-up is used:

A lock hangs on the door (rhythmic connections of the fingers in the lock),

Who could open it?

Pulled (hands stretch to the sides),

Twisted (circular movement of the fingers away from you),

Knocked (the base of the palms knock against each other)

And they opened (opened their fingers).

3. At physical education (three to four exercises)

The warm-up begins with exercises for the large muscles of the upper shoulder girdle (shoulder, forearm), since the whole arm, and not just the hand, usually gets tired during the lesson. Children are offered swings with straight arms, circular motions shoulders, elbows. Followed by a warm-up for the fingers. It begins with characteristic movements - clench your fingers into a fist, unclench (both with both hands at once, and alternately with each hand). Then the children are offered plot finger exercises: first with a simple movement (“Fingers say hello” or “Claws”), then in combination with self-massage of the hand with the help of the fingers of the other hand (“We put on a glove”) and objects - rolling a pencil, walnut.

In fairly complex classes that require high mental activity of children, finger kinesiology exercises are used - from the series of "brain gymnastics".

4. At physical education classes.

Finger exercises are performed at the beginning of a complex of general developmental exercises, and self-massage of the hand with the help of massage balls is performed in the final part. In order to form in children elementary ideas about their body and practical skills in caring for it, the movement of the fingers of the hand is used in combination with the movement of the hands.

Who doesn't brush their teeth

Does not wash with soap (fingers alternately, starting with the index, "hello" with the thumbs),

He can grow

Painful, frail (palms are placed one above the other, depicting the growth of a child).

Befriend the filthy

Only dirty (fingers are connected in the lock).

who themselves

They drowned in the mud (a movement imitating a swimmer).

They grow

Nasty byaki (fingers clenched into a fist; then straighten, arms bent at the elbows, palms one after another near the nose),

Angry dogs are chasing them (hands forward, the right palm lies on the left, the fingers are slightly bent, each finger of the right hand touches the finger of the same name of the left hand).

Dirty afraid

Water and colds

And sometimes they don’t grow at all (arms crossed on the chest, bend, straighten, raise your hands up).

At the end of a physical education lesson, a set of exercises for the hands and fingers “How are you?” is traditionally performed.

How are you?

Like this! (The thumbs of both hands are up, the rest are gathered into a fist.)

Do you swim?

Like this! (Hands represent the movement of the swimmer.)

How do you run?

Like this! (Hands bent at the elbows, movement along the body.)

Are you looking into the distance?

Like this! (Alternately put palms on forehead.)

Are you following?

Like this! (Energetic movements of the hands.)

Do you sleep at night?

Like this! (Palms under the head.)

Are you kidding?

Like this! (Fists of both hands clap on puffed cheeks.)

5. Before dinner, when the children are waiting for an invitation to the table.

Children really like to show “the theater in hand”: “There is a house on a sunny meadow. A cat lives in it. She loves to sit in her chair at the table. But suddenly a mouse appeared. The cat ran after her. The mouse jumped onto the steamer, and the cat got into the boat. They sailed into a dense forest in which green, fluffy firs grow ... ”(children accompany the text with the movement of their hands and fingers).

6. On a walk in the warm season.

After observing living and inanimate objects, children are invited to depict with their fingers: a house, a birdhouse, a cat, a dog, a chain, a tree, etc. It is advisable to use finger exercises at the end of the walk.

"Goose"

The goose made its nest,

Gus wrote a counting rhyme

And cackle, and cackle:

Wants to learn a counting rhyme!

"Bunny - ring"

The hare jumped from the porch

And found a ring in the grass.

And the ring is not easy -

Shines like gold.

7. At the beginning of an outdoor game or during the game.

For example, in the game “Dolphin and Fish”, children perform hand movements for each line of the beginning.

In a stormy sea, a blue sea (hands at face level, palms down, fingers intertwined, wave-like movement, starting from the right shoulder).

Dolphins swim fast (wave-like movement of the arm bent at the elbow, hand at shoulder level).

The wave does not scare them, It splashes nearby (the arm is bent at the elbow, at the level of the face, wave-like movements with the brush).

In the outdoor game “Catching monkeys”, with the help of fingers, the child depicts a monkey (arms are bent at the elbows and spread apart to the sides - squeezing and unclenching the fist, crossing the arms in front of the face and simultaneously squeezing and unclenching the fingers; the arms are bent at the elbows, the hands are one after another on nose level, palms to the sides, fingers up - "the monkey is teasing."

8. Good morning!

To create a positive psycho-emotional mood in children, exercises are used: “Good morning!” and self-massage of fingers “Let's wash our hands”.

Good morning, eyes! (We stroke the eyelids.)

You woke up? (“We look through binoculars.”)

Good morning ears! (We stroke the ears.)

You woke up? (Place hand over ears.)

Good morning, pens! (Stroking hands.)

You woke up? (We clap our hands.)

Good morning feet! (Stroking legs.)

You woke up? (Stomp.)

Good morning sunshine! (Hands open towards the sun.)

I woke up! (Tip your head back slightly and smile broadly.)

Finger gymnastics, carried out daily, contributes to the development of not only fine motor skills, but also the development of speech.

Tongue twisters for the development of diction.

The ship was carrying caramel,

The ship ran aground.

And sailors three weeks

They ate caramel aground.

A book is a book, but move your brains.

Wolves roam - looking for food.

Lucky Sanka Senka

With Sonya on a sled.

Question: who is where?

Sanka - lope! -

Senka off your feet!

Why? (He walked ahead.)

Sanka - to the side,

Sonya - on the forehead,

All in a snowdrift.

Chicken by grain

Kudah-tah-tah,

Duck - quack-quack-quack,

Turkey-tails-bastards,

Kitty - meow-meow,

Doggy - woof-woof,

Piglet - grunts, grunts,

Cow - flour, flour,

Horse - noki-noki.

Ski, Uzhonok, circle, ironing,

Mug, beetle, walrus, flag.

Grapes, grass, axe,

Ball, nettle, tomato,

Frying pan, satchel, pear,

Roof, rainbow, Karkusha.

Masha walked, walked, walked

And found a toy:

Cat, matryoshka, bump, monkey,

Mouse, typewriter, gun, bunny,

Ball, tumbler, reel, frogs, -

Who lost so many toys?

Articulation gymnastics

Bite the tip of your tongue - "mom shreds cabbage."

Make a ring with your tongue under your upper teeth.

The tongue is like the sting of a snake.

The tongue is like a thin needle - “we put injections” alternately on each cheek.

Brush your upper and lower teeth with your tongue.

Close your eyes, imagine the night - "get on the horse and go." Click.

Take out your nose with the tip of your tongue.

Pout your lips. Smile without showing your teeth.

Brush your lips with your teeth.

Pull your lips over your teeth, opening your mouth wide.

Draw the sun with open lips.

Imagine that you start a motorcycle - let's go. There is a mountain on the way. Climb up (sound intensifies). Now get down. Stop.

Raise your tongue to the top:

Sha-sha-sha

Our coat is good.

Hello, kittens!

Meow meow.

Hello calves!

Moo-moo-moo.

Hello mice!

Pi, pi, pi.

Hello frogs!

Kwa, kwa, kwa.

15. Your lips directly to the ears

I'll stretch like a frog.

And now I'm an elephant

I have a trunk.

And now I'm a piper

Dudochka - a horn.

I liked to play

I'll repeat it all over again.

Kiss. At the expense of "one", pull closed lips forward, as for a kiss; at the expense of "two" stretch your lips into a smile, without exposing your teeth.

With closed, elongated lips, move up and down, right and left; make circular rotations clockwise and counterclockwise.

Hamster. Chew an imaginary chewing gum so that the whole face moves. Starting from the second time, boasting is added. Participants break into pairs and show off their faces in front of each other, who has the tastier chewing gum.

17. Mug faces. Raise your right eyebrow. Lower. Raise your left eyebrow. Lower. Raise and lower both eyebrows. Without opening the lips, move the lower jaw up, down, right, left. Flare your nostrils. Move your ears. Make an etude with a face “I am a tiger that is waiting

prey" or "I'm a monkey that listens." Draw out the face. Break into a smile. Without unclenching your teeth, raise your upper lip and! put her down. Do the same with the bottom lip. At the end of this exercise, give the task to make a face (“who is funnier” or “who is scarier”).

18. Bath. This exercise is performed in two positions.

Children sit on the floor and pat their feet, then calves, knees, shins, thighs. Patting is done alternately, first on one side, then on the other. Simultaneously

with a pat, pronounce the sound [m] on a comfortable note.

Standing, the body is bent at the waist. Gradually, the body straightens up to a vertical state, and in a standing position, pat | goes to the stomach, back, chest. The exercise is good because it automatically turns on the resonators.

19. Airplane. This exercise is best done at the end. It is convenient to check what results the guys have achieved on it. All participants are divided into four groups. Each group is one "motor" of the "aircraft". The teacher turns on each "motor" in turn. "Motors" "work" on the sound [a] and very quietly. When all the "motors" are "on", the teacher begins to slowly raise his hands, increasing the "power" of the "motors" to the highest point of sound, then the sound decreases sharply.

20. The chick hatches. Close your lips. Move the tongue up and down, right and left with an acceleration of the pace.

21. Bell. Open your mouth, beat the edges of your lips with your tongue, like the tongue of a bell.

22. Sting. Open the mouth, stick out the tongue with wave-like movements back and forth.

23. Shovel. Try to reach the protruding tongue to the nose or) chin.

24. Grimace. For 3 minutes, make faces, using all the muscles of the face.

Exercises are repeated 5-6 times, then a pause and relaxation of the lips.

Literature.

Artyomova L.V. Theatrical games for preschoolers. Book for the educator kindergarten. Moscow: Enlightenment, 1990.

Arushanova A.O. Organization of dialogic communication between preschoolers and peers // Preschool education. – 2001.

Korotkova E.L. Ensuring speech practice in the interaction of work on the development of dialogic and monologue speech. // Reader on the theory and methodology of the development of speech of preschool children / Comp. MM. Alkseeva. - M., Academy, 1999.

Lisina M.I. The development of communication in preschoolers / Under. Ed. A.V. Zaporozhets, M.I. Lisina - M .: "Pedagogy", 1974

Article by Akulova O.V. "Theatrical games of children" // Preschool education, 2006. - N4

Ushakova O.S. The development of the speech of a preschooler. - M .: Publishing House of the Institute of Psychotherapy, 2001.

The spiritual life of a child is full only when he lives in the world of play, fairy tales, music, fantasy, creativity. Without it, he is a dried flower.”
Sukhomlinsky V.A.

The problem of developing coherent speech and creative abilities of children is one of the most important, complex and always relevant. To the number critical tasks work with children is the formation of their coherent monologue speech. After all, adequate perception and reproduction of textual educational materials, the ability to give detailed answers to questions, independently express one's opinions - all these and others learning activities require a sufficient level of development of coherent speech.

As practice shows, a special role in this belongs totheatrical games . By participating in them, children learn about the world around them, become participants in events from the life of people, animals and plants. Based on the characteristics of the speech development of children, all theatrical games are based on the material of fairy tales. When choosing games in my classes, I am guided by the recommendations of the remedial education program, the individual capabilities of each child, and I set myself the goal that each topic permeates all stages of work - from the development of speech understanding to the ability to coherently tell, feel and convey intonation, use movements, facial expressions, gestures. Each theatrical game has a plot idea and role-playing actions.

A fairy tale is the most universal, complex method of influence in working with children.After all, a fairy tale is the figurativeness of language, its metaphor, psychological security. While working on a fairy tale, children enrich their vocabulary, learn to speak correctly and intonation expressively. The advantage and privileges of this method also lie in the fact that the impact on children in the process of classes is dressed in fabulous clothes and children do not have a feeling of pressure. However, a "dry" reading of fairy tales will not have a wide impact.

It is necessary to look for various means that will help children better perceive the fairy tale.

Children are always ready to play fairy tales. This is their way of knowing the world. In a creative atmosphere, the child develops faster, more fully. The fairy tale pleases children with its optimism.

Theatrical activity makes it possible to form the experience of social behavioral skills, since each fairy tale has a moral orientation. As a result, the child learns the world with his mind and heart and expresses his attitude towards good and evil.

Favorite characters become role models. During my work, I came across the fact that many of the children, due to their personal characteristics, such as isolation, indecision, shyness, experience difficulty in communicating with peers and adults. Many children have a lack of observation, creative fiction. As a rule, such children do not know how to occupy themselves in free time. Their vocabulary is limited and poor, speech is emotionally inexpressive, planning of statements is difficult, short and simple sentences. I believe that it is possible to emotionally liberate a child, relieve tightness, develop coherent speech through play, fantasy, and writing. And all this can give theatrical activity.

As L.S. Vygotsky said: “Being the most common type of children's creativity, it is dramatization, based on an action performed by the child himself, that most closely, effectively and directly connects artistic creativity with personal experiences.

Overcoming space and time, combining the possibilities of several types of arts - music, painting, dance, literature and acting, the theater has a huge impact on the emotional world of the child. Performing arts not only introduce children to the world of beauty, but also develop the sphere of feelings, awaken complicity, compassion, develop the ability to put oneself in the place of another, rejoice and worry along with him.

Work on the development of coherent speech and the expansion of the active vocabulary is based on descriptive stories, retellings of familiar text, events, for example:

Fairy tales and stories with a new ending

The speech therapist asks the child to name frogs and finish the tale:“Once upon a time there were two frogs. They were friends and lived in the same ditch. But only one of them, a real forest frog, was reputed to be brave, strong, cheerful. Her name was _____ and the other, swamp, was a coward, weak, sleepy. Her name was ______. But still they lived together. So one night they went out for a walk. They go along the forest path and suddenly they see ....... ";

Tales from the middle : « Once my dad and I were in a hurry from kindergarten .

Suddenly we saw... … Now this is my best friend.”;

Compilation of fairy tales from the analogy of famous fairy tales; fairy tales from transformations:

I am turning….. The beginning of a fairy tale

I got bored all the time

located

near the hostess, and I went for a walk ....

In a butterfly How good it is to fly over

flowers

– everything is seen. But then one day………;

Tales of favorite toys - which children love to talk about (on behalf of the toys themselves - dolls, bears, robots);

Colored fairy tales - color is important in human life, it carries certain information about the world around us. To teach children to perceive colors brighter and more figuratively, I invite children to tell the “Fairy Tale of Magic Colors”:

“We lived - we were in one fabulous country of paint. Each paint lived in its fairy-tale castle. Red paint in a red castle.

We draw a red spot on the easel.

And everything in it was ---- what color? (Red)

There was a castle of blue paint nearby, and she had everything --- what? (blue)

And farther away stood a castle of yellow paint, and everything in it was yellow. Paints loved, like all children, to visit each other, and that's what they did. Once the red paint went to visit the yellow.

Pick up the red color and add it to the yellow paint. What happened? (Orange color). And so on…

You can compose a fairy tale about one specific color and ask the child to continue it ;

Binome fantasy - children choose two objects in the pictures that are difficult to combine in a fairy tale plot and come up with a fairy tale.

Couples The beginning of a fairy tale

Wolf and skates

skates are lying .......

Elephant and Pen Once an elephant decided to write

letter to your friend giraffe.

And I thought, where

find a pen...

Children are very fond of experiments in fairy tales,fairy tales in a new way where familiar characters in new circumstances. This method develops imagination, breaks stereotypes among children, creates conditions under which the main characters remain, but fall into completely different circumstances. I try to teach children to be active, to break the stereotypes of the usual content of fairy tales. For example,in the fairy tale "Turnip » Granddaughter sings a song, mouse playing sports,Cat going fishing. In a fairy tale"Kolobok" the Policeman appears, as Grandmother and Grandfather are looking for their son - Kolobok, who steals cutlets from them, and then he becomes ashamed and hides from Grandma and Grandfather.

But then everything ends happily. Gingerbread man understands that he acted badly, asks everyone for forgiveness and everyone forgives him.

Theatrical activity helps to form in children the ability to speak clearly, expressively, using different intonation, tempo to convey a specific image. Forming the skills of expressive retelling, attention is paid to articulation, the accuracy of pronouncing the set sounds, the development of speech breathing, the clarity of diction, the ability to control one's voice.
In addition, children master different types of puppets (finger puppets first, mitten puppets, then glove puppets, and so on), as well as the ability to drive a puppet behind a table screen.
There are various types of theaters, some of which I will introduce to you:
Finger Theatre. Represented by dolls - heads.
Shadow theater. Plane puppets are shown on an illuminated screen in the form of silhouettes.
Toy theater. Any ordinary toys, identical in material, are used.
Theater made of cardboard. Pictures - characters move according to the content readable fairy tale.
Theater on flannelgraph.
Theater gloves.
Table wooden theatre.
Puppet theater with a "live hand".
Puppet Theatre.

Purposeful use of funds theatrical art increases the level of development of coherent speech in children and develops their individual creative abilities.
The result of work on the puppet theatricalization of fairy tales is the development of not only coherent speech and all components of the language system, but also the personality of the child as a whole.

Tales from the rhyme

The rhyme is laconic, its rhyme, as a rule, is easy. The plot is close and understandable to children of preschool age. The mechanism is as follows - we learn the rhyme, beat it, and offer a loan of a mysterious beginning, coming from its content.

Reading book The beginning of a fairy tale

Siskin was sitting in a cage, Once a grandmother, after feeding

Chizhik sang a song loudly, forgot to close the cage ... ..

An apple rolled past the garden, But the apple was magical,

Past the garden, past the city. good people it turned

Whoever picks it up will get out. in …., and the evil ones in ……….

Tales from proverbs

A short tale is the basis for the tale.

Proverb The beginning of a fairy tale

Chasing two hares, Once a hunter boy saw

You won't catch one. two bunnies at once. They were

so small…….

Without labor, you can’t catch Once upon a time there was a lazy bear and

and fish from the pond. Hard working fish...

One word stories

J. Rodarri recommends making stories based on one word. The narrator comes up with a word and begins to compose. The first word can be “hello ..” (... the fox said to the hare) or “Once upon a time” (an old man with an old woman in the world).

The Word Beginning of History

Lived - were Once upon a time there was a boy in the world ....

Three Three comrades agreed: which of

will bring them faster, I don’t know

what, that and…….

Forest The forest once argued with the river,

Which one is more important...

The boy The boy disobeyed his

parents. And so I decided to go

in a trip….

Met Met two sparrows.

And one says to the other……..

Fingers tell stories

Wherever our inquisitive fingers have been, whatever they have seen. We learned a lot during this time and learned a lot. Now they can show whatever they want. Even show live pictures for familiar fairy tales, turning them into real performances.

Let's remember a few well-known Russian folk tales and try to tell and show them with the help of little artists.

Hen Ryaba

Once upon a time there was a grandfather

(circle with two hands from top to bottom an imaginary beard)

and a woman

(depict how the corners of the scarf are tied under the chin).

And they had a hen Ryaba

(for children younger age tap the table with your index finger, and show the older children the “Chicken” finger exercise),

Hurry chicken egg

(round your fingers and connect their tips).

Yesnot simple and gold, Grandfather beat, beat

(tap your fist on the “testicle”)

- didn't break. Baba beat, beat

(hitting the testicle with your fist)

- didn't break.

The mouse ran

(for younger children, run all the fingers of your right hand across the table, and for older children, show the “Mouse” finger exercise),

Tail waved

(wave your index finger)

- the egg fell and broke

(drop your relaxed hands on your knees).

grandfather crying

(cover your face with your hands).

Baba is crying (cover your face with your hands).

And the chicken clucks: “Don’t cry, grandfather, don’t cry, woman, I’ll lay your testicle

(round your fingers and connect their tips)

different, not golden, but simple.

turnip

New characters:

turnip - with two hands from top to bottom, “draw” a circle in the air with a pointed tip at the bottom - in the shape of a turnip;

Granddaughter - finger exercise "Bow";

bug - finger exercise "Dog";

Cat - finger exercise "Cat";

Mouse - finger exercise "Mouse".

Teremok

In the fairy tale "Teremok" the following new characters will appear on the stage:

Frog - finger exercise "Frog";

Bunny - finger exercise "Bunny";

Chanterelle - finger exercise "Fox";

spinning top - finger exercise "Wolf";

Bear - finger exercise "Bear";

In addition, it will be necessary to depict the tower itself - finger exercise "House".

Mitten

Additional character - mitten

(show open hand).

Kolobok

New character - Kolobok

(finger exercise "Ball").

When Kolobok sings his song, it should be accompanied by such movements:

I'm a bun, a bun! By the barn methen

(finger exercise "Broom"),

Scraped by the bottom of the barrel

(scrape your fingers on the table),

Mixed with sour cream

(perform movements, as when kneading dough).

Planted in the oven

(perform the finger exercise "Stove"),

Cold on the window (

do the finger exercise "Window" and blow into it).

I left my grandfather

(picture grandfather)

I left my grandmother

(picture grandma)

I left the rabbit

(finger exercise "Hare") ...

* Finger exercise "Stove »: bend your fingers at a right angle to the palms; bend the thumb of the left hand and “hide”; put the middle finger, ring finger and little finger of the right hand over the fingers of the left hand, press the thumb to the index finger, and pull the index finger - this is the “chimney”.

Finger exercise "Window": round the fingers of both palms and fold in the form of an oval window.

After the performance of the song, with the words: “The bun rolled further - they only saw it,” you can rotate your hands relative to each other.

Alyonushka and the fox

In this tale, the young artist will have to show

Alyonushka - finger exercise "Bow".

Except fairytale heroes, you should depict fabulous scenery:

Forest -

Berries - finger exercise "Berries";

House - finger exercise "House"

cat, rooster and fox

There are three main characters in this story:

Cat . - finger exercise "Cat";

Rooster - finger exercise "Rooster";

Fox - finger exercise "Fox".

As well as decorations and attributes:

House - finger exercise "House";

Forest - finger exercise "Trees";

Window - fold your hands into an oval window and look into it;

polka dots - Tap your index finger on the table.

Fox, hare and rooster

In the fairy tale "The Fox, the Hare and the Rooster" all the characters are already well known to our fingers-artists, and the hut can be depicted by doingfinger exercise "House".

Masha and the Bear

Masha - finger exercise "Bow".

In addition to fairy-tale heroes, you will also need to show fabulous scenery:

Forest - finger exercise "Trees";

Mushrooms - finger exercise "Fungus".

Berries - finger exercise "Berries";

House - finger exercise "House";

Pies - switch from hand to hand imaginary pies

Stump - a fist placed on the table;

box finger exercise "Basket"

lexical topics in the classroom for the development of coherent speech in the speech therapy group preparatory to school.

Lexical topic

Autumn. Vegetables

"Turnip", "Tops - Roots"

Fruits

"Tiny - Khavroshechka"

Mushrooms. Berries

V. Suteev "Under the mushroom", Russian folk tale "War of mushrooms"

Trees. shrubs

"How a goat built a hut"

Bread

"Spikelet"

Family

"Sister Alyonushka and brother Ivanushka"

Human

"Masha and the Bear"

Pets

"The Wolf and the Seven Kids", "Goat Dereza"

Preparing birds for winter

"Grey neck"

Early winter

"Winter hut of animals"

Winter fun

"Snow Maiden"

New Year

V. Suteev "Christmas Tree"

Wild animals

"Three Bears", "Kolobok", "Two Greedy Bears"

poultry

"The Cockerel and the Beanstalk" white duck»

Fish

"The Tale of Ersh Ershovich, the son of Shchetinnikov"

Cloth. Fabric shoes

Ch. Perro "Cinderella"

Dishes

"The Fox and the Crane"

Defender of the Fatherland Day

G.H. Andersen "The Steadfast Tin Soldier"

Construction

"Teremok"

Spring

"Tiny - Khavroshechka"

Agricultural work in spring

"Turnip", "Tops and Roots"

Migratory birds

"Crane and Heron"

Insects

Estonian fairy tale "Three butterflies"

M.Mikhailov "Forest mansions"

Life safety

C. Perro "Little Red Riding Hood"

Health. Hospital. Pharmacy

K. Chukovsky "Doctor Aibolit"

Globe. Map. Journey

M. Garshin "Frog - Traveler"

Fauna of the North

G. H. Andersen " The Snow Queen»

Animals of hot countries

K. Chukovsky "Doctor Aibolit"

Our Motherland

"Nikita Kozhemyaka"

Seasons

K.Ushinsky "Four Wishes"

Tales from poems.

There are many short poems that seem to be asking for a fabulous continuation. For example, A. Barto's poems

Poem The beginning of a fairy tale

The hostess left the bunny, The hostess woke up at night ... ..

A bunny remained in the rain, or: A dog ran past ..., or

I couldn’t get off the bench - One passerby suddenly saw on

Wet to the skin. bench lump…..

*********

Our Tanya is crying loudly, Tanya did not cry in vain, since the ball was

Dropped a ball into the river. not rubber, but magic…….

Hush, Tanechka, don't cry:

The ball will not sink in the river.

Ties for a fairy tale from funny rhymes

Balloon air, playful, Our balloon flew awake,

Naughty and obstinate, where Nuf-nuf lived, a piglet.

Ran away with the wind. He looked at Kolobok.

Where, he didn't tell us. Ruined barrel.

He did not forget to visit

And grandfather and grandmother,

Well, there to talk

With chicken Ryaba.

*********

Why shoelaces? One night when

If straight, the laces rested, the tongue

So that he does not travel much ... ...

Loosened the tongue.

*********

Not a sorceress, not a witch, not a fortune teller, In the early morning, a spoon from

But about everything that in the ordinary bowl turned into

The spoon knows. Magic and became invisible.

Tales from riddles

First you need to work with the riddle: read it expressively, paying attention to all language means, guess it, and then offer the so-called bridge - a crossbar from the riddle to the beginning of the tale

Riddle The beginning of a fairy tale

The lower the cotton wool, the cotton wool went down lower and lower,

The closer the rain is. and there was no rain. And so…

(cloud and clouds)

Wings spread out. Everything suddenly went dark, nothing became

The sun has dimmed. (cloud) can be seen, the luminary hid. And suddenly…

So any riddle can serve as the beginning of a fairy tale.

Tales from chants, nursery rhymes.

Nursery tale The beginning of a fairy tale

- What are you, hedgehog, so prickly? A hedgehog lived in a forest

- This is me just in case: which spring for some reason

Do you know who my neighbors are? all the needles are gone. looked back

Foxes, wolves and bears! He …..

*********

There is one funny bird in the forest One summer we met

All day long he sings: “Ku-ku! Ku-ku! cuckoo and rooster and started

No one can learn how to speak

Sing like a rooster: "Ku-ka-re-ku!" in your own language…….

Tales from one word

J. Rodari recommends making up fairy tales, starting from one word. The narrator himself comes up with the first word and begins to compose. Any word can be the first.

For example:

Word Beginning of a Fairy Tale

The Boy Once upon a time there was a boy who...

Three Three comrades agreed: which of them

bring something faster, I don’t know what,

he marries a beautiful princess and ... ..

Forest Forest once argued with the river, who

the most important of them...

From fairy tales - puzzles

No less important Feedback: based on familiar fairy tales, make interesting puzzles. There is a lot of fairy-tale material, the main thing is to teach children how to transform fairy tales into puzzles using a sample.

Fairy Tale Problem

"The Wolf and the Seven Kids" If one kid ran after

mother, two others behind him, and two more

left without permission to swim, then

how many kids did the wolf find in the hut?

"Three Bears" If the girl behaved approximately,

then how many heroes of a fairy tale

worried about her?

"Gingerbread Man" Gingerbread Man met a bear, a wolf, ......

How many times could a wolf be eaten?

Tales from fantastic phenomena.

Fantastic phenomena can also serve as an important starting point for writing a fairy tale. But at the same time, you should not forget about two rules:

- make it clear to the children that they will now fantasize;

- offer them a variety of fantastic phenomena.

You can start like this.

Imagine that you can shrink to the size of an ant... (What would be your favorite activity? What would you be afraid of? Would you like to become the same? Etc.)

Imagine tangerine juice running out of the kitchen faucet; raisins began to fall from the clouds instead of rain; people came up with sleeping pills.

Gradually, the range of such phenomena is expanding.

Mom and dad bought a carpet. But no one knew that this was a magical flying carpet from the country of Sochinyaika. The flying carpet hung on the wall for more than one year, another. And in the third year he got bored, and he decided ...... (Tell about the adventures of the airplane carpet.)

The tale of their "live" drops and blots.

It is interesting to compose fairy tales based on blotography. The main task here is to teach children how to make blots. Even a three-year-old child can, looking at them, see images, objects, or their individual details.

What does yours or mine look like? Who or what does she remind you of? - these questions are useful to ask, as they develop the thinking and imagination of the child. After this, it’s easy to move on to tracing and drawing the blot. The result can be a whole story.

And it’s even easier to get “live” drops: drop paint or ink on paper and quickly tilt it in different directions - some kind of image will immediately appear

Speech development occurs in the process of subject, cognitive, communicative activity, games. Theatrical activity is a kind of leading (game) activity, which means that it has an impact on the development of preschool children, and also, due to its specificity, has a certain potential in shaping the child's speech skills.

Purpose: Correction, development and prevention of the speech of preschool children with developmental disabilities through the use of theatrical activities and fairy tale therapy. Development of sound pronunciation, auditory memory and phonemic hearing

Development of the articulatory apparatus

Development of speech breathing, education of strength, pitch and timbre of the voice

Formation of the correct pronunciation of sounds formation of the correct tempo of speech and intonational expressiveness of speech

Formation of the grammatical structure of speech

Enrichment and expansion of vocabulary

Formation of coherent speech

Motor development

Development of cognitive activity, initiative, imitation, imitating and creative abilities; motor activity; the ability to perform various interrelated actions and combine them into a single storyline

1. Develop coherent speech of children.

2. Lead to skill:

Use figurative expressions when retelling a fairy tale;

Expressively convey in facial expressions and movements emotional condition heroes

3. Improve:

Lexico-grammatical means of the language;

The sound side of speech in the field of pronunciation, perception and expressiveness.

4. Create a favorable psychological atmosphere in the classroom, cooperation

speech therapist with children and with each other, to create, theoretically substantiate and experimentally test the possibility of preventing and developing the speech of preschool children through theatrical and gaming activities;

5. Strengthen children's faith in their own abilities, smooth out negative

experiences associated with speech impairment.

6. Involve parents in single space"family - kindergarten". create an integrated pedagogical technology, including the formation of the entire speech system based on the motivational aspirations of the child to correct their speech defects through theatrical activities and specially organized speech holidays - competitions.

7. Raise the cultural level of preschoolers, organize a long-term impact of the child with elements of theatrical and gaming activities and methods of speech development; deepen and develop basic skills oral speech as the leading means of communication and knowledge;

The novelty of the project.

The use of new forms in speech therapy work: fairy tale therapy and theatrical activities in our preschool educational institution, use methods and means that encourage children to a vivid, emotional process of speech development, create a special environment that encourages the child to be active educational process and the desire to correct their speech defects through theatrical activities; improve the promotion of speech therapy knowledge among educators and parents;

Project structure

Stage 1 Preparatory Purpose: identifying problems in the speech development of preschoolers, determining the main directions. The first stage includes introducing children to its content, making costumes and attributes, and working on a role. The duration of this stage is calculated for a whole week. At this time, work is underway to form children's interest in the content of the work that will be used for staging. An important role at this stage is played by the expressive reading of the work, well-posed questions for conversation on the content of the work and the organization of work on the reproduction of the text by children (retelling). At this stage, games are held with a table or puppet theater based on fairy tales, for the first time parts of the dramatization are played, roles are tried. This will allow the most adequate selection of actors. Next, it is proposed to play a work or passage in a theatrical activity.

Stage 2 Practical. Purpose: to reveal the awareness of teachers and parents of the need to implement tasks related to the development of speech, their readiness for work. The second stage is entirely devoted to the direct preparation for the performance itself, the performance on stage. great attention at this stage, work on the role is given:

Expressive reading of a literary work

Acquaintance with the dramatization (what is it about, what events and characters are the main ones in it)

Acquaintance with the heroes of the dramatization (where they live, what their house looks like, what their appearance, clothes, demeanor, relationships with each other, etc.).

An artistic description of the place, the staged action (forest, house, road, etc.)

Analysis of the events that are described in the work. Formation in children of interest in them, faith in the reality of what is happening and the desire to participate in this, taking on a certain role

Distribution of roles

Preparation of attributes, props and costumes for staging

Role work

drafting verbal portrait hero

fantasizing about his home, relationships with parents, friends, inventing his favorite dishes, activities, games

composition of various cases from the life of the hero, not provided for by the dramatization, analysis of the fictional actions of the hero

work on the text (why the hero says this, what he is thinking about at the moment). The main task is to help the child in the sense of words and text

Work on speech

Work on stage expressiveness: determination of appropriate actions, movements, gestures of the character in the playing space, his position on the stage, tempo of performance, facial expressions, intonation

Work on the character of the role

Work on the coordination of movements, speech, intonation, facial expressions and the nature of the role

Stage 3 Formative Purpose: study of pedagogical literature; development, verification of the effectiveness and efficiency of the program with practical activities. The third stage is devoted to the organization of the presentation itself. Preparing invitation cards for spectators, posters, holding consultations for parents, etc. Setting up the group for the performance, final rehearsals and trying on costumes. Conducting the event.

Stage 4 ANALYTICAL Summing up, conversations with children, a report in the form of a newspaper or a photo exhibition for parents, presentation of experience to colleagues.

The development of coherent speech of preschoolers through theatrical and game activities using folklore and modeling

INTRODUCTION….5

I. LITERARY REVIEW OF THE STATE OF THE ISSUE…. 9

1. Theoretical aspects of the development of coherent speech of preschoolers through theatrical and gaming activities .... 12

1.1. Psychological features development of coherent speech of preschool children .... 12

1.2. Issues of the development of coherent speech among preschoolers in the psychological and pedagogical literature ... .20

II. DEVELOPMENT OF CONNECTED SPEECH OF PRESCHOOL CHILDREN THROUGH THEATER AND GAME ACTIVITIES, USING FOLKLORE AND MODELING ... .24

2.1. Theatrical game - as one of the types of games for the development of coherent speech of children ... 24

2.2. The role of folklore in the development of coherent speech of children…. thirty

2.3. Genres of children's folklore .... 32

2.4. The place of children's folklore in the everyday life of preschoolers…. 46

2.5. Age features perception of expressive means of language by preschoolers ... .48

III. PEDAGOGICAL EXPERIENCE…. 50

3.1. Modeling method - as a means of developing coherent speech of children of senior preschool age .... 50

3.2. The relevance of the modeling method in the development of coherent speech of preschoolers…. …. 57

3.3. The scientific nature of the modeling method .... 58

3.4. The effectiveness of my teaching experience… 59

3.5. The innovativeness of the experience I present…. 69

3.6. Manufacturability of the presented experience…. 70

3.7. Essential elements …. 71

IV. CONCLUSIONS… 72

CONCLUSION…. 72

LITERATURE ... 75

APPLICATION

IV. CONCLUSIONS

CONCLUSION

Thus, having completed a study of the theoretical and practical foundations for the development of coherent speech through theatrical and game activities using folklore and modeling, we have formulated conclusions.

Speech in psychology is considered in close relationship with language, communication and thinking, which is so complex that each next step in their knowledge leads to the emergence of new problems. Today, psychological science is solving a number of questions, which are to determine what is historically primary - speech or language, whether the ability to assimilate speech is innate or acquired through social experience, whether psychology should deal with language or can limit its research to speech. The answers to these and other questions open up wide opportunities for creating new psychological technologies in the field of effective interaction between people.

By analyzing and comparing approaches to the definition of speech in scientific literature, we came to the conclusion that speech is a process of communication, and language is a means of communication. Also, speech should be considered as a process of communication through all kinds of communication means: words, gestures, facial expressions, postures, body movements, etc.,

Theatrical and game activity is an inexhaustible source of development of feelings, experiences, emotional discoveries of the child, attaches him to spiritual wealth, is the most important means of developing empathy - a condition necessary for organizing joint activities of children. The main forms of organizing theatrical activities are: a theatrical lesson, a puppet museum, a theatrical game at holidays and entertainment, theatrical game performances, visiting theaters by children together with their parents, joint theatrical activities of adults and children, theatrical games in everyday life, mini-games on musical classes, mini-games in other classes and independent theatrical and artistic activities. The types of theatrical direct educational activity are: typical, dominant, thematic, integrative, rehearsal and fragmentary.

Based on the theoretical aspects of the development of coherent speech through theatrical activities, each kindergarten teacher develops a methodology for the implementation of theatrical activities, while taking into account the peculiarities of the emotional and personal development of each child. An analysis of the psychological and pedagogical literature showed that today there are many programs for educating and educating preschoolers in the process of theatrical activity, which is extremely relevant from the point of view of a creative approach to personality development. At the same time, all the programs and technologies considered in the research process are aimed at revealing the creative potential of the child, developing his communication abilities, mental processes, providing the expression of the individuality of the individual, understanding the inner world through theatrical activities.

Theatrical activity in kindergarten is closely related to the development of coherent speech of children, which is expressed in the use of a number of theatrical techniques. Namely: acquaintance with literary works, sketches, speech exercises to convey various feelings (work on intonational expressiveness, the use of various theatrical puppets to illustrate works of art or to play around, staging works of art (poems, short stories, fairy tales). Preparation for theatrical activities of children, as a rule, takes place in several stages: introduction to theme, creating an emotional mood; theatrical activity (in various forms, where the teacher and each child have the opportunity to realize their creative potential; emotional conclusion, ensuring the success of theatrical activity.

In general, the use of theatrical activities in order to form the expressiveness of coherent speech and the social and emotional development of the child becomes possible when a number of conditions are met. 1. Unity of socio-emotional and cognitive development;

2. Saturation of this activity with content that is interesting and emotionally significant for children;

3. Graduality and consistency of acquaintance with a variety of verbal and non-verbal means of expression;

4. Availability of interesting and effective methods and methods of working with children; 5. Joint participation in this process of children and adults (teachers and parents).

A practical study of the development of coherent speech through theatrical and gaming activities using folklore, modeling, made it possible to draw a number of conclusions.

Experimental work, already at the exploratory stage of the study, revealed the dynamics of the development of coherent speech of children, which allows us to conclude that it is possible and necessary to purposefully develop coherent speech, complication, diversity, content of teaching methods and techniques.

In general, based on the results of a practical study, we made a generalizing conclusion that the positive dynamics of coherent speech indicators in preschoolers has a positive tendency to increase when using techniques and methods of theatrical activities and oral folk art in the educational and pedagogical process. That is, we proved the hypothesis that we put forward at the beginning of the scientific study.

LITERATURE

1. Alekseeva M. M. Yashina V. I. Speech development of preschoolers. - M .: Academy, 1999. - 159 p.

2. Belous E. The development of speech and phonemic hearing in theatrical and gaming activities // Preschool education. - 2009. - No. 7. - S. 66-70.

3. Bondarenko A. K., Matusik A. I. Education of children in the game. - M .: Education, 1996.

4. Vetchinkina T. Game activity as a means of correcting speech disorders in a preschooler // Teacher. - 2009. - No. 3. - S. 14-15.

5. Gerasimova A. S. A unique guide to the development of speech / Ed. B. F. Sergeeva. - 2nd ed. - M. : Iris-Press, 2004. - 160s.

6. Dvinyaninova Yu. A. Creative games in senior preschool age // Educator preschool educational institution. - 2009. - No. 12. – P. 43-47.

7. Preschool Pedagogy: Textbook. / Ed. V. I. Loginova, P. G. Samorukova. - M., 1991.

8. Lyamina G. Learning to speak and communicate // Preschool education. - 2006. - No. 4. - S. 105-112.

9. Mukhina V. S. Child psychology. - M. : April-press, 1999. - 315s.

10. Nomov R. S. Psychology: Textbook for students. higher textbook institutions: In 3 books. - 4th ed. - M .: Vladov, 2000. - book. 1: General foundations of psychology. - 345s.

11. Nomov R. S. Psychology: Textbook for students. higher textbook institutions: In 3 books. - 4th ed. - M .: Vladov, 2001. - book. 3: Psychodiagnostics. Introduction to Scientific Psychological Research with Elements mathematical statistics. - 640s.

12. Pichugina E. A. Speech games in the group and on the walk // Educator of the preschool educational institution. - 2008. - No. 6. - S. 52-54.

13. Development of speech in preschool children. / Ed. F. A. Sokhina. - M .: Education, 1995.

14. Rubinshtein S. L. Fundamentals of general psychology. - St. Petersburg: Peter, 2001. - 433 p.

15. Spielberg D. Speech training (educational games for children from 3 to 6 years old) // Obruch. - 2004. - No. 4. - S. 12-14.

16. Say it differently: Speech games, exercises, situations, scenarios. / Ed. O. S. Ushakova. - Samara, 1994. - 10 p.

17. Smirnova E. O. Psychology of the child: a textbook for pedagogical schools and universities. - M., 1997. - 215p.

18. Tikheeva E. I. The development of children's speech. - M .: Education, 1990.

19. Ushakova O. S. The development of speech in children 4-7 years old // Preschool education. - 1995. - No. 1. - S. 59-66.

20. Shvaiko G. S. Games and exercises for the development of speech / Ed. V.V. Gerbovoy. - M .: Education, 1991.

21. Elkonin D. B. Child psychology: development from birth to seven years. - M .: Education, 1995. - 348 p.

22. Elkonin D. B. Psychological issues of preschool play // psychological science and education. - 1996. - No. 3. - P. 5-19.

The development of coherent speech through theatrical activities

Self-report of the theater studio "Gnome"

fairytale world of theater

No wonder children love fairy tales,

After all, the fairy tale is good

What is in it a happy ending

The soul already feels.

And for any test

Brave hearts agree

In impatient anticipation

Happy end.

Many great people spoke about the theater as a means of education: B. Shaw, Voltaire, V. Mayakovsky, N. Gogol, A. Herzen. "Go to the theatre! "- said Belinsky, who was in love with him. Theatrical activity occupies a special place among the various forms of education and upbringing, the versatile development of children.

Working on the topic "Development of coherent speech of preschoolers through theatrical activities" I determined the main goal: developing children's interest in theatrical play, the ability to build a dialogue, imagination.

Introduce children to the names of fingers;

Teach to perform coordinated finger movements;

Develop observation and curiosity in children;

Activate vocabulary;

Cultivate positive relationships with peers.

Our task is to develop the child’s speech, to convey to each of them a love for the word, to instill in them the ability and desire to feel its beauty, to lead the child on an interesting journey through the beautiful country of their native language, to help him overcome all obstacles.

In my work, I used the following literature: L. V. Artemova "Theatrical games of preschoolers" Moscow "Enlightenment", 1991

T. D. Zinkevich - Evstigneeva "The path to magic."

S. Shmakov, M. Bezborodova "From the game to self-education."

To speak means to own a certain vocabulary, actively use them, be able to build a statement, formulate one’s thought, understand the speech of others. All this the child learns with the help of an adult in the preschool years.

Relevance:

The development of coherent speech is one of the main and main tasks of the kindergarten.

Coherent speech is a semantic detailed statement that provides communication and mutual understanding of people. Possession of coherent monologue speech is the highest achievement of the speech education of preschoolers. It incorporates the development of the sound culture of the language, vocabulary, grammatical structure and takes place in close connection with the development of all aspects of speech - lexical, grammatical, phonetic.

It is known that already from the early preschool age, the child shows great interest in linguistic reality, experiments with the word, creates new words, focusing on the semantic and grammatical side of the language. Only such development leads to a true mastery of all the riches of the language. By the way a child knows how to build his statement, one can judge the level of his speech development.

Tasks were set:

Replenish and activate the vocabulary of children;

Work on diction, improve the distinct pronunciation of words and phrases;

Improve artistic and figurative performing skills;

Develop creative independence in conveying the image, expressiveness of speech and pantomime actions;

Before proceeding with the production of fairy tales, it was necessary to prepare for theatrical activities.

The preparation took place in several stages, the following tasks were set:

Ability to listen carefully;

Develop emotional perception of works;

The ability to share your impressions from what you read;

Cultivate the ability to distinguish good from evil.

This work began to be carried out with children of JUNIOR preschool age.

At the beginning, I tried to expressively read the work, then we had a conversation on it, trying to find out not only understanding, but also individual means of expression. For example, when reading S. Marshak's poem "Kittens" she asked the children: What was the mood of the hostess at the beginning of the poem? How did you guess about it? The more fully and emotionally the children perceive the work, the easier it will be for them to dramatize what they read later. Therefore, when reading, the whole complex of means of intonation, lexical and syntactic expressiveness was used. It was necessary to understand what the child feels when listening to the work.

As V. A. Sukhomlinsky wrote: “If a child does not experience the struggle between good and evil, if instead of joyful lights of admiration he has neglect in his eyes, this means that something in the child’s soul is broken, and a lot of effort must be applied to straighten the child’s soul . "

That is why two main tasks were set: first, to understand, to understand what the child feels, what his experiences are aimed at, how deep and serious they are; secondly, to help him express his feelings more fully, to create special conditions for him in which his activity will manifest itself.

To develop in children the ability to listen carefully, memorize the sequence of events, freely navigate in the text, special exercises and problem situations were used.

For example, when reading an excerpt from a fairy tale, she asked: “Do you agree that this song belongs to a wolf, not a goat? Why do you think so? Or when looking at illustrations with a fox, she asked: “Do you agree that this fox is from the fairy tale“ The Fox, the Hare and the Rooster? " Why did you decide so? Answering these questions and explaining why they think so, the children remembered the text and imagined a certain image.

When viewing illustrations with children, she paid special attention to the analysis of the emotional states of the characters depicted in the pictures.

(“What’s wrong with him, why is he crying?”, “Who do you think helped him?”) After talking about what they read and similar exercises, they returned to the text again, involving the children in pronouncing individual fragments.

When the tex is well learned, I start teaching the children facial expressions and gestures. The music helps convey the character of the characters in motion.

For example, after listening to musical recordings of the Russian folk melody “The Hen and the Cockerel”, I ask the children if this music fits the image of the bold cockerel from the fairy tale “The Fox, the Hare and the Rooster”, I ask them to show this image in motion. Then I propose to make riddles to each other, imitating the movements of various characters. Watching the performers with the children, she drew their attention to the differences in the character of one image (“What is the difference between the fox Tanya and the fox Irina?”, etc.)

When teaching children the means of expression, she used familiar and favorite fairy tales. At first, fragments from fairy tales were used as exercises.

For example, she suggested that the children ask for a house, like a frog or a bear, then, together with the children, they decided which of them was more similar in voice and manners to these characters. The next time I tried to complicate the task by inviting one child (optional) to act out the dialogue of two characters, pronouncing the words and acting for each.

Thus, children learn verbal impersonation, striving for the character's character, voice and habits to be easily assimilated by everyone.

But you should never draw the attention of children to who does better and who does worse, otherwise the child will not want to participate in the dramatization.

Thus, in the middle group we get acquainted with the theatrical screen. At this time, they get acquainted with a new type of dolls for them on a gapite (a gapite is a stick on which a doll is impaled). Controlling a doll on a gapite requires endurance, patience, and certain muscular efforts from the child, since the hand must lead the doll along the edge of the screen without leaning on it. To make it easier for the child to control the doll, they are made as light as possible.

At the theater classes, children get acquainted with the techniques of puppetry. For this purpose, sketches with a doll are used, the purpose of which is to teach the child to focus his attention on the performance of a clear, rhythmic action by the doll. Etudes for the development of the emotional sphere are also used, which develop in children the ability to understand the emotional state of another person, the ability to adequately express their own. These studies enable the child to become aware of himself, to look at himself from the outside, contribute to the formation of self-control, increase self-confidence.

Work continues on the development of creativity, which uses puppets on the gapite. Kids compose small fairy tales, as well as songs that accompany the movements of the doll. Most children are fairly easy to complete the task. Gradually, noise instruments (tambourine, drum, rattles, bells) are introduced into action, which give the song composed by the child a new sound, create a festive atmosphere, develop a sense of rhythm.

I plan to play the Russians folk tales"Kolobok", "Teremok", "Turnip", using puppets on the gape. Playing out fairy tales with theatrical puppets allows them to better understand the content of their favorite work, gives them the opportunity to show creativity.

Consultation "Development of coherent speech of preschoolers in theatrical activities"

Performed by the teacher of the middle group MBDOU kindergarten No. 77 of the city of Irkutsk Zalevskaya Anna Mikhailovna.

Who, if not an actor, can boast of a wonderful, well-structured, well-developed speech. Expressiveness, emotional coloring, literacy of speech are the main weapons of a theater and film actor. Therefore, as a motive for correcting speech defects in children, I chose theatrical activity, which helps the development of coherent and grammatically correct speech in an unobtrusive form, is necessary condition exciting activity. As the most common type of children's creativity, it is dramatization, based on an action performed by the child himself, that most closely, effectively and directly connects artistic creativity with personal experiences.

Speech activity as a set of processes of speaking and understanding is the basis of communicative activity and includes non-speech means: gestures, facial expressions, pantomime movements. But there are problems of children with the development of speech both in preschool and already at school age. There are verbal and non-verbal (facial expressions, gestures, etc.) forms of speech. With some speech disorders, the adequate use of non-verbal means of communication is difficult.

Joint theatrical activity with peers and adults has a pronounced psychotherapeutic effect on the affective sphere of the child, provides correction of violations of the communicative sphere. Children in a team show individual characteristics, which contributes to the formation of their inner world, overcoming communicative maladaptation. Theatricalization pedagogical process in kindergarten it is also attractive in that it brings a holiday atmosphere, high spirits into children's everyday life, allows the children to take the initiative, helps them develop a sense of mutual assistance, collective skills. Theatrical classes may take the form of a play, a studio, a salon, etc.

Theatrical activity serves as the most important means of developing empathy - a condition necessary for organizing joint activities of children. Empathy is based on the ability to recognize the emotional state of a person by facial expressions, expressive movements and speech, to put oneself in his place in various situations, to find adequate ways of interaction.

The main point of creative play is the performance of the role. During the game, the child creates an image by action, in a word, which gives him the opportunity to actively develop speech activity. Role-playing dialogue is part of direct educational activities. Dialogic speech is a way to create a problem situation that can be developed and solved in the process of communication, and theatricalization is an excellent method for creating conditions for the development of a dialogue.

Theatrical and game activity should combine as many means and ways as possible for the development of the child's creative and speech abilities. One of the components of the lesson, reproducing and synthesizing in itself theatrical and game activity, is conjugated gymnastics, which contributes to the development of not only fine motor skills of the hands, but also better coordination of movements.

One of the methods that I use in working with children is theatrical games. Characteristic features of theatrical games are the literary, folklore or artistic basis of their content and the presence of spectators. They can be divided into two main groups: dramatization and directing (each of which, in turn, is divided into several types).

In games - dramatizations, the child, playing the role as an "artist", independently creates an image with the help of a complex of means of expression. The types of dramatization are games - imitation of images of animals, people, literary and folklore characters: role-playing dialogues based on text; performances of works; staging performances based on one or more works; games - improvisations with playing a plot (or several plots) without prior preparation.

In the director's game, "artists" are toys or their substitutes, and the child, organizing activities as a "screenwriter and director", controls the "artists". "Voicing" the characters and commenting on the plot, he uses different means of expression. The types of director's games are determined in accordance with the variety of theaters used in kindergarten: table, puppet (bibabo, finger, toy, puppet, picture theater.

Therefore, I consider it necessary to use theatrical activities in working with preschool children, starting from a younger age.

The main principles of theatrical game are:

The specificity of this activity, which combines the game (free, involuntary) and artistic (prepared, meaningfully experienced) components.

Complexity (the relationship of theatrical play with different types of art and different types of artistic activity of the child).

Improvisation (a theatrical game is considered as a creative activity, which causes a special interaction between an adult and a child, children among themselves, which is based on a free atmosphere, encouraging children's initiative, lack of a role model, the presence of a child's own point of view, the desire for originality and self-expression) .

Integrativity (purposeful work on the development of theatrical and gaming activities is included in a holistic pedagogical process).

Summing up the work, I would like to say that we teach children to be communicative, teach them to competently build their speech, express thoughts, think about surrounding events, phenomena, people, be able to listen and hear people.

Actively conducting work with parents in kindergarten: meetings, consultations, seminars, open classes, contests, quizzes, KVN, I notice the effectiveness of work in this direction. Every day I give my parents homework on the topics they study, which many of them do with pleasure. After all, work on the development of a child's speech is impossible without constant exercises, and parents provide invaluable assistance in our joint work.

In the future, I will continue the work I have begun on this topic, since it is extremely relevant.

Consultation "Development of children's speech through theatrical activities"

One of the main tasks of FGT is the versatile development of children in the main areas: physical, social and personal, cognitive and speech, artistic and aesthetic. It is carried out through the implementation of the general education program and ensures that pupils achieve readiness for schooling.

A healthy physically developed child with good, correct, literate speech is able to assimilate program material with high quality. elementary school. To achieve this goal, we workers of preschool institutions must pay special attention to the development of children's speech. Russia's contribution to world literature can hardly be overestimated. Our time, unfortunately, is mercilessly treated with this wealth: illiterate expressions, careless speech, reduction of the dictionary, loss of the very concept of culture of speech. Year by year, the number of older preschoolers with defects in the pronunciation of speech sounds and its other qualities is growing: tempo, voice power, speech communication, poorly developed coherent speech. Not every child can build a detailed story, come up with his own fairy tale. Not everyone can even understand the author's thought and answer questions about the content of the read text, and even more so ask a question. We, adults, should not forget, when we introduce a child into the vast world of the Russian language, that this is our national dignity. Therefore, it is very important to take care of the timely formation of children's speech, its purity and correctness, preventing and correcting various violations.

preschool educational institution- the first and most responsible link in the general system of public education. Mastering the native language is one of the important acquisitions of the child in preschool childhood. It is preschool childhood that is particularly sensitive to the acquisition of speech. Therefore, the process of speech development is considered in modern preschool education as the general basis for the upbringing and education of children. Psychologists and methodologists note that a child learns his native language, primarily by imitating the colloquial speech of others (D. B. Elkonin, R. E. Levina, A. P. Usova, etc.). Reflecting on the issue of raising the level of children's speech, we came to the conclusion that theatrical activities can help. It is through theatricalization that children get acquainted with the world around them in all its diversity through images, colors, sounds. And skillfully, the questions posed make them think, analyze, draw conclusions and generalize. The founder of the Moscow Puppet Theater S. V. Obraztsov once expressed the idea that every child has an inherent desire for acting. And we know that acquaintance with the theater takes place in an atmosphere of magic, festivity, high spirits, so it is not difficult to get children interested in theater.

Theatrical activity is one of the most effective ways of influencing children, in which the principle of learning is most fully and clearly manifested: to teach while playing. Theatrical games are the most important factor stimulating the development of coherent speech in children. In a theatrical game, each child could express his emotions, feelings, desires and views, and not only alone with himself, but also publicly without being embarrassed by the presence of listeners. The experience of pedagogical work has shown that the theatrical game has a great influence on the speech development of the child. Stimulates active speech by expanding the vocabulary, improves the articulatory apparatus. The child learns the richness of the native language, its means of expression. Using expressive means and intonations corresponding to the character of the characters and their actions, he tries to speak clearly so that everyone understands him. In a theatrical game, a dialogic, emotionally rich speech is formed. Children better learn the content of the work, the logic and sequence of events, their development and causality. Theatrical games contribute to the assimilation of the elements of speech communication (facial expressions, gesture, posture, intonation, voice modulation). Classes in the children's theater enrich children with new impressions, knowledge, develop interest in fiction, activate vocabulary, colloquial speech, contribute to moral and aesthetic education, allow solve many urgent problems of pedagogy and psychology related to artistic and moral education, the development of communicative qualities of the individual, the development of imagination, fantasy, initiative, emancipation, etc. The goal of our work on theatrical activities is: learning at school, and this is one of the most important tasks facing a child of preschool age. The more developed a child's speech, the wider his possibilities of cognition. Theatrical games provide an opportunity to move from wordless etudes to etudes with words, dialogue, monologue, improvise with elements of disguise on a given topic, which excites imagination, develops imagination, children learn to express themselves in movement, freely hold on without hesitation. For preschool children, all the components of the theater are important - music, costumes, scenery, and the main word. Frequent rehearsals give children the opportunity to communicate, understand the feeling of partnership, mutual assistance, relieves stiffness, accelerates the process of mastering skills public speaking.

We have identified the main directions of our activity: the gradual transition of the child from watching the theatrical production of an adult to independent play activity; from individual play and "play side by side" to play in a group of three to five peers who play roles; from imitation of actions in combination with the transfer of the main emotions of the hero to mastering the role as a created simple “typical” image in a theatrical game.

We identified the main tasks in this direction:

To develop a steady interest in theatrical and gaming activities;

Enrich the vocabulary of children, activate it;

Improve dialogical and monologue speech, its competent structure;

Encourage children to respond to action games with sounds (living and inanimate nature, imitate the movements of animals and birds to the music, to the sounding word;

Encourage a desire to use various kinds theaters, the formation of activity in the game with characters toys.

Approximate plan for direct educational activities (classes):

Musical and rhythmic warm-up;

Breathing and speech gymnastics;

Literary and artistic practice (coherent speech);

Games, a minute of pranks, a physical minute;

theatrical activity.

Musically rhythmic warm-up includes rhythmic, musically practical games and exercises that develop:

a) motor abilities of children (dexterity, mobility, flexibility, endurance);

b) plastic expressiveness (rhythm, musicality, speed of reaction, etc.);

c) imagination (ability to plastic improvisation).

Breathing and speech gymnastics helps children with the help of games and exercises to form the correct clear pronunciation (breathing, articulation).

In literary and artistic practice, children learn to convey the thoughts of the author (intonation, logical stress, etc., as well as develop imagination, the ability to imagine what is being said, enrich vocabulary, activate speech skills and abilities, make speech brighter, more figurative Theatrical activities include dramatization, plot sketches based on fairy tales, stories, poems.Research by scientists L. Voronina and R. Smgutkina found that if from the first younger group, children will play folk songs, fairy tales, nursery rhymes with the help of a teacher, and in the second the younger group, using toys, figures of a flat, table theater, the Petrushka Theater, will continue to do this, then at middle, older age, theatrical activity is possible as independent.For independent activity of children, it is necessary to create conditions in which theatrical activity will proceed successfully: create object-spatial environment, make a screen, purchase a set of dolls, this makes it possible for each child to take part in theatrical activities.

From work experience.

Working with kids, we drew attention to their interest in bright costumes and figurines of fairy tale characters, hats, masks. It attracted younger preschoolers, first of all, because of the opportunity to change clothes, which means to change. Gradually, we began to form children's interest in theatrical games. They organized viewing of small puppet shows by older children, taking as a basis the content of familiar nursery rhymes, poems and fairy tales. We began our acquaintance with theatrical play through imitation games. A game-imitation of individual actions of a person, animals and birds (children woke up, stretched, sparrows flap their wings) and imitation of basic human emotions (the sun came out - the children were delighted: they smiled, clapped their hands, jumped in place). A game-imitation of a chain of successive actions in combination with the transfer of the main emotions of the hero (merry nesting dolls clapped their hands and began to dance; the bunny saw a fox, got scared and jumped behind a tree). A game-imitation of the images of well-known fairy-tale characters (a clumsy bear goes to the house, a brave cockerel walks along the path).

By the beginning of the year, children in the middle group began to speak better, but their speech was not yet sufficiently formed. Now our task has become - to stimulate the desire of children to be included in the performance. Having introduced children to different types of theaters: a table theater, a bibabo theater, a flat theater on a flannelograph, they included in the process of mastering by children mini productions based on the texts of folk and author's poems, fairy tales, stories ("This finger is grandfather.", "Tili-bom", K. Ushinsky "Cockerel with his family", A. Barto "Toys", V. Suteev "Chicken and duckling".) .

Thanks to systemic activities, children developed active speech and developed playing skills. Learning to be a friendly audience, the children did not forget to thank the artist. And in acting, they began to independently use some means of expression (facial expressions, gestures, the strength and timbre of the voice, the pace of speech). Our work with middle-aged children was aimed at stimulating interest in creativity and improvisation. Gradually, the children got involved in the process of playing communication with theatrical puppets.

The children grew up ... and their interest in theatrical games grew. In the older group, our task was to support their interest in the theatrical game, to help them master the games of dramatization, which differ more complex content, interesting images heroes by original language means.

We have used:

Multi-character dramatization games based on the texts of two - three-part fairy tales with elements of magic, about animals ("Wintering of animals", "The Fox and the Wolf", "Geese-swans", "Little Red Riding Hood");

Dramatization games based on the texts of stories on the topics "Children and their games", "Children and animals", "Adult labor";

Stage performance based on the work.

"Learning to speak correctly" holiday games and fairy tales

Due to the development in the system of theatrical play, children have expanded their gaming experience, coherent speech, intonational expressiveness has improved, and skills aimed at positive interaction with other participants in the game have appeared. Also the ability to negotiate conflict situations on one's own. For our part, we tried to pay more attention to the development of interest in creativity and improvisation using different means of expression, led the children to the idea that the same character, situation, plot can be shown in different ways using the volume of the voice, intonation expressiveness, facial expressions .

In the preparatory group, they directed their work to deepening the interests of children in a certain type of theatrical activity, increasing interest in theatrical culture, and the ability to express themselves. We try to encourage the ability of children to independently draw up a plan of the theatrical action they have conceived in a logical sequence, we pay attention to the ability of children to be fluent in coherent speech. The role-playing game "Theater" was organized, in which special attention was paid to the audience, the rules of behavior of the audience when visiting the theater.

With the participation of pupils preparatory group several performances were staged for children of younger groups, such as: "Teremok", "Kolobok", "Turnip", "Three Bears". After the performance, the guys gained self-confidence, their speech became distinct, bright, intonationally expressive. Parents were involved in staging performances, they were given homework: to learn words with their children, make scenery for performances and prepare attributes for their child. This creative process brought joy to everyone: both children and parents.

Thus, theatrical activity is one of the most effective ways of influencing a child, in which the principle of learning is most clearly manifested: the activation and improvement of vocabulary, the grammatical structure of speech, sound pronunciation, coherent speech skills, tempo, and expressiveness of speech. And the participation of children in theatrical games gives them joy, arouses active interest, captivates, creates psychological comfort for the stay of children in a preschool institution.

The development of speech in younger preschoolers through theatrical activities

(pedagogical project)

Introduction

In the modern world, more and more often live communication for children is replacing computers and television, and this trend is constantly growing. As a result, the number of children with unformed coherent speech is steadily increasing. That is why the development of speech is becoming an increasingly urgent problem in our society. In our preschool institution, solving the problem of developing the speech of older preschool children through theatrical activities, we use two types of theater: puppet and drama.

Drama theater in our kindergarten exists as a theater for adults for children and as a theater in which children participate. Joint productions are used more often, in which: a) children mainly participate, and adults play the most difficult, cementing roles; b) mostly adults play, and children only occasionally enter the outline of the plot.

Theatrical activity in kindergarten organizationally permeates all security moments: it is included in classes, in the joint activities of children and adults in their free time, and is carried out in the independent activities of children.

Most often, speaking of theatrical activity, we mean its most striking products - dramatizations, performances, concerts, which can be included in the content of holidays and entertainment. Working with children of the older group, a problem arose with the fact that their speech is not sufficiently developed, they hardly talk about the events of their lives, they cannot retell literary works, they do not memorize poems well. And so the project “Development of coherent speech in children through theatrical activity” appeared, since theatricalization is a favorable environment for creative development children.

This activity helps the development of coherent and grammatically correct speech in an unobtrusive form, leads children to familiarization and participation in theatrical activities, generalizes and deepens knowledge about the theater. Expands the vocabulary of children on this topic, forms a cognitive interest.

Creation of conditions conducive to the development of speech of children of senior preschool age through theatrical activities.

1. Develop speech breathing and correct articulation, varied intonation, logic of speech, coherent figurative speech, creative imagination;

2. To form the ability to work in concert with partners in planning collective activities.

3. Develop creativity, imagination and memory.

4. Organize cooperation with parents. To provide support and assistance to families in educating preschoolers' interest in theatrical activities.

Project participants: children of the senior group, educators, music director, parents.

Project type: group, short-term (December-January)

Expected results:

2. the ability to master the skills of expressive speech;

3. the ability to convey various feelings using facial expressions, gestures, intonation;

4. show interest, desire for theatrical art;

5. convey images of fairy-tale characters with characteristic movements;

6. interact collectively and in concert, showing their individuality;

7. the ability to consistently express their thoughts;

8. the ability to pronounce the same phrase with different intonations, tongue twisters at different tempos, with different voice strengths;

10. the ability to control their feelings, hold themselves confidently in front of an audience;

11. ability to master the rules good manners, behavior, etiquette of communication with peers and adults;

12. disclosure of the personality of each child, his creative potential, abilities, interests.

Funds for project implementation:

Didactic and theatrical games, exercises;

Artistic and productive activity;

Registration of exhibitions of children's works, joint creativity of children and their parents; photo exhibitions;

Going to the theater and photo tours;

Conducting theatrical performances;

The development of children's speech through theatrical activities

Sections: Work with preschoolers

The project contains games and exercises for the development of plasticity, facial expressions, elements of logorhythmics and articulatory gymnastics in the system of theatrical activities.

A variety of forms and systematization of classes will allow the teacher to stimulate the motor, intonation-speech and creative activity of children.

Diagnostics is given for the development of speech and theatrical activities of preschool children.

The manual is intended for teachers working with preschool children, tutors, parents, students.

The development of speech is one of the most important acquisitions of a child in preschool childhood and is considered in modern preschool education as the general basis for raising and educating children.

L. S. Vygotsky wrote:

“There are all factual and theoretical grounds for asserting that not only the intellectual development of the child, but also the formation of his character, emotions and personality as a whole is directly dependent on speech.”

In the process of working with older preschoolers, special attention is paid to the development of their coherent speech. The means of teaching coherent speech is the storytelling of children.

Working with children of the older group, a problem arose with the fact that their speech is not sufficiently developed, they hardly talk about the events of their lives, they cannot retell literary works, they do not memorize poems well. Therefore, for in-depth work, the topic “Development of children's speech through theatrical activities” was chosen, because.

theatricalization is a favorable environment for the creative development of children. Therefore, as a motive for correcting speech defects in children, this activity helps the development of coherent and grammatically correct speech in an unobtrusive form, leads children to familiarize and participate in theatrical activities, generalizes and deepens knowledge about the theater. Expands the vocabulary of children on this topic, forms a cognitive interest.

That is why it is extremely relevant today to conduct performances with children in joint activities, telling fairy tales, staging songs, fairy etudes, etc.

Thus, theatrical activity helps to comprehensively develop the child. In the process of theatrical activities, preschoolers acquire not only new knowledge, skills and abilities, develop abilities and creativity, but come into contact with children from other groups, with adults, which contributes to the development of their speech skills. Expanding the circle of communication helps to create a full-fledged development environment, for each child to find his own, special place and at the same time become a full-fledged member of the community, an equal partner in interaction.

Thus, it was set target:

• development of speech (monologic, dialogic) of children with OHP through theatrical activities.

To achieve this goal, the following tasks:

• exercise in a clear pronunciation of words, work out diction;
• educate moral and ethical qualities;
• develop coordination of movements;
• develop speech breathing and correct articulation, clear diction, varied intonation, logic of speech, coherent figurative speech, creative imagination;
• to cultivate a culture of behavior in the theater;
• replenish vocabulary, figurative structure of speech.

Educational area:

familiarization with the environment, speech development, manual labor, musical.

Project implementation timeline: 2010-2012

The main directions of the project implementation:

Department of Education of the Administration of the city of Armavir.

Municipal budgetary preschool educational institution kindergarten of a general development type No. 43

PROJECT TOPIC:

The development of the correct speech of preschoolers through theatrical activities.

Avdeeva Irina Vasilievna teacher-speech therapist

Armavir

2013-2014 academic year year.

1. Relevance of the chosen topic. The use of theatrical games in a variety of forms (puppet theater, dramatization games, staging) gives consistently good results. Creative and theatrical activities for children with speech problems are one of the most effective ways to correct the speech of preschoolers, in which the main principle of teaching preschoolers is most clearly manifested - learn by playing.
2. Problem: insufficient use of this form in correctional work.
3. Purpose: to help the child master not only the content side of the language (sound pronunciation, vocabulary, grammatical norms, coherent speech), but also its figurative and emotional sides. The use by children of various means of expressiveness of speech, as the most important condition for timely speech, literary and artistic development.
4. Tasks:

• to activate and expand the vocabulary, improve sound pronunciation, grammatical structure, coherent speech skills, its expressiveness;
• develop the emotional-volitional sphere.

1. Implementation period: from October 2013. to May 2014
2. Project participants: pupils of senior groups MBDOU-43, educators, music directors, parents, speech therapist.
3. Required materials: methodological and fiction literature on the topic, puppets and puppet theater scenery, fairy tale scenarios, costumes and costume details for performances, finger theater, toy theater.
4. Expected results: Activation and improvement of all aspects and types of speech through the educational and training opportunities of theatrical activities. Improving vocabulary, sound culture, the ability to think, analyze, generalize. To speak clearly and clearly, figuratively, using verbal and incredible means. Cultivate the habit of vivid figurative speech, the ability to speak to the public, i.e. develop social skills.

Intended product of the project.

1. The final lesson for parents is a joint effort of children and teachers.
2. Systematization of theoretical and practical material for work with educators and parents in a collection.

Project implementation

WORKING WITH EDUCATIONERS.

• development of a series of consultations for educators: "Technique of speech", "Games with tongue twisters", "Elements of theatrical activity in the formation of fine motor skills", "Influence of fingers on the development of speech", "Finger theater as a means of getting to know the outside world",
• workshops: "Introduction to symbolic analogy", "Mimic exercises and etudes of acting skills",
• plans-summaries of classes in theatrical activities for the year for educators,
• development of a series of abstracts of classes on theatrical activities,
• systemic material on the development of speech technology, games with tongue twisters "damaged phone", "handball", "phrase in a circle", "main word",
• album of tongue twisters, sketches for the development of attention and memory, imagination and expressiveness of gestures, “revive the subject”, “compose a fairy tale”, “dreamers”, “we will not be bored”, “choose a profession”, “make and compose”, “it happens ?
• video materials on melodeclamation “Grandfather-tree”, “Horse”, “Sun”, etc. have been prepared and used by educators.
• collection of texts for melodeclamation.

"Games with objects at hand."

Theater and Children.

How to develop a child's speech at home.

How to talk about what you read.

How to come up with stories for games.

What does a child learn in a theatrical game.

Development of correct speech

through children's creativity and theatrical activities

The role of the native language, which helps children to perceive the world around them vividly and consciously, is a means of communication and gives great pleasure to those who own its wealth in full, cannot be overestimated.

In preschool childhood, the child masters the sound side of speech, assimilates a significant part of the dictionary, learns the grammatical norms of speech design, develops coherent speech, the basics of monologue and dialogue.

But the process of speech development offers not only the development of the content side of the language, but also the figurative, emotional. Psychologist and philosopher, Corresponding Member of the USSR Academy of Sciences S. L. Rubinshtein in his work “On the Psychology of Speech” wrote: “The more expressive the speech, the more it is speech, and not just the language, because the more expressive the speech, the more the speaker speaks in it ; his face, himself. Rubinstein considers expressiveness as a qualitative characteristic of speech, which is closely related to the manifestation of a person's individuality.

Accordingly, the use by children of various means of expressiveness of speech is the most important condition for timely speech, literary and artistic development.

Why did I take theatrical activities of children as assistants for the development of speech? I cannot call it the most relevant topic, but the use of theatrical games in a variety of forms (puppet theater, games - dramatization, staging) gives consistently good results.

Creative and theatrical activities for children with speech problems:

One of the most effective ways of corrective influence on the speech of preschoolers, in which the principle of learning is most clearly manifested is to learn by playing.

The use of theatrical creativity allows you to:

• to form moral behavior in children;
• expand and deepen their knowledge about the world around them;

• develop mental processes in children (attention, memory, perception, thinking, imagination);
• activate and expand the vocabulary, improve sound pronunciation, grammatical structure, coherent speech skills, its expressiveness;
• improve children's motor skills, coordination, smoothness, switchability and purposefulness of movements;
• develop the emotional-volitional sphere.

folk art, reading poetry, teaching retelling, the initial forms of verbal creativity.

By virtue of the figurative and concrete thinking of children, staging helps to perceive the work more vividly and more correctly. Seen and experienced in the theater and amateur performances causes the need to tell friends and parents about it. This contributes to the development of speech, the ability to conduct a dialogue, to convey impressions in a monologue.

Theatrical activity always pleases children. Children see the world around them through images, colors, sounds. Children laugh and grieve along with their favorite characters, identify themselves with them.

Theatrical games stand at the boundary of the game and art. They are named so for their proximity to the theatrical performance. We used a variety of games in our work: picture theater, finger, puppets from mittens and gloves, shadow with the help of images of animals and objects (elements of finger gymnastics: bunny, dog, rooster, house, bridge, etc.), toy theater, bi - ba - bo, games - dramatization, staging of works and folklore.

The educational and teaching possibilities of theatrical activity are wide. By participating in it, children get acquainted with the diversity of the world, and skillfully posed questions make them think, analyze, draw conclusions and generalizations.

Improving speech is closely related to mental development. In the process of working on the expressiveness of the characters' replicas, their own statements, they put the baby in front of the need to express himself clearly, clearly, and understandably. The vocabulary5>sound culture is being improved, dialogic speech and its expressiveness are improving.

The expressiveness of speech develops gradually: from involuntary emotional in children to intonational speech in the middle group and to linguistic expressiveness of speech in children of older preschool age. We develop both verbal (intonation, vocabulary, syntax) and non-verbal (facial expressions, gestures, posture) means. We carry out memorization of poems, texts based on symbols - images; game exercises for the development of facial expressions and the formation of statements; stage training. Exercises for the external manifestation of emotions and intonation of phrases are carried out in class and in our free time (with a teacher).

Thus, the habit of vivid, figurative speech, the ability to speak to the public is brought up from childhood, since it often happens that people with rich spiritual content turn out to be closed, shy, avoid public speaking, and get lost in the presence of strangers.

Theatrical activity allows you to form the experience of social behavior skills. Thanks to the fairy tale, the child learns the world, not only with the mind, but also with the heart. And not only cognizes, but also expresses his own attitude to good and evil.

Favorite characters become role models and identifications. This allows the child to solve many problem situations indirectly on behalf of a character, to overcome timidity, shyness, self-doubt.

To work on the topic in all age groups, a subject-spatial environment has been created that provides joint theatrical work and, in addition, is the basis for the independent creativity of each child. In this zone there are various types of puppet theater, clothes and elements of costumes for dressing up, children's drawings, crafts, photographs; which ensures the right and freedom of choice for your favorite pastime.

We use:

• watching puppet shows and talking about them;
• games - dramatizations; acting out fairy tales, dramatizations;
• exercises for the formation of expressiveness of performance;
• exercises on social - emotional development of children.

Stages of project implementation.

• development of a space-developing environment for game theatrical activities,
• selection of software and methodological support,
• preparation of diagnostic tools,
• conducting PDS with educators "Development of children's speech through theatrical activities", 1st lesson - "Relevance and significance of the topic",
• selection of video and audio materials,
• consultations for educators: "Technique of speech", "Finger theater as a means of familiarization with the outside world."

1. main stage

• development of charts of examination of children with speech disorders according to:

artistic and speech and theatrical and gaming activities.

• 2nd lesson of the PDS "Results of a survey of children's speech on this topic",
• master class "Production of attributes for theatrical activities",
• consultation "elements of theatrical activity in the formation of fine motor skills",
• practical training on working with video and audio materials,
• "puppet theater as a means of speech development" - message,
• Pedagogical drawing room "etudes of acting skills".

1. The final stage

• PDS - lesson No. 3 final: "Qualitative change in the speech of children as a result of the project",
• demonstration lesson "Summer fantasy",

Long-term work plan of the parent club MBDOU No. 43 "we will speak beautifully" for the 2013-2014 academic year

The project "Development of coherent speech of preschoolers through theatrical activities" - Notes, scenarios, recommendations - - Methodical piggy bank - Kindergarten No. 107 "Sun"

Project "Development of coherent speech of preschoolers through theatrical activities"

Project relevance

In our preschool institution, the speech direction of children's development is a priority. After all, speech is not only a means of communication, but also an instrument of thinking, creativity, a carrier of memory, information, etc. In other words, speech is a polymorphic (diverse) activity.

Mastering coherent monologue speech is the highest achievement of the speech education of preschoolers. It incorporates the development of the sound side of the language, vocabulary, grammatical structure of speech and occurs in close connection with the development of all aspects of speech: lexical, grammatical, phonetic.

Children acquire their native language through speech activity, through the perception of speech and speaking. Therefore, it is very important to create conditions for well-coherent speech activity of children, for communication, for expressing their thoughts.

Working with children 4-5 years old, in January 2012 I decided to conduct an intermediate diagnosis in order to analyze and identify how effective the methods and techniques I have chosen for implementing the main program are. As a result, the following was revealed: in all educational areas, except for "Communication", there was a positive trend corresponding to the age of the pupils and the tasks of the general education program.

Speech skills remained almost at the same level as at the beginning of the year. This was especially true for the section "Connected speech". In 80% of those tested, the development of coherent speech remained at a low level.

Children could not compose a descriptive story even with the help of a teacher. The questions were not given detailed answers, they answered in monosyllables.

When presenting the narrative, there was a violation of the logical sequence, the scarcity of presentation, the limitations and inferiority of the lexical means of the language. Thus, the problem was revealed: the development of coherent speech does not correspond to age.

Problem. The level of development of coherent speech does not correspond to age.

In the process of working on the expressiveness of the characters' replicas, their own statements, the child's vocabulary is imperceptibly activated, the sound side of speech is being improved. The new role, especially the sound dialogue of the characters, puts the child in front of the need to express himself clearly, clearly, and understandably. His dialogical speech, its grammatical structure improves, he begins to actively use the dictionary, which, in turn, is also replenished.

Goals and objectives of the project

Target: the development of coherent speech in preschoolers by means of theatrical activities.

Tasks:

1. Provide a developing environment saturated with a variety of game materials, scenery, various types of theaters, conducive to the formation of theatrical and game activities and the development of coherent speech of preschoolers.

2. Develop long-term plans for theatrical activities.

3. To carry out interaction with parents in order to enrich the gaming experience, the speech activity of the child.

4. Develop children's speech as a means of communication. Improve dialogical and monologue forms of speech.

Project participants

Project Implementation Mechanism

More details mdoy107-kem.ucoz.ru

"The development of coherent speech of preschoolers through theatrical activities"

Project relevance

One of the important acquisitions of a child in preschool childhood is the mastery of his native speech.

In our preschool institution, the speech direction of children's development is a priority. After all, speech is not only a means of communication, but also an instrument of thinking, creativity, a carrier of memory, information, etc.

In other words, speech is a polymorphic (diverse) activity. Mastering coherent monologue speech is the highest achievement of the speech education of preschoolers.

It incorporates the development of the sound side of the language, vocabulary, grammatical structure of speech and occurs in close connection with the development of all aspects of speech: lexical, grammatical, phonetic. Children acquire their native language through speech activity, through the perception of speech and speaking. Therefore, it is very important to create conditions for well-coherent speech activity of children, for communication, for expressing their thoughts.

Unfortunately, in the modern world, more and more often, live communication for children is replacing computers and television, and this trend is constantly growing. As a result, the number of children with unformed coherent speech is steadily increasing. That is why the development of speech is becoming an increasingly urgent problem in our society.

Working with children aged 5-6 years, in May 2014, during the final monitoring, the following was revealed: in all educational areas, except for "Communication", there was a positive trend corresponding to the age of the pupils and the tasks of the general education program. Speech skills remained almost at the same level as in the middle of the year.

This was especially true for the section "Connected speech". In 80% of those tested, the development of coherent speech remained at an average level. Children could compose a descriptive story only with the help of a teacher.

The questions were not given detailed answers, they answered in monosyllables. When presenting the narrative, there was a violation of the logical sequence, the scarcity of presentation, the limitations and inferiority of the lexical means of the language. Thus, the problem was revealed: the development of coherent speech does not correspond to age.

Problem. The level of development of coherent speech does not correspond to age.

An assessment of the initial state of the identified problematic situation determined the need to search for new forms of work.

I chose theatrical activity as such a form, as a strong, but unobtrusive pedagogical means.

The questions posed to children in preparation for theatricalization encourage them to think, analyze rather complex situations, draw conclusions and generalizations. This contributes to the improvement of mental development and the improvement of speech, which is closely related to it.

In the process of working on the expressiveness of the characters' replicas, their own statements, the child's vocabulary is imperceptibly activated, the sound side of speech is being improved. The new role, especially the sound dialogue of the characters, puts the child in front of the need to express himself clearly, clearly, and understandably. His dialogical speech, its grammatical structure improves, he begins to actively use the dictionary, which, in turn, is also replenished.

Purpose: the development of coherent speech in preschoolers by means of theatrical activities.

1. Provide a developing environment saturated with a variety of game materials, scenery, various types of theaters, contributing to the formation of theatrical and gaming activities and the development of coherent speech of preschoolers.

2. Develop long-term plans for theatrical activities.

3. To carry out interaction with parents in order to enrich the gaming experience, the speech activity of the child.

4. Develop children's speech as a means of communication. Improve dialogical and monologue forms of speech.

Project participants

Children, educators, parents, music director, choreographer, fine arts teacher, speech therapist.

Project Implementation Mechanism

Material from the site nsportal.ru

Irina Pelnova
Experience "Development of children's speech through theatrical activities"

1slide: Business card

Pelnova Irina Yuryevna, teacher of MBDOU kindergarten No. 16 "Pearl"

Pedagogical experience:13 years

Education: vocational secondary, second-year student of the Nizhny Novgorod state university "them. Lobachevsky"

Awards: diploma of MBDOU (2014) for the introduction of innovative technologies in work

professional creed:

“I am proud of my profession for

that I live my childhood many times”

2slide: Subject

« The development of children's speech through theatrical activities»

3 slide:Conditions for the formation of a personal contribution to development of education(from slide)

Work on the development of speech includes the following conditions:

1. Research conditions

2. Methodological conditions

3. Organizational and pedagogical conditions

I studied the theories of philosophers, psychologists, teachers in the field developing development(Vygotsky L. S., Elkonina D. B., Tikheeva E. I., Flerina E. A.).According to most scientists speech development is one of the most important acquisitions of a child in preschool age. After studying the methodological literature, I came to the conclusion that theatrical the game has a great influence on speech child development. Stimulates active speech by expanding vocabulary. The child learns the richness of the native language, its means of expression. Using expressive means and intonations corresponding to the character of the characters and their actions, he tries to speak clearly so that everyone understands him.

4 slide:Relevance.

Analysis of the RPPS of the group for compliance with GEF DO revealed the following Problems:

The insufficiency of ensuring the realization of the educational potential of the group space for speech child development;

Diagnostics by showed the development of speech,What

Low speech activity children

In addition, there is problem:

Dissatisfaction with the interaction with the parents of pupils;

Exactly theatrical the game is one of the brightest emotional means that form the personality of the child. In progress theatrical the game activates and improves vocabulary, sound pronunciation, tempo, expressiveness speeches. Participation in theatrical games gives children joy, causes active interest.

It is known that children love to play, they do not need to be forced to do it. While playing, we communicate with children on their territory. Entering the world of childhood play, we can learn a lot ourselves and teach our children. And the thought said by the German psychologist Karl Gross, which is still used today popularity: "We play not because we are children, but childhood itself is given to us so that we play." All of the above determined my final choice of topic for work experience« The development of children's speech preschool age through theatrical activities».

5 slide:Theoretical justification of personal contribution

This is one of the most effective ways to influence children, in which the principle is most fully and clearly manifested learning: learn by playing.

In addition, one of the requirements of the Federal State Educational Standard is the creation of favorable conditions child development in accordance with their age and individual characteristics and inclinations, development abilities and creativity of each child as a subject of relations with himself, other children, adults and the world.

The educational program of our institution sets tasks development of free communication ...

Vygotsky wrote: “There are all factual and theoretical grounds for asserting that not only intellectual child development, but the formation of his character, emotions and personality as a whole is in directly related to speech».

IN theatrical the game forms an emotionally rich speech. Children better learn the content of the work, the logic and sequence of events, their development and causality.

6 slide. Goal and tasks

I have set myself the following goal.

Creating conditions for speech child development younger preschool age through theatrical activities.

And such tasks:

Develop all oral components speeches;

Cultivate interest and love for reading;

-Develop literary speech;

To cultivate the desire and ability to listen to works of art;

-Develop interest in independent creativity activities;

Satisfy needs children to self-expression;

Involving parents in partnership k. joint theatrical and gaming activities- a unique type of cooperation.

7 slide. Leading pedagogical idea work experience:

educational opportunities theatrical activities are huge: its subject is not limited and can satisfy any interests and desires of the child. Their speech becomes more expressive, competent. They begin to use new words, proverbs and sayings from the script, moreover, in everyday situations that coincide with their semantic content. In the soul of every child lies the desire for free theatrical game in which he reproduces familiar literary plots. This is what activates his thinking, trains memory and figurative perception, develops imagination improves speech.

8slide:Activity aspect

In the organisation theatrical games made extensive use of practical methods learning: a game, a method of game improvisation (serving as a bridge between a child’s games in everyday life and the art of an actor, exercises, a method of effective analysis (etude technique, staging and dramatization.

From verbal methods used storytelling, reading, storytelling children, conversations, learning the works of oral folk art.

All methods and techniques used in the complex, developed attention and memory, imagination, creative imagination.

9slide:Range of personal contribution (Joint activity)

Getting acquainted with fiction, children learn to apply grammatical skills and abilities in dialogical (answers to questions, conversations) and monologue (verbal creativity) speeches, use the means of artistic expressiveness of the language and its grammatical means. Keep the child's interest in theatrical activities. As far as possible, try to attend children's performances. Celebrate achievements and identify ways to improve. Offer to play your favorite role at home

10slide:Range of personal contribution (joint activities with a speech therapist)

Very important Job with a speech pathologist. Together we carry out various ….

11 slide: Personal contribution range (independent activity)

In self activities children choose their own theater and their favorite roles. All theatrical activity in my group is organized in a way that promotes development mental activity, development mental processes, speech skills improve, emotional activity increases. In self activities the child learns to think through his actions, the actions of the heroes he loses. Theatrical play activity contributes to the education of organization, independence. Through his role-playing statements, the child learns the meaning, experiments with the word, facial expressions, gesture.

12slide: Personal contribution range (work with parents)

Parent involvement is important work with theatrical activities. In any case, joint Job teachers and parents contributes to the intellectual and emotional child development. Parents put a lot of effort into tailoring costumes both for children as well as for adults. I strengthen partnerships with the family of each pupil, increase the competence of parents, confidence in their own abilities, and attract them to participate in various events.

13slide:conditions

The process of education comes naturally. The children's interest intensifies when they can independently choose the type of theater and role. Of great importance is the use of various technical means such as tape recordings, watching videos on a laptop, etc.

14 slide. Conditions development of children in theatrical activities

Children develop and communicate their vocabulary not only during theatrical activities. Children learn a lot in free activities. During the role-playing game, they independently conceive the plot and develop his idea. When children play with board games they have imagination develops. Children drawing...

15 slide:Showing a fairy tale to young children

With our little performances we delight children at an early age, showing them their mini productions.

16slide: Acquaintance with the production of a fairy tale

Analyzing work with children, I came to the conclusion that children can show an open display. I approached the choice of a fairy tale with creativity, deciding to show an old fairy tale "The wolf and the seven Young goats" but in a new way. At the beginning work I read the old version of the fairy tale to the children and we discussed it.

17 slide:Showing a fairy tale together "The wolf and the seven Young goats" in a new way

Having done a lot work with children and parents, we showed the fairy tale to the children of the entire kindergarten.

18 slide: Showing a fairy tale together "The wolf and the seven Young goats" in a new way

A fairy tale must be present in the life of a child. A story that teaches entertains calms and even heals. Therefore, in everyday life, I often used fairy tales for education. children.

19 slide:Performance

At children improved speech. I am in my work, in joint activities of children and educator, systematically carried out theatrical game. Theatrical games are performance games. In them, with the help of such expressive means as intonation, facial expressions, gesture, posture and gait, specific images are created. Thanks to theatrical games, y children have developed an emotional sphere, expanded and enriched children's collaboration experience both in real and imaginary situations. Besides, theatrical activity holds great potential for speech development of children. Speech - a wonderful gift of nature - is not given to a person from birth. It takes time for the child to begin to speak correctly and beautifully. And I'm in my work together with the parents made a lot of efforts to ensure that the speech of the child developed correct and timely.

20 slide: TRANSLABILITY OF PRACTICAL RESULTS

Advice for teachers The development of children's speech younger age with theatrical games February 2014 MO in preschool

Demonstration of the results on the website of the preschool educational institution, pedagogical money box:article "Children live in the kindergarten"

Network pedagogical communities: publications on sites site; fairy tale script "The wolf and the seven Young goats" in a new way

21 slide: PERFORMANCE

Speech monitoring development

children second junior group